Homegoing

A PENGUIN BOOK CLUB PICK "Homegoing is an inspiration." —Ta-Nehisi Coates An unforgettable New York Times bestseller of exceptional scope and sweeping vision that traces the descendants of two sisters across three hundred years in Ghana and America. A riveting kaleidoscopic debut novel and the beginning of a major career: Yaa Gyasi's Homegoing is a novel about race, history, ancestry, love and time, charting the course of two sisters torn apart in 18th century Africa through to the present day. Two half sisters, Effia and Esi, unknown to each other, are born into two different tribal villages in 18th century Ghana. Effia will be married off to an English colonist, and will live in comfort in the sprawling, palatial rooms of Cape Coast Castle, raising "half-caste" children who will be sent abroad to be educated in England before returning to the Gold Coast to serve as administrators of the Empire. Her sister, Esi, will be imprisoned beneath Effia in the Castle's women's dungeon, before being shipped off on a boat bound for America, where she will be sold into slavery. Stretching from the tribal wars of Ghana to slavery and Civil War in America, from the coal mines in the north to the Great Migration to the streets of 20th century Harlem, Yaa Gyasi has written a modern masterpiece, a novel that moves through histories and geographies and—with outstanding economy and force—captures the intricacies of the troubled yet hopeful human spirit.

A NEW YORK TIMES NOTABLE BOOK • Ghana, eighteenth century: two half sisters are born into different villages, each unaware of the other. One will marry an Englishman and lead a life of comfort in the palatial rooms of the Cape Coast Castle. The other will be captured in a raid on her village, imprisoned in the very same castle, and sold into slavery. One of Oprah’s Best Books of the Year and a PEN/Hemingway award winner, Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi, from the American Civil War to Jazz Age Harlem. Yaa Gyasi’s extraordinary novel illuminates slavery’s troubled legacy both for those who were taken and those who stayed—and shows how the memory of captivity has been inscribed on the soul of our nation.

“Powerfully magnetic. . . . In the lineage of great works by Chinua Achebe and Chimamanda Ngozi Adichie. . . . A thoroughly contemporary—and deeply moving—portrait of a marriage.” —The New York Times Book Review Ilesa, Nigeria. Ever since they first met and fell in love at university, Yejide and Akin have agreed: polygamy is not for them. But four years into their marriage—after consulting fertility doctors and healers, and trying strange teas and unlikely cures—Yejide is still not pregnant. She assumes she still has time—until her in-laws arrive on her doorstep with a young woman they introduce as Akin’s second wife. Furious, shocked, and livid with jealousy, Yejide knows the only way to save her marriage is to get pregnant. Which, finally, she does—but at a cost far greater than she could have dared to imagine. The unforgettable story of a marriage as seen through the eyes of both husband and wife, Stay With Me asks how much we can sacrifice for the sake of family. A New York Times Notable Book One of the Best Books of the Year: NPR, The Wall Street Journal, The Economist, Chicago Tribune, BuzzFeed, Entertainment Weekly, The New York Post, Southern Living, The Skimm A 2017 BEA Buzz Panel Selection A Belletrist Book-of-the-Month A Sarah Jessica Parker Book Club Selection Shortlisted for the 2017 Baileys Women’s Prize for Fiction Shortlisted for the Wellcome Book Prize and the 9mobile Prize for Literature Longlisted for the International Dylan Thomas Prize

An invitation to reclaim our worth as persons created in the image of God. Both scholarly and personal, Curtiss Paul DeYoung's profound public journey has intersected again and again with social realities of injustice and alienation. He graciously shares here his compelling story of hope and reconciliation. New insights and new challenges arise as he encounters Desmond Tutu, Malaak Shabazz, Rabbi Menachem Froman, Sojourner Truth, Samuel Ruiz Garcia, Lani Guinier, Cain Hope Felder, James Earl Massey, Mary McLeod Bethune, Ronald Takaki, Samuel Hines, Howard Thurman, and many others. The hallmarks of DeYoung's engaging narrative are spiritual transformation, innovative leadership, and creative courage.

With unerring insight and emotional power, Belva Plain, in her extraordinary novel, tells the story of a family divided and of the proud matriarch who takes a bold last stand to unite her warring children in what may be their last Homecoming. It is a crisp December day when Annette Byrne walks to the end of her long, curving driveway and drops five sealed envelopes into the mailbox, quickly, before second thoughts stay her hand. Shortly thereafter, with the holidays approaching, her estranged family will be gathered at her country estate for the first time in years. The sons. . . two brothers embittered by a breach of ethics, honor, and trust. The grandchildren. . . one young couple on the verge of divorce; another, lovingly united against the parents who have tarnished their lives. As the ill-fated meeting hurtles toward a bitter and abrupt conclusion, not even Annette Byrne's indomitable will can heal the rift--until a shattering event alters the landscape forever.

An illustrated history of African-American farmers, Homecoming is a requiem for a way of life that has almost disappeared. Based on the film Homecoming, produced for the Independent Television Service with funding provided by the Corporation for Public Broadcasting. The videocassette of Homecoming is available from California Newsreel at www.newsreel.org.

African Americans and others in the African diaspora have increasingly “come home” to Africa to visit the sites at which their ancestors were enslaved and shipped. In this nuanced analysis of homecoming, Katharina Schramm analyzes how a shared rhetoric of the (Pan-)African family is produced among African hosts and Diasporan returnees and at the same time contested in practice. She examines the varying interpretations and appropriations of significant sites (e.g. the slave forts), events (e.g. Emancipation Day) and discourses (e.g. repatriation) in Ghana to highlight these dynamics. From this, she develops her notions of diaspora, home, homecoming, memory and identity that reflect the complexity and multiple reverberations of these cultural encounters beyond the sphere of roots tourism.

Professional crisis manager Philippa Tannenbaum is spokesperson for the law enforcement task force charged with solving a high-profile case. She never dreams her position as Homecoming Pageant Director and her second-place finish in the previous year's competition has placed her on a serial killer's hit list. Always a runner-up in life, she wants to finally come in first at finding the killer targeting the current crop of beauties. Her friend Luke Slaughter, a Graysville city cop, shows up at Philippa's office, assigned to partner with her in solving the case and to protect her 24/7 for the duration. Unfortunately, he's also the man she hooked up with for a one-night stand when she broke up with her fiancé. Working with her is going to be less than easy, for a number of reasons...