How We Go Home

In myriad ways, each narrator’s life has been shaped by loss, injustice, and resilience—and by the struggle of how to share space with settler nations whose essential aim is to take all that is Indigenous. Hear from Jasilyn Charger, one of the first five people to set up camp at Standing Rock, which kickstarted a movement of Water Protectors that roused the world; Gladys Radek, a survivor of sexual violence whose niece disappeared along Canada’s Highway of Tears, who became a family advocate for the National Inquiry into Missing and Murdered Indigenous Women and Girls; and Marian Naranjo, herself the subject of a secret radiation test while in high school, who went on to drive Santa Clara Pueblo toward compiling an environmental impact statement on the consequences of living next to Los Alamos National Laboratory. Theirs are stories among many of the ongoing contemporary struggles to preserve Native lands and lives—and of how we go home.

Gordon Korman’s uproarious, outrageous, and all-too-familiar summer camp adventure is BACK! Rudy Miller really isn’t into the whole camping thing. So when his parents send him to Camp Algonkian “for his own good” all he wants to do is go home. Rudy teams up with his cabin-mate Mike for a series of carefully planned — yet hilariously bungled — escape attempts. Unfortunately, their counsellor (and nemesis) Chip is as determined to keep them there as they are to get away. Rudy and Mike spend their days plotting, playing chess, and working off punishments for their failed escapes. Hmmm, maybe it isn’t such a bad way to spend the summer after all . . .

"Today We Go Home shines an illuminating light on history and the female soldiers who have served this country from the Civil War to Afghanistan today. Kelli Estes passionately brings the past to life, interweaving the story of two women from different centuries whose journey towards hope is timeless."—GWENDOLYN WOMACK, USA Today bestselling author of The Fortune Teller and The Time Collector In this evocative work of historical fiction, USA Today bestselling author Kelli Estes pairs two military women who—in the Civil War and Afghanistan—share determination, honor, and a call to serve the United States, no matter the cost. Seattle, Washington: Larkin Bennett has always known her place, whether it's surrounded by her loving family in the lush greenery of the Pacific Northwest or conducting a dusty patrol in Afghanistan. But all of that changed the day tragedy struck her unit and took away everything she held dear. Soon after the disaster, Larkin discovers an unexpected treasure—the diary of Emily Wilson, a young woman who disguised herself as a man to fight for the Union in the Civil War. As Larkin struggles to heal, she finds herself drawn deeply into Emily's life and the secrets she kept. Indiana, 1861: The only thing more dangerous to Emily Wilson than a rebel soldier is the risk of her own comrades in the Union Army discovering her secret. But, as the war marches on and takes its terrible toll, Emily begins to question everything she thought she was willing to risk her life for. Historical fiction fans of Marie Benedict, Beatriz Williams, and Kate Quinn will be inspired by this story of two women in militaries, separated by centuries, but united in hope and dignity.

How We Go Home shares contemporary Indigenous stories in the long and ongoing fight to protect Native land and life.

An anthology of Asian diasporic writers musing on the notion of “home.” “Bold and devastating . . . the very definition of reclamation.” —The International Examiner Asian diasporic writers imagine “home” in the twenty-first century through an array of fiction, memoir, and poetry. Both urgent and meditative, this anthology moves beyond the model-minority myth and showcases the singular intimacies of individuals figuring out what it means to belong. “The notion of home has always been elusive. But as evidenced in these stories, poems, and testaments, perhaps home is not so much a place, but a feeling one embodies. I read this book and see my people—see us—and feel, in our collective outsiderhood, at home.” —Ocean Vuong, New York Times-bestselling author of On Earth We’re Briefly Gorgeous “To be from nowhere is the state of Asian diaspora, but there is also a wild humor and imagination that comes from being underestimated, rarely counted, hardly seen. Here, we begin to draw the hopeful outlines of a collective history for those so disparate yet often lumped together.” —Jenny Zhang, author of My Baby First Birthday “Language allows for many homes, and perhaps the writers—and readers of the anthology too—will succeed in returning home, or finding a home, through these words.” —NPR.org “Effectively dismantling all sorts of stereotypes, Buchanan’s anthology gives voice to notions of identity, belonging and displacement that are much more vast, complex and textually rich than mere geography.” —Shelf Awareness “Revolutionary for all the iterations of ‘home’ it shows through fiction, poetry, and memoir, sure to provoke a full range of emotions to swoon and clutch in my chest.” —Literary Hub

In 1990, Gerald Conaty was hired as senior curator of ethnology at the Glenbow Museum, with the particular mandate of improving the museum’s relationship with Aboriginal communities. That same year, the Glenbow had taken its first tentative steps toward repatriation by returning sacred objects to First Nations’ peoples. These efforts drew harsh criticism from members of the provincial government. Was it not the museum’s primary legal, ethical, and fiduciary responsibility to ensure the physical preservation of its collections? Would the return of a sacred bundle to ceremonial use not alter and diminish its historical worth and its value to the larger society? Undaunted by such criticism, Conaty oversaw the return of more than fifty medicine bundles to Blackfoot and Cree communities between the years of 1990 and 2000, at which time the First Nations Sacred Ceremonial Objects Repatriation Act (FNSCORA)—still the only repatriation legislation in Canada—was passed. “Repatriation,” he wrote, “is a vital component in the creation of an equitable, diverse, and respectful society.” We Are Coming Home is the story of the highly complex process of repatriation as described by those intimately involved in the work, notably the Piikani, Siksika, and Kainai elders who provided essential oversight and guidance. We also hear from the Glenbow Museum’s president and CEO at the time and from an archaeologist then employed at the Provincial Museum of Alberta who provides an insider’s view of the drafting of FNSCORA. These accounts are framed by Conaty’s reflections on the impact of museums on First Nations, on the history and culture of the Niitsitapi, or Blackfoot, and on the path forward. With Conaty’s passing in August of 2013, this book is also a tribute to his enduring relationships with the Blackfoot, to his rich and exemplary career, and to his commitment to innovation and mindful museum practice.

Big Bird goes to stay with his grandmother at the beach and is homesick until he makes a new friend.

You Can't Go Home Again is a novel by Thomas Wolfe published posthumously in 1940. The novel tells the story of George Webber, a fledgling author, who writes a book that makes frequent references to his home town of Libya Hill. The book is a national success but the residents of the town, unhappy with what they view as Webber's distorted depiction of them, send the author menacing letters and death threats. (Wikipedia).