Hero Hawk And Open Hand

Along the Ohio, Tennessee, and Mississippi Rivers, the archaeological remains of earthen pyramids, plazas, large communities, and works of art and artifacts testify to Native American civilizations that thrived there between 3000 B.C. and A.D. 1500. This fascinating book presents exciting new information on the art and cultures of these ancient peoples and features hundreds of gorgeous photographs of important artworks, artifacts, and ritual objects excavated from Amerindian archaeological sites. Drawing on excavation findings and extensive research, the contributors to the book document a succession of distinct ancient populations in the pre-Columbian world of the American Midwest and Southeast. A team of interdisciplinary scholars examines the connections between archaeological remains of different regions and the themes, forms, and rituals that continue in specific tribes of today. The book also includes the personal reflections of contemporary Native Americans who discuss their perspectives on the significance of the fascinating and beautiful prehistoric artifacts as well as their own cultural practices today.

In Hidden Thunder, renowned watercolor artist Geri Schrab and archaeologist Robert "Ernie" Boszhardt give readers an up-close-and-personal look at rock art. With an eye toward preservation, Schrab and Boszhardt take you with them as they research, document, and interpret at the ancient petroglyphs and pictographs made my Native Americans in past millennia. In addition to publicly accessible sites such as Wisconsin’s Roche-a-Cri State Park and Minnesota’s Jeffers Petroglyphs, Hidden Thunder covers the artistic treasures found at several remote and inaccessible rock art sites—revealing the ancient stories through words, full-color photographs, and artistic renditions. Offering the duo perspectives of scientist and artist, Boszhardt shares the facts that archaeologists have been able to establish about these important artifacts of our early history, while Schrab offers the artist's experience, describing her emotional and creative response upon encountering and painting these sites. Viewpoints by members of the Menominee, Ho-Chunk, Ojibwe, and other Native nations offer additional insight on the historic and cultural significance of these sites. Together these myriad voices reveal layers of meaning and cultural context that emphasize why these fragile resources—often marred by human graffiti and mishandling or damage from the elements—need to be preserved.

Bioarchaeological Documentation and Cultural Understanding

The decision to publish scholarly findings bearing on the question of Amerindian environmental degradation, warfare, and/or violence is one that weighs heavily on anthropologists. This burden stems from the fact that documentation of this may render descendant communities vulnerable to a host of predatory agendas and hostile modern forces. Consequently, some anthropologists and community advocates alike argue that such culturally and socially sensitive, and thereby, politically volatile information regarding Amerindian-induced environmental degradation and warfare should not be reported. This admonition presents a conundrum for anthropologists and other social scientists employed in the academy or who work at the behest of tribal entities. This work documents the various ethical dilemmas that confront anthropologists, and researchers in general, when investigating Amerindian communities. The contributions to this volume explore the ramifications of reporting--and, specifically,--of non-reporting instances of environmental degradation and warfare among Amerindians. Collectively, the contributions in this volume, which extend across the disciplines of archaeology, anthropology, ethnohistory, ethnic studies, philosophy, and medicine, argue that the non-reporting of environmental mismanagement and violence in Amerindian communities generally harms not only the field of anthropology but the Amerindian populations themselves.

Secrets of an iconic artifact Florida Book Awards, Bronze Medal for Florida Nonfiction Florida Trust for Historic Preservation Award for Meritorious Achievement in Preservation Communications Excavated from a waterlogged archaeological site on the shores of subtropical Florida by legendary anthropologist Frank Hamilton Cushing in 1896, the Key Marco Cat has become a modern icon of heritage, history, and local identity. This book takes readers into the deep past of the artifact and the Native American society in which it was created. Austin Bell explores nine periods in the life of the six-inch-high wooden carving, beginning with how it was sculpted with shell and shark-tooth tools and what it may have represented to the ancient Calusa—perhaps a human-panther god. Preserved in the muck for centuries on Marco Island and discovered in pristine condition due to its oxygen-free environment, the Cat has since traveled more than 12,000 miles and has been viewed by millions of people. It is one of the Smithsonian Institution’s most irreplaceable items. In this fascinating account, Bell traces the clues to the Cat’s mysterious origins that have emerged in its later lives. Captivating readers with the miracle and beauty of this rare example of pre-Columbian art, Bell marvels at how an object originally understood to hold cosmological power has indeed transformed the people and places around it. The Nine Lives of Florida’s Famous Key Marco Cat is the story of a timeless masterpiece of staggering simplicity that has prevailed over impossibly long odds.

