Hoo Hah Out Our Way The Poetry Of J R Williams

J. R. Williams has often been called "The Mark Twain of the American Newspaper Cartoon." This volume is first of a series devoted to J. R. Williams' long-running "Out Our Way" panels (1922-1957). It deals with the remarkable poetry contained in his comics, sometimes hilarious, sometimes touching, and always authentic. Williams himself left home at an early age and worked as a cavalry man, a cowboy, and machinist. His true-life experiences became the basis for his cartoons, and his panels were among the most clipped ever to appear in newspapers. To this day, "Out Our Way" scrapbooks from the twenties and thirties still regularly show up at estate sales and thrift shops. The editors of Hoo-Hah! have restored Williams' drawings from yellowed clippings to look like they originally appeared when first printed -- large formatted and with clean lines. In the near future, more Hoo-Hah! publications will be printed, devoted to single subjects, or a variety of Classic American humorous stories, comics, and film.

J. R. Williams has often been called "The Mark Twain of the American Newspaper Cartoon." This volume is the second of a series devoted to J. R. Williams' long-running "Out Our Way" panels (1922-1957). The "Born Thirty Years Too Soon" cartoon panels manage to be both funny and touching, each one carrying his own authentic real life experiences of the late nineteenth and early twentieth centuries.Williams himself left home at an early age and worked as a cavalry man, a cowboy, and machinist. His true-life experiences became the basis for his cartoons, and his panels were among the most clipped ever to appear in newspapers. To this day, "Out Our Way" scrapbooks from the twenties and thirties still regularly show up at estate sales and thrift shops."His men and women and children are the Americans we will want those of the future to remember and not those we hope they will forget." - Russell Crouse ("The Sound of Music" author) The editors of Hoo-Hah! have restored Williams' drawings from yellowed clippings to look like they originally appeared when first printed -- large formatted and with clean lines. In the near future, more Hoo-Hah! publications will be printed, devoted to single subjects, or a variety of Classic American humorous stories, comics, and film.

J. R. Williams has often been called "The Mark Twain of the American Newspaper Cartoon." This volume is the third of a series devoted to J. R. Williams' long-running "Out Our Way" panels (1922-1957). The professional cartooning career of J. R. Williams began in 1922 and continued until his death in 1957. During this period, it is estimated that he produced over 10,000 published drawings.From his own experiences as young ranch hand, Williams drew a series of cowboy cartoons from 1924 to1926 that actually work as a graphic novel. Combining gag-a-day cartoons with elements of romance, suspense, and thrilling western adventure, this early newspaper panel cartoon collection will leave you laughing and gasping! In many ways, this story could be considered one of the first Graphic Novels, and has never been presented in this way before.Williams himself left home at an early age and worked as a cavalry man, a cowboy, and machinist. His true-life experiences became the basis for his cartoons, and his panels were among the most clipped ever to appear in newspapers. To this day, "Out Our Way" scrapbooks from the twenties and thirties still regularly show up at estate sales and thrift shops.The editors of Hoo-Hah! have restored Williams' drawings from yellowed clippings and scans of microfiled newspapers to look like they originally appeared when first printed -- large formatted and with clean lines. In the near future, more Hoo-Hah! publications will be printed, devoted to single subjects, or a variety of Classic American humorous stories, comics, and film.

DigiCat Publishing presents to you this special edition of "The Big Sea" by Langston Hughes. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals

New York Times Bestseller • Finalist for the Pulitzer Prize • An Oprah's Book Club Selection “Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.