How The Beatles Knew

This well-researched book explains how Paul McCartney's artistic process led The Beatles. The author analyzes the Beatles' songs showing how they used ideas from the fields of psychology and the social sciences. McCartney's songs began incorporating these ideas and language when he arrived at the Asher's in 1963 which led the group to worldwide fame and guided the "counterculture." The group continued to use these subtexts as a way to write songs through their final album release. A ground-breaking literary analysis of The Beatles' songs and why they were compelling. Discusses the 1959 Macy Conference on LSD and Psychotherapy, the theories of Frank Fremont-Smith, Dr. Carl Van Rhijn, Dr. Sidney Cohen and cyberneticist Gregory Bateson. Analysis of R.D. Laing's general anti-psychiatry approach, David Cooper's writings, and Maxwell Jones's concept of the "therapeutic society." The last place one would think to find such ideas was in Beatles songs, but the author shows them influencing the structure of most of their output, including from the early "She Loves You," on to "Yellow Submarine," "Hey Jude" and "Going Home," and explains their integration with McCartney's artistic process. "Changing the fashions and lifestyles of youth throughout the world didn't happen by accident. We knew what we were doing." - John Lennon"An entertaining deep dive into the lyrics of Paul McCartney. A must-read for Beatlemaniacs." - Ken Goffman, author of Counterculture Through the AgesIncludes Appendices, Reference Notes and Index. 446 pages.

Few music groups have been able to sustain a fan base over half a century that is as significant and devoted as those of the Beatles, and this entertaining guide to all things Fab Four rewards those fans with everything they need to know about the band in a one-of-a-kind format. Packed with history, trivia, lists, little-known facts, and must-do adventures that every Beatles fan should undertake, it ranks each item from one to 100. Fans of any generation will appreciate the songs, albums, places, personalities, and events that are relived and revealed from five decades of Beatles lore.

"Simultaneously published in Great Britain by Little Brown UK"-- Title page verso.

The first concept album in the history of popular music, the soundtrack of the Summer of Love or 'Hippy Symphony No. 1': Sgt. Pepper's Lonely Hearts Club Band is first and foremost the album that gave rise to 'hopes of progress in pop music' (The Times, 29 May 1967). Sgt. Pepper and the Beatles commemorates the fortieth anniversary of this masterpiece of British psychedelia by addressing issues that will help put the record in perspective. These issues include: reception by rock critics and musicians, the cover, lyrics, songwriting, formal unity, the influence of non-European music and art music, connections with psychedelia and, more generally, the sociocultural context of the 1960s, production, sound engineering and musicological significance. The contributors are world renowned for their work on the Beatles: they examine Sgt. Pepper from the angle of disciplines such as musicology, ethnomusicology, history, sociology, literature, social psychology and cultural theory.

When we went to the Palace to get The Beatles their OBEs. John Lennon had some acid with him. 'I'm gonna slip it into the Queen's tea,' he told me. 'I want to open her mind and try to get her to declare war on somewhere nice and warm so we can all go and fight on the beaches.' After Jane Asher dumped Paul McCartney he literally used to cry on my shoulder. We hit the bottle together. Hard. 'I had everything and I threw it all away,' he would say. Alistair Taylor was with The Beatles from the moment they signed with Brian Epstein. In fact, apart from the signatures of each of the Fab Four, his is the only other name on the contract. From the very beginning he travelled, ate, partied, and even holidayed with them, right up until the beginning of the group's spectacular break up. As the group's 'Mr Fixit' he settled paternity cases, bought islands, houses and estates, and took care of John, Paul, George and Ringo when their lifestyles became a little too lively. Alistair Taylor was privy to all the secrets that we were never supposed to know. Now, on the 50th anniversary of Ringo's appointment as drummer, he reveals for the first time what it was really like to ride the rollercoaster that was the sixties with The Beatles.

The Beatles' Second Album runs only 22 minutes, with just 11 songs--many of which the group didn't write. Despite all that, the album personifies the Beatles: the world's greatest rock'n'roll band, according to well-known rock'n'roll critic and author Dave Marsh. With its overload of rock'n'roll, R&B, and early soul influence, including "Roll Over Beethoven," and "Long Tall Sally", The Beatles' Second Album - the book and the album - offers a great vantage point from which to see the group's enormous impact on pop music and culture. Marsh breaks new ground by focusing on the Beatles' US recordings and how they evolved from British releases at a time when the two nations' approaches to rock'n'roll production were vastly different.

At lunchtime on a bitterly cold January day in 1969, the strains of guitar chords could be heard in the streets surrounding London’s Savile Row. Crowds gathered – At ground level and above. People climbed onto roofs and postboxes, skipped lunch to gather and listen: For the first time in more than two years, The Beatles were playing live. Ringing from the rooftops, disturbing the well-to-do ears of the tailors below, they upset the establishment and bewildered the police. It was filmed by director Michael Lindsay-Hogg, who hoped the footage would act as the finale to a celebratory TV special. When it finally surfaced, it was in the bleak, tumultuous documentary Let It Be. And The Beatles would never play live again. Tony Barrell examines the concert within the context of its time. He speaks to those who were there: the fans, film-makers, roadies, Apple Corps staff and police. He explores the politics of 1968, when peace gave way to protest, and how music promotion began to collide with cinéma vérité and reality TV. The Beatles on the Roof makes essential reading for anyone interested in the band’s reinventions and relationships, revealing why the rooftop concert happened at all, why it happened the way that it did, and why it would never happen again.

An oral history of The Beatles from never-before-seen interviews. All You Need Is Love is a groundbreaking oral history of the one of the most enduring musical acts of all time. The material is comprised of intimate interviews with Paul McCartney, Yoko Ono, George Harrison, Ringo Starr, their families, friends and business associates that were conducted by Beatles intimate Peter Brown and author Steven Gaines in 1980-1981 during the preparation of their international bestseller, The Love You Make, which spent four months on the New York Times bestseller list in 1983 and remains the biggest selling biography worldwide about the Beatles Only a small portion of the contents of these transcribed interviews have ever been revealed. The interviews are unique and candid. The information, stories, and experiences, and the authority of the people who relate to them, have historic value. No collection like this can ever be assembled again. In addition to interviews with Paul, Yoko, Ringo and George, Brown and Gaines also include interviews from ex-wives Cynthia Lennon, Pattie Harrison Clapton, and Maureen Starkey, as well as the major social and business figures of the Beatles’ inner circle. Among other sought-after information the interviews contribute definitively as to why the Beatles broke up.