Human Rights Suffering And Aesthetics In Political Prison Literature

This interdisciplinary volume of essays studies human rights in political prison literature, while probing the intersections of suffering, politics, and aesthetics in an interliterary and intercultural context. As the first book to explore the concept of global aesthetics in political prison narratives, it demonstrates how literary insight enhances the study of human rights. Covering varied geographical and geopolitical regions, this collection encourages comparative analyses and cross-cultural understanding. Seeking to interrogate linguistic, structural, and cultural constructions of the political prison experience, it highlights the literary aspects without losing sight of the political and the theoretical. The contributors cross various disciplinary boundaries and adopt different interpretive perspectives in analyzing prison narratives, especially memoirs, from such diverse countries as China, Egypt, Morocco, Syria, Romania, Russia, Uruguay, and the U.S. The volume emphasizes the literary works produced since the second half of the twentieth century, particularly since the political seismic shift in 1989. The authors treated range from the canonical to the less well-known: Nawal El Saadawi, Varlam Shalamov, Zhang Xianliang, Cong Weixi, Wumingshi, Carlos Liscano, Fatna El Bouih, Nabil Sulayman, Faraj Bayraqdar, Hasiba 'Abdalrahman, Tahar Ben Jelloun, Nicolae Steinhardt, Irina Ratushinskaya, etc. Critical issues investigated include how the writers represent their sufferings, experiences, and emotions during incarceration; their strategies of survival; and how political prison literature can reveal hidden violations of human rights, while resisting official discourse and serving other functions in society. Examining the commonalities and differences in global experiences of imprisonment, the eight chapters engage with the aesthetics of self-making and resistance, individual and collective memory, denial and conversion, catharsis and redemption, and the experiencing and witnessing of trauma. Topics also include the politics of remembering and the politics of representation, such as the problematic relationship between narrative, language, and representations of torture. Similarly under discussion are prison aesthetics of happiness, the role of spectacle in the criminal justice system, and the intersection of prison, gender, and silences. At a juncture when more and more people all over the world actively defy repressive regimes and demand political reform, this book makes a timely contribution to the advocacy and discourse of universal human rights.

Prison Writing and the Literary World tackles international prison writing and writing about imprisonment in relation to questions of literary representation and formal aesthetics, the “value” or “values” of literature, textual censorship and circulation, institutional networks and literary-critical methodologies. It offers scholarly essays exploring prison writing in relation to wartime internment, political imprisonment, resistance and independence creation, regimes of terror, and personal narratives of development and awakening that grapple with race, class and gender. Cutting across geospatial divides while drawing on nation- and region-specific expertise, it asks readers to connect the questions, examples and challenges arising from prison writing and writing about imprisonment within the UK and the USA, but also across continental Europe, Stalinist Russia, the Americas, Africa and the Middle East. It also includes critical reflection pieces from authors, editors, educators and theatre practitioners with experience of the fraught, testing and potentially inspiring links between prison and the literary world.

Could the strange behavior of Penny's softball team be caused by the score keeper and computer whiz?

This remarkable collection of prison literature inspires with the eloquent idealism of prisoners of conscience through the ages. The contributors include many of the world's finest writers: Wole Soyinka, Primo Levi, Irina Ratushinskaya, Fydor Dostoyevsky, Henry Thoreau. There are moving accounts from victims of the Holocaust, Soviet labour camps and psychiatric prisons, nuclear protestors, civil rights and anti-apartheid activists, anti-colonial nationalists and targets of religious persecution throughout history.

Arabic Prison Literature: Resistance, Torture, Alienation, and Freedom introduces prison literature through the prism of works written by Arab authors in the second half of the twentieth century. Geula Elimelekh's unique approach largely eschews the socio-political-historical review of this subgenre of Arabic political literature. Instead, she delves deeply and humanely into a psychological, critical literary, and existentialist-philosophical analysis of the authors and characters whose lives are scarred and ruined by prisons and torment. This book holds nothing back of the atrocities and horrors that authors like 'Abd al-Rahman Munif in East of the Mediterranean, Sun'Allah 'Ibrahim in That Smell, Sharif Hatatah in The Eye with the Metal Eyelid, and Nabil Sulayman in The Prison sought to bring to the attention of the Arab public and the world. What happens within the confines of the political prison and to the families of the prisoners and torturers is exposed in this literature through a combination of human episodes described with artistic sensitivity of the highest calibre. This body of literature is doubly important, because on the one hand it demands a re-examination of the Arab culture and mind-set that fosters brutal, patriarchal, self-serving regimes that crush freedom and human rights, while on the other it accurately exposes the inhuman conditions of daily life in prison. It is precisely at this time - during the on-going Arab spring - when the historical rhythms of earlier revolutions and uprisings appear to be repeating themselves that the paradoxical duality of prison literature again calls out for the long overdue retrospective found between these covers.

14. After a riot

From her cell in a women's prison, Aziza decides to create a golden chariot to take her to heaven, where her wishes and dreams can be fulfilled. As she muses on who to take with her, she tells the life stories of her fellow prisoners and decides in her heart which ones deserve a free ride to paradise. Aziza's cruelly frank comments about her friends and their various crimes including murder, theft, and drug-dealing weave these tales together into a contemporary Arabian Nights. Salwa Bakr takes a wry and cynical look at how women from widely differing backgrounds, some innocent and some guilty, come together in a single prison ward. Salwa Bakr's writing depicts life at the grassroots of Egypt's culture, admiring its resilience in the face of poverty and inequality. With a strong distrust of imported kitsch, western consumerism is contrasted with the indigenous culture. In The Golden Chariot, Salwa Bakr opens a magical door, through which we are able to see the injustices of a society in transition. Beyond these stories of crime, we glimpse the yearning and longing for a better life, and the problems of not being able to realize these dreams by honest means.