His Forge Burns Hot For Mosaic Damascus Knife Patterns Techniques

American Bladesmith Society master smith Rick Dunkerley lights the mosaic-damascus fire, recommending steels and explaining the forge welding process, as well as steel stacking, pattern making, finishing and much more. Dunkerley includes diagrams and how-to sidebars on mosaic damascus patterns.

An illustrated catalog of knives, including pocket knives, kitchen implements and war weapons.

Damascus steel: centuries-old, hot-forged steel that is legendary for making sharp, strong blades that struck fear in many a mans heart. Artisans, blacksmiths, and hobbyists the world over have initiated a renaissance of this fascinating, decorative material, which is the focus of this comprehensive book. Unravel the history and mysteries surrounding various types of Damascus steel before delving into the theory and mechanics of forging your own complex Damascus steel creations. Use the detailed, computer-generated illustrations and hundreds of photos to learn how to forge-weld your Damascus steel billets, properly execute torsion technique, and see the endless potential for forging patterns in Damascus steel. Complete with material and equipment requirements, safety precautions, practical tips, temperature charts, and examples of finished works, this book offers inspiration and the fundamentals of working in this ancient medium. Ideal for amateur blacksmiths and experienced metalworkers. Includes a bonus poster, "Practical Tips for the Blacksmith."

An in-depth exploration of the effects of different steels, heat treatments, and edge geometries on knife performance. This book provides ratings for toughness, edge retention, and corrosion resistance for all of the popular knife steels. Micrographs of over 50 steels. Specific recommended heat treatments for each steel. And answers to questions like: 1) Does a thinner or thicker edge last longer? 2) What heat treatment leads to the best performance? 3) Are there performance benefits to forging blades? 4) Should I use stainless or carbon steel? All of these questions and more are answered by a metallurgist who grew up around the knife industry.

Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.

David A. Scott provides a detailed introduction to the structure and morphology of ancient and historic metallic materials. Much of the scientific research on this important topic has been inaccessible, scattered throughout the international literature, or unpublished; this volume, although not exhaustive in its coverage, fills an important need by assembling much of this information in a single source. Jointly published by the GCI and the J. Paul Getty Museum, the book deals with many practical matters relating to the mounting, preparation, etching, polishing, and microscopy of metallic samples and includes an account of the way in which phase diagrams can be used to assist in structural interpretation. The text is supplemented by an extensive number of microstructural studies carried out in the laboratory on ancient and historic metals. The student beginning the study of metallic materials and the conservation scientist who wishes to carry out structural studies of metallic objects of art will find this publication quite useful.