Home To Turtle Bay

A warm and witty multi-generational romantic comedy, set in a coastal Australian farming community. Dr Jennifer Kelly has reached the pinnacle of her career as a successful Manhattan obstetrician, complete with ambitious, blue-blooded fiance. After a desolate childhood with a distant grandmother, life seems everything she's ever wanted. When a grandfather she's never heard of leaves her a dairy farm on an isolated Australian island - plus one depressed dog, thirty geriatric cows and a bunch of ancient surfboards - she plans a quick trip to put the farm up for sale. Her aloof, socialite grandmother Muriel is appalled, yet insists on accompanying her. Once there, Jenny finds herself caught, by cows, by turtles - and by Jack McLachlan, the overworked island doctor who desperately needs her help. Muriel's caught too, with ghosts of her wartime past threatening to crack the shell she's built with such dedication and care. But isn't Manhattan their home? How can two women give up the perfect world they've worked so hard for by taking a chance on ... life? " -- Publisher.

It’s 1947, and New York City is awaiting the construction of the new United Nations building, the FBI is actively pursuing Communists and Soviet spies as the Cold War begins to build, and homosexual men have even more reasons to hide who they are. Uptight FBI Agent Arthur Mason is so deep in the closet he doesn’t even realize he’s in one. Clueless about his own sexuality, he’s surprised at his reaction to both Hans Schmidt and his twin sister, Ada. Under pressure from work, Mason investigates Hans and his boarders, including the highly suspicious Hank Mannix, a known member of the Communist Party. Though Mason can’t seem to locate Ada, he can’t stop thinking about Hans and keeps going back to visit. Hans Schmidt is a cross-dressing German immigrant running a boarding house for “a certain type of man,” and he wants nothing to do with Agent Mason and his ill-fitting suits and bad haircut. Until he begins to see Mason more as a man and less as a government official. Hans enjoys dressing as a woman from time to time, and once his feelings for Arthur begin to change, he realizes he needs to share his Ada persona if they are to have a future together. Secrets on both sides must be revealed and cherished beliefs challenged if these two men are to find the love and happiness they deserve. This story can be read on its own; however, characters from book one, Dublin Bay, play a prominent role as secondary characters, so it’s recommended to read that first.

The mid-20th century ushered in a new era for the East Midtown neighborhood of Turtle Bay. The United Nations moved into its headquarters on the East River, and the Third Avenue El--last of Manhattan's elevated rail lines--was dismantled, making way for one of New York City's biggest building booms. The site of large farms in colonial times, Turtle Bay grew into a neighborhood of elegant brownstones in the mid 1800s, only to deteriorate with the arrival of factories and slaughterhouses later in the century. In the 1920s, charming town houses and luxury apartments sparked a renaissance, attracting influential and celebrated residents to this "small town" oasis in the heart of the city. Manhattan's Turtle Bay tells the story of the past half-century, as the neighborhood recognized its role at the center of the world's diplomatic stage and adjusted to life amid the gleaming high-rise towers all around.

Considers (75) H.R. 3689.

Shows vividly how the Great Fire of 1835, which nearly leveled Manhattan also created the ashes from which the city was reborn.In 1835, a merchant named Gabriel Disosway marveled at a great fire enveloping New York, commenting on how it "spread more and more vividly from the fiery arena, rendering every object, far and wide, minutely discernible - the lower bay and its Islands, with the shores of Long Island and NewJersey." The fire Disosway witnessed devastated a large swath of lower Manhattan, clearing roughly the same number of acres as the World Trade Center bombing, Manhattan Phoenix explores the emergence of modern New York after it emerged from the devastating fire of 1835 - a catastrophe that revealedhow truly unprepared and haphazardly organized it was - to become a world-class city merely a quarter of a century later. The one led to other. New York effectively had to start over.Daniel Levy's book charts Manhattan's almost miraculous growth while interweaving the lives of various New Yorkers who took part in the city's transformation. Some are well known, such as the land baron John Jacob Astor and Mayor Fernando Wood. Others less so, as with the African-American oystermanThomas Downing and the Bowery Theatre impresario Thomas Hamblin. The book celebrates Fire Chief James Gulick who battled the blaze, and celebrates the work of the architect Alexander Jackson Davis who built marble palaces for the rich. It chronicles the career of the merchant Alexander Stewart whoconstructed the first department store, follows the struggles of the abolitionist Arthur Tappan, and records of the efforts of the engineer John Bloomfield Jervis who brought clean water into homes. And this resurgence owed so much to the visionaries, such as Frederick Law Olmsted and Calvert Vaux,who designed Central Park, creating a refuge that it remains to this day.Manhattan Phoenix reveals a city first in flames and then in flux but resolute in its determination to emerge as one of the world's greatest metropolises.

In the first full-scale life of the most important composer-lyricist at work in musical theatre today, Meryle Secrest, the biographer of Frank Lloyd Wright and Leonard Bernstein, draws on her extended conversations with Stephen Sondheim as well as on her interviews with his friends, family, collaborators, and lovers to bring us not only the artist--as a master of modernist compositional style--but also the private man. Beginning with his early childhood on New York's prosperous Upper West Side, Secrest describes how Sondheim was taught to play the piano by his father, a successful dress manufacturer and amateur musician. She writes about Sondheim's early ambition to become a concert pianist, about the effect on him of his parents' divorce when he was ten, about his years in military and private schools. She writes about his feelings of loneliness and abandonment, about the refuge he found in the home of Oscar and Dorothy Hammerstein, and his determination to become just like Oscar. Secrest describes the years when Sondheim was struggling to gain a foothold in the theatre, his attempts at scriptwriting (in his early twenties in Rome on the set of Beat the Devil with Bogart and Huston, and later in Hollywood as a co-writer with George Oppenheimer for the TV series Topper), living the Hollywood life. Here is Sondheim's ascent to the peaks of the Broadway musical, from his chance meeting with play- wright Arthur Laurents, which led to his first success-- as co-lyricist with Leonard Bernstein on West Side Story--to his collaboration with Laurents on Gypsy, to his first full Broadway score, A Funny Thing Happened on the Way to the Forum. And Secrest writes about his first big success as composer, lyricist, writer in the 1960s with Company, an innovative and sophisticated musical that examined marriage à la mode. It was the start of an almost-twenty-year collaboration with producer and director Hal Prince that resulted in such shows as Follies, Pacific Overtures, Sweeney Todd, and A Little Night Music. We see Sondheim at work with composers, producers, directors, co-writers, actors, the greats of his time and ours, among them Leonard Bernstein, Ethel Merman, Richard Rodgers, Oscar Hammerstein, Jerome Robbins, Zero Mostel, Bernadette Peters, and Lee Remick (with whom it was said he was in love, and she with him), as Secrest vividly re-creates the energy, the passion, the despair, the excitement, the genius, that went into the making of show after Sondheim show. A biography that is sure to become the standard work on Sondheim's life and art.