Hunt The Space Witch

Space opera at its best—wild and fast and furious, as only Robert Silverberg could write it As a young man, Robert Silverberg was a science fiction prodigy, turning out top-flight stories in the blink of an eye. Though written quickly, Silverberg’s early prose already showed evidence of the literary and imaginative qualities that would make him a giant in the field. In “Slaves of the Star Giants,” electrician Lloyd Harkins finds himself transported from 1956 into a desolate far-future Earth ruled by monstrous aliens. And in the gripping title story, a spacer named Barsac risks his life and sanity to free a friend from the clutches of an evil cult—by joining the cult himself. Filled with slam-bang action and dazzling speculation, these seven novellas pay eloquent homage to the Golden Age of science fiction and anticipate the groundbreaking work that has become Silverberg’s legacy.

Shortlisted for the 2008 Katharine Briggs Award Witch-Hunting in Scotland presents a fresh perspective on the trial and execution of the hundreds of women and men prosecuted for the crime of witchcraft, an offence that involved the alleged practice of maleficent magic and the worship of the devil, for inflicting harm on their neighbours and making pacts with the devil. Brian P. Levack draws on law, politics and religion to explain the intensity of Scottish witch-hunting. Topics discussed include: the distinctive features of the Scottish criminal justice system the use of torture to extract confessions the intersection of witch-hunting with local and national politics the relationship between state-building and witch-hunting and the role of James VI Scottish Calvinism and the determination of zealous Scottish clergy and magistrates to achieve a godly society. This original survey combines broad interpretations of the rise and fall of Scottish witchcraft prosecutions with detailed case studies of specific witch-hunts. Witch-Hunting in Scotland makes fascinating reading for anyone with an interest in witchcraft or in the political, legal and religious history of the early modern period.

A New York Times Notable Book: A far-future coming-of-age tale from the SF Grand Master, “one of the world’s finest stylists and storytellers” (San Antonio Express-News). “What wonders and adventures he has to tell us,” is how Ursula K. Le Guin characterized the work of Robert Silverberg, and in The Longest Way Home, he takes readers on another dazzling odyssey. Joseph, fifteen and separated from his family in the land known as Getfen, awakens to an attack on the Great House in which he is visiting. Narrowly escaping with his life but still pursued by enemies who wish to see him killed, Joseph must journey across a dark, unfamiliar world on his quest to return to his home of Helikis and his father. He has thousands of miles to travel and much to learn about this perilous alien world in transition—and about himself. “What the greatly changed Joseph might find at the end of his journey, and how he might react, are questions that I came to care deeply about.” —The New York Times Book Review “The Longest Way Home recalls, in a lot of ways, the old-time frontier adventures, not the ones with the cowboys and the Indians, but the ones where people have to learn to survive in the wilderness or along the prairie. [Joseph’s] adventures in survival are exciting, and the travels along this world are a pleasant escape.” —SF Site “This engaging, entertaining book is a fast read with many thoughtful themes.” —School Library Journal

A remarkable collection, Robots through the Ages includes stories from some of the best writers of science fiction, both old and new. This anthology, with an introduction by Robert Silverberg, offers a sweeping survey of robots as depicted throughout literature. Since The Iliad—in which we are shown golden statues built by Hephaestus “with minds and wisdoms”—humans have been fascinated by the idea of artificial life. From the Argonautica to the medieval Jewish legend of the Golem and Ambrose Bierce’s tale of a chess-playing robot, the idea of what robots are—and who creates them—can be drastically different. This book collects a broad selection of short stories from celebrated authors such as Philip K. Dick, Seanan McGuire, Roger Zelazny, Connie Willis, and many more. Robots through the Ages not only celebrates the history of robots and the genre of science fiction, but the dauntless nature of human ingenuity.

