Historical Plays

The book offers the clearest definition yet of the history play, its scope and its limits. Historical drama is an extremely popular genre among 20th-century English playwrights. Yet the sheer size and complexity of the subject has, until now, prevented critics from attempting a clear definition. Dr. Harben provides a new and original perspective, taking into account modern ideas of and attitudes to history. The author examines the varying approaches to history taken by modern historians and playwrights, and provides a detailed analysis of the historical source material of selected plays. The study is supported with a wealth of vivid and provocative illustrations. Historical and dramatic criticism is related to theatrical interpretation and experience. This book therefore should prove valuable and interesting to the reader with a specialist interest in the field as well as to the more general reader.

Insecure siblings fighting for their parents’ attention; bickering spouses who can’t stand to be together or apart; adultery and sexual experimentation; even the struggle to balance work and family: These are themes as much at home in our time as they were in the twelfth century. In James Goldman’s classic play The Lion in Winter, domestic turmoil rises to an art form. Keenly self-aware and motivated as much by spite as by any sense of duty, Henry II and Eleanor of Aquitaine maneuver against each other to position their favorite son in line for succession. By imagining the inner lives of Henry, Eleanor, and their sons, John, Geoffrey, and Richard, Goldman created the quintessential drama of family strife and competing ambitions, a work that gives visceral, modern-day relevance to the intrigues of Angevin England. Combining keen historical and psychological insight with delicious, mordant wit, the stage play has become a touchstone of today’s theater scene, and Goldman’s screenplay for the 1968 film adaptation won him an Academy Award. Told in “marvelously articulate language, with humor that bristles and burns” (Los Angeles Times), The Lion in Winter is the rare play that bursts into life on the printed page.

Four ground-breaking plays that explore the complex relationship between England and India over more than a century, weaving together personal and political narratives. The Waiting Room: Priya Banerjee is dead, but her life is far from over. She has just three days left to roam the earth before she can go on to the 'Waiting Room' of spirits. As she reluctantly watches and listens to her family, Priya is guided by a droll and increasingly impatient immortal soul in the guise of her Bollywood idol, Dilip Kumar. Great Expectations: Relocating Pip's extraordinary journey to nineteenth-century India, this coming-of-age story, evoking some of Dickens' most colourful characters, is faithful to the period of the book and the richness of Dickens' language – a vivid theatrical retelling of a universally loved masterpiece. The Empress: It is the Jubilee! Queen Victoria's Golden Jubilee, 1887. At Tilbury Docks, Rani and Abdul step ashore after the long voyage from India. One has to battle a society who deems her a second-class citizen, the other forges an astonishing entanglement with the ageing Queen who finds herself enchanted by stories of an India she rules but has never seen. Lions and Tigers: Based on the true story of Tanika Gupta's great uncle and freedom fighter Dinesh Gupta, the play charts the Dinesh's emotional and political awakening as this extraordinary 19-year-old pits himself against the British Raj. Winner of the James Tait Black Award in 2018.