Horror In The Woods

FINDING THAT DESECRATED BODY WAS ONLY THE BEGINNING...For Ashley and her three friends, it was supposed to be an adventure-filled weekend. A chance to get away from the hustle-and-bustle of city life, and experience the peaceful tranquility of nature.But when they ventured into those woods, their trip turned into a horror far beyond what they could have ever imagined.Because these four friends have wandered into the territory of the violent, grotesque Webb family. A group of psychopaths who have a taste for human meat. And they are hungry!Ashley and her friends must face this evil head on, and worse, discover the shocking secret behind the family's existence...In the vein of THE EVIL DEAD, TEXAS CHAINSAW MASSACRE, and WRONG TURN - HORROR IN THE WOODS will leave you exhausted and drained. A brutal, violent tale that hurtles along at break-neck pace - one that horror fans should not miss!

THE HUNTEDThe idea sounded like such fun to Susan Benning. Camping on the pristine mountains of Idaho with her old high school gang right after their thirty-year reunion. Even the kids were looking forward to it. But something felt wrong the deeper they traveled into the woods. Something was watching them from behind the thick undergrowth. Waiting . . . THE HUNTERS Their race had lived among the Great Trees in peace for centuries. The “others” came to kill animals with strange weapons and poison their sacred waters with the things they carelessly left behind. But they would soon learn to stay away. The Old Hunger would teach them. Especially the little ones.

Eisner Award Winner: “A graphic debut that blends the gothic strangeness of Tim Burton with the macabre illustrations of Edward Gorey . . . wonderfully chilling.” —Financial Times Journey through the woods in this sinister, compellingly spooky collection that features four brand-new stories and one phenomenally popular tale. These are fairy tales gone seriously wrong, where you can travel to “Our Neighbor’s House” —though coming back might be a problem. Or find yourself a young bride in a house that holds a terrible secret in “A Lady’s Hands Are Cold.” You might try to figure out what is haunting “My Friend Janna,” or discover that your brother’s fiancée may not be what she seems in “The Nesting Place.” And of course, you must revisit the horror of the breakout webcomic hit “His Face All Red.” “Eerie illustrations . . . masterfully build terrifying tension.” —Booklist (starred review) “Through the Woods is, in every sense of the word, thrilling.” —The New York Times Book Review “Beautifully rendered . . . A delight for Edgar Allan Poe and Alvin Schwartz enthusiasts.” —School Library Journal (starred review) “Carroll makes the woods of the title entirely her own, a metaphor for the danger that lurks and snarls outside the door, but which entices us outside, nevertheless.” —Globe and Mail “Brilliant.” —Kirkus Reviews (starred review)

A dark fairytale, full of witchcraft, where nothing is as it seems Once upon a time there was and there wasn't a woman who went to the woods. In this dark fairy tale, a young woman sets off to pick berries in the depths of the forest, but can't find her way home again. Or perhaps she has fled or abandoned her family. Or perhaps she's been kidnapped, and set loose to wander in the wilderness. Alone and possibly lost, she meets another woman who offers her help. Then everything changes. On a journey that will take her to the depths of the witch-haunted woods, through a deep well wet with the screams of men, and on a living ship made of human bones, our heroine may find that the evil she flees has been inside her all along. Laird Huntis an American writer and translator. He has written seven novels, including Neverhome, which was a New York Times Book Review Editor's Choice selection, an IndieNext selection, winner of the Grand Prix de Littérature Américaine and The Bridge prize, and a finalist for the Prix Femina Étranger. His In the House in the Dark of the Woods is also available from Pushkin Press. A resident of Boulder, CO, he is on the faculty in the creative writing PhD program at the University of Denver.

A normal American town. A group of travellers. A deadly monster. Richard Laymon's The Woods Are Dark thrills with suspense and vivid accounts of pure terror. Perfect for fans of Stephen King and Dean Koontz. In the woods are six dead trees. The Killing Trees. That's where they take them. Innocent travellers on the road in California. Seized and bound, stripped of their valuables and shackled to the Trees. To wait. In the woods. In the dark... What readers are saying about The Woods Are Dark: 'This is the best Richard Laymon I have read. So compelling that I literally could not stop reading. It's an erotic thriller that will have your heart racing from the first page to the last' 'A brilliant read. A typical Laymon book full of suspense and thrill. A satisfying read that leaves the reader wanting more' 'Five stars'

For fans of Small Spaces and the Goosebumps series by R.L Stine comes a chilling ghost story about a girl living in the decrepit and creepy mansion, who discovers something in the woods is after her. All Ginny Anderson wants from her summer is to sleep in, attend a mystery writing workshop, and spend time with her best friend. But when Ginny's father—a respected restoration expert in Chicago—surprises the family with a month-long trip to Michigan, everything changes. They aren't staying in a hotel like most families would. No, they're staying in a mansion. A twenty-six room, century-old building surrounded by dense forest. Woodmoor Manor. But unfortunately, the mansion has more problems than a little peeling wallpaper. Locals claim the surrounding woods are inhabited by mutated creatures with glowing eyes. And some say campers routinely disappear in the woods, never to be seen again. As terrifying as it sounds, Ginny can't shake the feeling that there's something darker . . . another story she hasn't been told. When the creaky floors and shadowy corners of the mansion seem to take on a life of their own, Ginny uncovers the wildest mystery of all: There's more than one legend roaming Saugatuck, Michigan, and they definitely aren't after campers. It's after her. "This is a teeth-chattering, eyes bulging, shuddering-and-shaking, chills-at-the-back-of-your-neck ghost story. I loved it!"—R.L. Stine, author of the Goosebumps series on Scritch Scratch Pick up What Lives in the Woods if you are looking for: A book for middle school students, 5th grade to 9th grade A story with a strong female protagonist that explores bravery, friendship, and family Mystery books for kids 9-12 Chilling ghost stories and ghost books for kids (perfect for Halloween!)

Read the official novelization to get the full story of this terrifying movie! From Joss Whedon, the creator of Buffy the Vampire Slayer, and Drew Goddard, writer of the monster movie phenomenon Cloverfield, comes the horror film to end all horror films! The details of the plot are a closely guarded secret, though Joss himself has described it as “a straight-up, balls-out, really terrifying horror movie,” adding,"it is not just a slasher in the woods. It's a little more complicated than that..."

Robin Wood—one of the foremost critics of cinema—has laid the groundwork for anyone writing about the horror film in the last half-century. Wood’s interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. Robin Wood on the Horror Film: Collected Essays and Reviews compiles over fifty years of his groundbreaking critiques. In September 1979, Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: The American Nightmare: Essays on the Horror Film — the first serious collection of critical writing on the horror genre. Robin Wood on the Horror Film now contains all of Wood’s writings from The American Nightmare and nearly everything else he wrote over the years on horror—published in a range of journals and magazines—gathered together for the first time. It begins with the first essay Wood ever published, "Psychoanalysis of Psycho," which appeared in 1960 and already anticipated many of the ideas explored later in his touchstone book, Hitchcock’s Films. The volume ends, fittingly, with, "What Lies Beneath?," written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genre’s renaissance in the 1970s. Wood’s prose is eloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology. Deftly combining Marxist, Freudian, and feminist theory, Wood’s prolonged attention to classic and contemporary horror films explains much about the genre’s meanings and cultural functions. Robin Wood on the Horror Film will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.