Hemingway And The Spanish Civil War

During the 1930s, no event was more absorbing or galvanizing to Ernest Hemingway than the Spanish Civil War. Hemingway was passionately devoted to the cause of the democratically elected Spanish Republic and he spent much of the war reporting from its front lines, producing a deeply political body of work that illuminated the conflict and presaged the world war to come. In the end, his immersive journey into the turbulent world of the Spanish Civil War resulted in For Whom the Bell Tolls, a landmark in American political fiction. This book offers a fresh account of Hemingway’s adventures in Spain during the Civil War, stressing his embrace of radical political action and discourse in defense of the Republic against the forces of Fascism. On the eightieth anniversary of For Whom the Bell Tolls, Gilbert H. Muller reconsiders Hemingway as an engaged artist, political actor, and visionary.

Featuring Hemingway's only full-length play, The Fifth Column and Four Stories of the Spanish Civil War brilliantly evokes the tumultuous Spain of the 1930s. These works, which grew from Hemingway's adventures as a newspaper correspondent in and around besieged Madrid, movingly portray the effects of war on soldiers, civilians, and the correspondents sent to cover it. He provides unique insight into how the city itself and the people within it functioned during this time of war. Through love, hate, fear, and brutality, Hemingway explores the complexities that times of war contain in his famed powerful prose.

In 1937 and 1938, Ernest Hemingway made four trips to Spain to cover its civil war for the North American News Alliance wire service and to help create the pro-Republican documentary film The Spanish Earth. Hemingway’s Second War is the first book-length scholarly work devoted to this subject. Drawing on primary sources, Alex Vernon provides a thorough account of Hemingway’s involvement in the Spanish Civil War, a messy, complicated, brutal precursor to World War II that inspired Hemingway’s great novel For Whom the Bell Tolls. Vernon also offers the most sustained history and consideration to date of The Spanish Earth. Directed by Joris Ivens, this film was a landmark work in the development of war documentaries, for which Hemingway served as screenwriter and narrator. Contributing factual, textual, and contextual information to Hemingway studies in general and his participation in the war specifically, Vernon has written a critical biography for Hemingway’s experiences during the Spanish Civil War that includes discussion of the left-wing politics of the era and the execution of José Robles Pazos. Finally, the book provides readings ofFor Whom the Bell Tollsboth in historical context and on its own terms. Marked by both impressive breadth and accessibility, Hemingway’s Second War will be an indispensible resource for students of literature, film, journalism, and European history and a landmark work for readers of Ernest Hemingway.

Featuring Hemingway's only full-length play, The Fifth Column and Four Stories of the Spanish Civil War brilliantly evokes the tumultuous Spain of the 1930s. These works, which grew from Hemingway's adventures as a newspaper correspondent in and around besieged Madrid, movingly portray the effects of war on soldiers, civilians, and the correspondents sent to cover it.

When American authors John Dos Passos and Ernest Hemingway went to Spain in 1937 to witness the Spanish Civil War firsthand, the devastation they encountered was far from impersonal: As Spain was unraveling thread by thread, so was the relationship between these two literary titans. They had arrived in Spain as comrades, leftist writers–in–arms. But a real–life literary mystery unfolded when Dos Passos' friend José Robles—a Spanish–born Johns Hopkins professor—disappeared. Written from a novelist's eye for detail, The Breaking Point is the story of two lives at the intersection of friendship and murder, of love and death, and of literature and history.

Este volumen es un análisis fundamental para entender los lazos del escritor norteamericano con la España republicana y su posterior acogida, durante los años de postguerra, por parte del gobierno del general Franco. Los primeros tres capítulos examinan las alusiones literarias e históricas de algunas de sus obras en referencia a España, su relación política y literaria con Rafael Alberti y la recepción del escritor a la luz de su ideología. Los últimos cinco capítulos ofrecen y explican los documentos españoles, depositados en el Archivo General de la Administración en Alcalá de Henares, que testimonian cómo el gobierno franquista siempre consideró a Hemingway un escritor comunista y, por tanto, peligroso y objeto de censura.

Amid the rubble of a city blasted by a civil war that many fear will cross borders and engulf Europe, the Hotel Florida on Madrid's chic Gran Via has become a haven for foreign journalists and writers. It is here that six people meet and find their lives changed forever. Ernest Hemingway, his career stalled, his marriage sour, hopes that this war will give him fresh material and a new romance; Martha Gellhorn, an ambitious young journalist hungry for love and experience, thinks she will find both with Hemingway in Spain. Robert Capa and Gerda Taro, idealistic and ground-breaking young photographers based in Paris, want to capture history in the making and are inventing moder photojournalism in the process. And Arturo Barea, chief of the Republican government's foreign press office, and Ilsa Kulcsar, his Austrian deputy, are struggling to balance truth-telling with their loyalty to their sometimes-compromised cause - a struggle that places both of their lives at risk. Hotel Florida traces the tangled wartime destinies of these three couples - and a host of supporting characters - living as intensely as they had ever done, against the backdrop of a critical moment in history. It is a narrative of love and reinvention that is, finally, a story about truth, finding it, telling it - and living it, whatever the cost.