Hung Drawn And Executed

Graham Humphreys' career as a poster artist looms large over horror cinema. From designing the iconic Evil Dead poster to Nightmare on Elm Street and House of a Thousand Corpses, his work is familiar to everyone. It's easy to see why his work grabs the attention of horror fans and filmmakers alike as he continually and systematically sets the bar ever higher in his quest for sheer terror and pure entertainment. With more than 40 years experience he is one of the few contemporary illustrators using the traditional medium of gouache to paint his images. Includes previously unseen work: paintings, drawings, and color studies.

Hung, Drawn, and Quartered takes an informative, no-holds-barred look at the history of execution, from Ancient Rome to the modern day. It is divided into eleven broadly chronological chapters, each exploring a different form of execution and is packed with gory details, eyewitness accounts, and little-known facts.

THE ART OF HORROR: AN ILLUSTRATED HISTORY

This open access book is the culmination of many years of research on what happened to the bodies of executed criminals in the past. Focusing on the eighteenth and nineteenth centuries, it looks at the consequences of the 1752 Murder Act. These criminal bodies had a crucial role in the history of medicine, and the history of crime, and great symbolic resonance in literature and popular culture. Starting with a consideration of the criminal corpse in the medieval and early modern periods, chapters go on to review the histories of criminal justice, of medical history and of gibbeting under the Murder Act, and ends with some discussion of the afterlives of the corpse, in literature, folklore and in contemporary medical ethics. Using sophisticated insights from cultural history, archaeology, literature, philosophy and ethics as well as medical and crime history, this book is a uniquely interdisciplinary take on a fascinating historical phenomenon.

Sir William Wallace is a biography by Alexander Falconer Murison. Sir William Wallace was a Scottish knight and hero; who became one of the main leaders during the First War of Scottish Independence.

"My Experiences as an Executioner" by James Berry presents a chilling and unflinchingly honest account of Berry's time as an executioner, providing readers with a gripping glimpse into the dark and complex world of capital punishment. Through his candid revelations and introspective reflections, Berry navigates the moral and ethical dilemmas he faced in his role, shedding light on the profound impact it had on his psyche. His narrative unearths the haunting realities of life and death decisions, offering readers a unique perspective on the complexities of justice, morality, and the weight of one's actions. As readers delve into Berry's experiences, they are confronted with thought-provoking questions about the nature of punishment, the human capacity for empathy, and the long-lasting emotional scars left by his grim profession. This book serves as a poignant exploration of the human condition and the somber consequences of society's pursuit of justice.

Tyburn is the most famous killing field in London. Here's its story in all its bloody glory.

"It was Rebecca's son, Thomas, who first realized the victim's identity. His eyes were drawn to the victim's head, and aided by the flickering light of a candle, he 'clapt his hands and cryed out, Oh Lord, it is my mother.' James Moills, a servant of Cornell... described Rebecca 'lying on the floore, with fire about Her, from her Lower parts neare to the Armepits.' He recognized her only 'by her shoes.'"—from Killed Strangely On a winter's evening in 1673, tragedy descended on the respectable Rhode Island household of Thomas Cornell. His 73-year-old mother, Rebecca, was found close to her bedroom's large fireplace, dead and badly burned. The legal owner of the Cornells' hundred acres along Narragansett Bay, Rebecca shared her home with Thomas and his family, a servant, and a lodger. A coroner's panel initially declared her death "an Unhappie Accident," but before summer arrived, a dark web of events—rumors of domestic abuse, allusions to witchcraft, even the testimony of Rebecca's ghost through her brother—resulted in Thomas's trial for matricide. Such were the ambiguities of the case that others would be tried for the murder as well. Rebecca is a direct ancestor of Cornell University's founder, Ezra Cornell. Elaine Forman Crane tells the compelling story of Rebecca's death and its aftermath, vividly depicting the world in which she lived. That world included a legal system where jurors were expected to be familiar with the defendant and case before the trial even began. Rebecca's strange death was an event of cataclysmic proportions, affecting not only her own community, but neighboring towns as well. The documents from Thomas's trial provide a rare glimpse into seventeenth-century life. Crane writes, "Instead of the harmony and respect that sermon literature, laws, and a hierarchical/patriarchal society attempted to impose, evidence illustrates filial insolence, generational conflict, disrespect toward the elderly, power plays between mother-in-law and daughter-in-law, [and] adult dependence on (and resentment of) aging parents who clung to purse strings." Yet even at a distance of more than three hundred years, Rebecca Cornell's story is poignantly familiar. Her complaints of domestic abuse, Crane says, went largely unheeded by friends and neighbors until, at last, their complacency was shattered by her terrible death.