When aliens invade, a generations-long struggle begins against an impenetrable enemy in this sci-fi epic from the Hugo and Nebula Award–winning author. The Entities have arrived on Earth, fifteen feet tall with impenetrable defenses and inscrutable motives. As conquerors, they have no demands, no explanations, simply harsh consequences should they be challenged. Releasing a plague and plunging the world into a new Dark Age, the Entities seem unbeatable. But, one family at least—the Carmichael clan led by Colonel Anson Carmichael—will never give up the resistance. THE ALIEN YEARS is an epic story told over multiple generations by master of thoughtful science fiction Robert Silverberg. Can ideas of freedom survive in the face of an overwhelmingly powerful enemy? “A remarkable study of human endurance and patience that belongs in most SF collections.” —The Library Journal “Sobering and frightening…. Silverberg’s rich characters, his dead-on-target vision of modern society, his mastery at building tension—all are in evidence in this notable outing from one of the very best.” —Publishers Weekly

The Science Fiction Grand Master’s Thorns “holds up chillingly well after all these decades. A dark pastiche upon Beauty and the Beast” (SF Reviews). In a world where humanity has colonized the solar system and begun to explore more of the local galaxy, a vast audience follows real-life stories presented by wealthy media mogul Duncan Chalk. To satisfy his audience’s voyeuristic needs—and his own appetite for others’ pain—he pairs Minner Burris, an emotionally withdrawn space explorer who was captured and freakishly surgically altered by aliens, with Lona Kelvin, a suicidal seventeen-year-old girl who donated eggs for a fertility experiment that produced one hundred babies, none of whom she has been allowed to adopt or even see. Chalk promises to solve their personal problems in return for a joint performance tour. Though the love affair doesn’t last, Chalk keeps the couple on the hook by making new offers. While Minner and Lona struggle to cope with their newfound celebrity and Chalk’s broken promises, they will uncover the true nature of their manipulator—and risk everything to regain the humanity that has been stolen from them . . . An early exploration of media exploitation and a deep look at freak-show entertainment on a mass scale, this novel was one of the earliest of Silverberg’s mature masterworks. “Masterful . . . This is a sophisticated novel, beautifully written, intelligent and insightful, with wonderful dialogue and a satisfying conclusion.” —Fantasy Literature “Silverberg’s brooding, post-utopian, rumination has the makings of a great science fiction novel. . . . A worthwhile read which rambles along a dark path . . . Well done.” —Science Fiction Ruminations

From the Hugo and Nebula Award–winning author: “High adventure, considerable tension, and—most important—social consciousness” (Harlan Ellison). Simeon Krug is the king of the universe. A self-made man, he is the Bill Gates of the era, having built a megacommercial empire on the backs of his products: androids, genetically engineered human slaves. Having amassed incredible wealth, his next major goal is to communicate with aliens living in an uninhabitable world, sending a mysterious signal. This requires building a mile high tower in the arctic tundra. The androids want civil equality with humans, but are divided on the best means to the goal—political agitation or religious devotion to Krug, their creator. And Krug’s son, Manuel, is reluctant to step into his role as heir to his father’s empire.

“Intelligent and engaging science fiction” set against the backdrop of an environmental apocalypse from the SF Grand Master (The Washington Post). Not so very far in the future, the icecaps have melted and many coastal communities have been flooded out. The ozone layer is destroyed. Some areas are livable with breathing masks and injections that protect the skin from the now-deadly rays of the sun, but the only real refuge—for those who can afford it—has become the near-space orbital colonies built and run by private companies. Valparaiso Nuevo is one of these colonies—a haven and a center of action for hustlers, conspirators, and people looking for an edge. It is also the target of a disillusioned group of humans who become embroiled in a scheme to overthrow it. Their goals are individually motivated but the deadly combination of ambition, distrust, greed, stupidity, and lust leads to a dramatic conclusion that replicates in miniature the history of man’s destruction of his own living space on the planet. A bleak picture of future Earth and a complex plot peopled with dark, rich characters, comes together as one of Silverberg’s finer novels. “Silverberg focuses on his characters and their ruined world, providing a convincing portrayal of life in a greenhouse effect-cursed future. . . . [He] delivers powerful images of a world blighted by ecological abuse, and a satisfying novel as well.” —Publishers Weekly “It’s definitely major Silverberg and as such deserves all the readers it will undoubtedly get.” —Booklist