Hundred Days

Napoleon has escaped from Elba – the Hundred Days have begun.

Now in paperback, Napoleon’s return to the throne in Paris, as imagined by the incomparable Joseph Roth Joseph Roth paints a vivid portrait of Emperor Napoleon’s last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica—an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates. Roth’s signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. “There may be,” as James Wood has stated, “no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile.”

Life on the street was a justified sentence for Eugene Lauder. Every day he stumbled through the endless fog of poverty, the ghost of an old leather jacket the only testament to his existence. Until the chance discovery in a remote garbage container of something amazing. A lost bloodline that would suddenly catapult the invisible vagrant into a netherworld of undying love and unreal deception. The challenge would test his every limit and hurl the lone drifter into a disturbing maze of ancient evil and modern greed. Will his mind accept that destiny, or become forever trapped inside the crystal ball before him. It is a tale of survival and devotion. A reality that mankind can no longer avoid.

Once the gleaming "Paris of the East," Bucharest in 1989 is a world of corruption and paranoia, in thrall to the repressive regime of Nicolae Ceau?escu. Old landmarks are falling to demolition crews, grocery shelves are empty, and informants are everywhere. Into this state of crisis, a young British man arrives to take a university post he never interviewed for. He is taken under the wing of Leo O'Heix, a colleague and master of the black market, and falls for the sleek Celia, daughter of a party apparatchik. Yet he soon learns that in this society, friendships are compromised, and loyalty is never absolute. And as the regime's authority falters, he finds himself uncomfortably, then dangerously, close to the eye of the storm. By turns thrilling and satirical, studded with poetry and understated revelation, The Last Hundred Days captures the commonplace terror of Cold War Eastern Europe. Patrick McGuinness's first novel is unforgettable.

Describes the difficult and bloody four-month battle that tipped the stalemate on the Western Front in favor of the Allies in 1918 and drove back the Germans, bringing World War I to an end.

From one of Australia’s most celebrated authors comes a powerful mother-daughter drama that explores the fault lines between love and control, pairing the claustrophobic intensity of Room and My Year of Rest and Relaxation with the youthful angst of Freshwater. Sixteen and pregnant, Karuna finds herself trapped in her mother’s Melbourne public housing apartment for one hundred days awaiting the birth of her child—and her mother’s next move in a shocking power struggle over who will raise the baby. To fill the seemingly endless hours of her imprisonment, she writes to her unborn child, determined that her baby will know the truth, no matter what happens. Karuna’s pregnancy is the result of a heady act of independence, lust, and defiance that happened in a moment of freedom from her overprotective mother. In reaction to her daughter’s recklessness, Karuna’s mother locks her inside their apartment to her to make sure she can’t get into any more trouble. While postpartum confinement is a tradition in many cultures, is Karuna’s an act of love—or emotional abuse? As the birth approaches, Karuna and her mother repeatedly trip the fault lines between love and control. And somehow, despite their battles, Karuna recognizes her mother’s love in even the strangest of behaviors. At times tense and unnerving, One Hundred Days illuminates the pain, confusion, and thrill of growing up and the overwhelming desire of adults to protect the children they

Agnes doesn't know it, but she only has one hundred days left to live. When she was just a baby, she was diagnosed with Progeria, a rare disease that causes her body to age at roughly ten times the normal rate. Now nearly sixteen years old, Agnes has already exceeded her life expectancy. Moira has been Agnes’s best friend and protector since they were in elementary school. Due to her disorder, Agnes is still physically small, but Moira is big. Too big for her own liking. So big that people call her names. With her goth makeup and all-black clothes, Moira acts like she doesn’t care. But she does. Boone was friends with both girls in the past, but that was a long time ago—before he did the thing that turned Agnes and Moira against him, before his dad died, before his mom got too sad to leave the house. An unexpected event brings Agnes and Moira back together with Boone, but when romantic feelings start to develop, the trio’s friendship is put to the test.

Fiction. Winner of the 2016 Edmund White Award for Debut Fiction and Winner of the 2016 ReLit Award for Fiction. In prose by turns haunting and crystalline, Carellin Brooks' ONE HUNDRED DAYS OF RAIN enumerates an unnamed narrator's encounters with that most quotidian of subjects: rain. Mourning her recent disastrous breakup, the narrator must rebuild a life from the bottom up. As she wakes each day to encounter Vancouver's sky and city streets, the narrator notices that the rain, so apparently unchanging, is in fact kaleidoscopic. Her melancholic mood alike undergoes subtle variations that sometimes echo, sometimes contrast with her surroundings. Caught between the two poles of weather and mood, the narrator is not alone: whether riding the bus with her small child, searching for an apartment to rent, or merely calculating out the cost of meager lunches, the world forever intrudes, as both a comfort and a torment. "A quiet and meditative book that reads like a mystery: How do we find ourselves--sometimes simultaneously--moving both toward and away from the things that matter to us most?"--Johanna Skibsrud