Horror At The Haunted House

It was a job any kid would kill for: to play a role in the Historical Society's Haunted House Halloween fundraising event. Ellen Streater was thrilled to play Joan of Arc, burning at the stake. It was for a good cause—to benefit the eerie old Clayton House, soon to reopen as a museum. They said the house was haunted. Ellen didn't believe it—until she felt a strange, icy feeling when she touched the beautiful Fairylustre bowl. Then she saw the ghost in the mirror—a beautiful phantom who beckoned her into a nightmare beyond her wildest dreams. "Entertaining and appealing, with lively and believable young people and a personable ghost." —School Library Journal

A popular phenomenon since antiquity, the image of the haunted house is one that has translated elegantly into the modern medium of film. The haunted house transcends genre, appearing in mysteries, gothic romances, comedies and horror films. This book is the first comprehensive historical and critical study of themes surrounding haunted houses in film. Covering more than 100 films, it spans from the Mystery House thrillers of the silent era to the high-tech, big budget productions of the 21st Century. Included are the works of such acclaimed directors as D.W. Griffith, Robert Wise, Mario Bava, Alfred Hitchcock, Stanley Kubrick, Tim Burton and Guillermo Del Toro. The book also covers the real-life "haunted house" phenomenon and movies based on paranormal case files, including those featured in films like the Conjuring series.

While acting in a "haunted house" featuring interesting deaths in history, Ellen is contacted by the ghost of a former resident, who seems to be protecting the collection of antique Wedgwood dishes on display there.

Classic haunted house ghost stories curated by world-renowned filmmaker and horror genre expert John Landis. This beautifully presented, highly collectible anthology features ghost stories that have enthralled, terrified and inspired readers decade after decade. Some are relatively well known; others are long-lost treasures, awaiting rediscovery. The selection includes tales of terror by Bram Stoker, H. P. Lovecraft, and Percival Landon; studies of creeping dread by Edgar Allan Poe and Henry James; short, sharp shockers by Ambrose Bierce, M.R. James and Lafcadio Hearn; and comedic masterpieces by Oscar Wilde and Saki. Mr. Landis' own introduction explores each tale's fascinating impact on the contemporary horror genre. Step inside these ghost-ridden repositories of supernatural evil, if you dare... "The oldest and strongest emotion of mankind is fear and the oldest and strongest kind of fear is fear of the unknown." H. P. Lovecraft

Spending Christmas holidays in the wilderness with his ex-con aunt Mag is not Evan's idea of a good time. What's worse is that everyone he meets-even his new friend Cedar-is making a big deal about a loon that is hanging around on the lake. Why should Evan care about a dumb bird' When he discovers that the loon will die without help, he realizes he does care, but rescuing the wild bird turns out to be whole lot harder, and more dangerous, than he expected.

AN INSTANT NEW YORK TIMES BESTSELLER "Wildly entertaining."-The New York Times "Ingenious."-The Washington Post New York Times bestselling author Grady Hendrix takes on the haunted house in a thrilling new novel that explores the way your past—and your family—can haunt you like nothing else. When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success. Unfortunately, she’ll need his help to get the house ready for sale because it’ll take more than some new paint on the walls and clearing out a lifetime of memories to get this place on the market. But some houses don’t want to be sold, and their home has other plans for both of them… Like his novels The Southern Book Club’s Guide to Slaying Vampires and The Final Girl Support Group, How to Sell a Haunted House is classic Hendrix: equal parts heartfelt and terrifying—a gripping new read from “the horror master” (USA Today).

Horror films revel in taking viewers into shadowy places where the evil resides, whether it is a house, a graveyard or a dark forest. These mysterious spaces foment the terror at the heart of horror movies, empowering the ghastly creatures that emerge to kill and torment. With Dark Places, Barry Curtis leads us deep inside these haunted spaces to explore them – and the monstrous antagonists who dwell there. In this wide-ranging and compelling study, Curtis demonstrates how the claustrophobic interiors of haunted spaces in films connect to the ‘dark places’ of the human psyche. He examines diverse topics such as the special effects – ranging from crude to state-of-the-art – used in movies to evoke supernatural creatures; the structures, projections and architecture of horror movie sets; and ghosts as symbols of loss, amnesia, injustice and vengeance. Dark Places also examines the reconfiguration of the haunted house in film as a motel, an apartment, a road or a spaceship, and how these re-imagined spaces thematically connect to Gothic fictions. Curtis draws his examples from numerous iconic films – including Nosferatu, Psycho, The Texas Chainsaw Massacre and The Shining – as well as lesser-known international works, which allow him to consider different cultural ideas of ‘haunting’. Japanese horror films and their Hollywood remakes – such as Ringu and The Ring, or Juon and The Grudge – come under particular scrutiny, as he explores Japanese cinema’s preoccupation with malevolent forces from the past. Whether you love the splatter of blood or prefer to hide under the couch, Dark Places cuts to the heart of why we are drawn to carnage.