Why do people do social-cultural anthropology? Beyond professional career motivations, what values underpin anthropologists' commitments to lengthy training, fieldwork, writing, and publication? Mutuality explores the values that anthropologists bring from their wider social worlds, including the value placed on relationships with the people they study, work with, write about and for, and communicate with more broadly. In this volume, seventeen distinguished anthropologists draw on personal and professional histories to describe avenues to mutuality through collaborative fieldwork, community-based projects and consultations, advocacy, and museum exhibits, including the American Anthropological Association's largest public outreach ever—the RACE: Are We So Different? project. Looking critically at obstacles to reciprocally beneficial engagement, the contributors trace the discipline's past and current relations with Native Americans, indigenous peoples exhibited in early twentieth-century world's fairs, and racialized populations. The chapters range widely—across the Punjabi craft caste, Filipino Igorot, and Somali Bantu global diasporas; to the Darfur crisis and conciliation efforts in Sudan and Qatar; to applied work in Panama, Micronesia, China, and Peru. In the United States, contributors discuss their work as academic, practicing, and public anthropologists in such diverse contexts as Alaskan Yup'ik communities, multiethnic New Mexico, San Francisco's Japan Town, Oakland's Intertribal Friendship House, Southern California's produce markets, a children's ward in a Los Angeles hospital, a New England nursing home, and Washington D.C.'s National Mall. Deeply personal as well as professionally astute, Mutuality sheds new light on the issues closest to the present and future of contemporary anthropology. Contributors: Rogaia Mustafa Abusharaf, Robert R. Alvarez, Garrick Bailey, Catherine Besteman, Parminder Bhachu, Ann Fienup-Riordan, Zibin Guo, Lane Ryo Hirabayashi, Lanita Jacobs, Susan Lobo, Yolanda T. Moses, Sylvia Rodríguez, Roger Sanjek, Renée R. Shield, Alaka Wali, Deana L. Weibel, Brett Williams.

This is the first volume to bring together archaeology, anthropology, and art history in the analysis of pre-Columbian pottery. While previous research on ceramic artifacts has been divided by these three disciplines, this volume shows how integrating these approaches provides new understandings of many different aspects of Ancient American societies. Contributors from a variety of backgrounds in these fields explore what ceramics can reveal about ancient social dynamics, trade, ritual, politics, innovation, iconography, and regional styles. Essays identify supernatural and humanistic beliefs through formal analysis of Lower Mississippi Valley "Great Serpent" effigy vessels and Ecuadorian depictions of the human figure. They discuss the cultural identity conveyed by imagery such as Andean head motifs, and they analyze symmetry in designs from locations including the American Southwest. Chapters also take diachronic approaches—methods that track change over time—to ceramics from Mexico’s Tarascan State and the Valley of Oaxaca, as well as from Maya and Toltec societies. This volume provides a much-needed multidisciplinary synthesis of current scholarship on Ancient American ceramics. It is a model of how different research perspectives can together illuminate the relationship between these material artifacts and their broader human culture. Contributors: | Dean Arnold | George J. Bey III | Michael Carrasco | David Dye | James Farmer | Gary Feinman | Amy Hirshman | Yumi Park Huntington | Johanna Minich | Shelia Pozorski and Thomas Pozorski | Jeff Price | Sarahh Scher | Dorothy Washburn | Robert F. Wald