I Am Homeless If This Is Not My Home

Lorrie Moore’s first novel since A Gate at the Stairs—a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heart. “The prose [of I Am Homeless If This is Not My home] might be her finest.” —Claire Messud, Harper’s “An exquisite exploration of grief, longing, and our relationship with the past . . . mixing comedy with tragedy, and exploring what it means to be alive.” —Kristyn Kusek Lewis, Real Simple From “one of the most acute and lasting writers of her generation” (Caryn James; The New York Times)—a ghost story set in the nineteenth and twenty-first centuries, an elegiac consideration of grief, devotion (filial and romantic), and the vanishing and persistence of all things—seen and unseen. With her distinctive, irresistible wordplay and singular wry humor and wisdom, Lorrie Moore has given us a magic box of longing and surprise as she writes about love and rebirth and the pull towards life. Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers and siblings as it questions the stories we have been told which may or may not be true. I Am Homeless If This Is Not My Home takes us through a trap door, into a windswept, imagined journey to the tragic-comic landscape that is, unmistakably, the world of Lorrie Moore. “Moore’s exhilarating dialogue is acrobatic, her descriptions ravishing.” —Donna Seaman, Booklist (starred review) “[Moore] manages the impossible in her writing: every other sentence is a gut-punch or the funniest line you’ve ever read, and it coheres into some of the truest writing about life—for what is life if not constantly either hilarious or devastating, and often both? ” —LitHub, “Most Anticipated Books of 2023”

"Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore." —Harper's Magazine Lorrie Moore’s first novel since A Gate at the Stairs—a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heart From “one of the most acute and lasting writers of her generation” (Caryn James; The New York Times)—a ghost story set in the nineteenth and twenty-first centuries, an elegiac consideration of grief, devotion (filial and romantic), and the vanishing and persistence of all things—seen and unseen. A teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all . . . With her distinctive, irresistible wordplay and singular wry humor and wisdom, Lorrie Moore has given us a magic box of longing and surprise as she writes about love and rebirth and the pull towards life. Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers and siblings as it questions the stories we have been told which may or may not be true. I Am Homeless If This Is Not My Home takes us through a trap door, into a windswept, imagined journey to the tragic-comic landscape that is, unmistakably, the world of Lorrie Moore.

'America's first lady of darkness and mirth.' Guardian 'The best American writer of her generation.' Nick Hornby 'Unmissable.' Marie Claire From one of the most celebrated imaginations in American literature, Lorrie Moore's new novel is a magic box of longing and surprise. High up in a New York City hospice, Finn sits with his beloved brother Max, who is slipping from one world into the next. But when a phone call summons Finn back to a troubled old flame, a strange journey begins, opening a trapdoor in reality. It will prompt a questioning of life and death, grief and the past, comedy and tragedy, and the diaphanous separations that lie between them all. 'Moore writes with such panache, such extraordinary perception and wit, that not a single sentence is wasted.' Elizabeth Day 'One of the most acute and lasting writers of her generation.' New York Times 'That Moore publishes so rarely is a gift in itself, because it compels you to read her over and over. . . Moore's a writer you don't quit.' Guardian 'One of the funniest writers alive.' Dave Eggers

A New York Times Critic's Top Pick of the Year This essential, enlightening, truly delightful collection shows one of our greatest writers parsing the political, artistic, and media landscape of the past three decades. These sixty-six essays and reviews, culled from the pages of The New York Review of Books, The New York Times, Harper’s, The Atlantic, and The New Yorker, among others, find Lorrie Moore turning her discerning eye on everything from Philip Roth to Margaret Atwood, from race in America to the shocking state of the GOP, from celebrity culture to the wilds of television, from Stephen Sondheim to Barack Obama. See What Can Be Done is a perfect blend of craft, brains, and a knowing, singular take on life, liberty, and the pursuit of (some kind of) happiness.

BBC RADIO 4 'BOOK AT BEDTIME' PICK ‘Those who love Little Fires Everywhere and Eleanor Oliphant is Completely Fine will love this’ My Weekly Molly has lived on the streets for nearly a decade. She has close friends but spends most of her nights sleeping rough in dangerous places. So when a new acquaintance invites her on a journey across the country, she decides to go along. He is searching for treasure while she is searching for hope. At every stop on their unusual quest, Molly senses something close behind her: the footsteps of an old enemy and the memories of a life she has tried to erase. And yet she must find the courage to continue if she’s ever going to discover a place that really feels like home. A vibrant, invigorating, and affecting novel and the inspiring portrait of a young homeless woman from Observer New Face of Fiction Mahsuda Snaith.

A new collection of stories by one of America’s most beloved and admired short-story writers, her first in fifteen years, since Birds of America (“Fluid, cracked, mordant, colloquial . . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover). These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom. In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . . In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . . Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . . Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land. This eBook edition includes a Reading Group Guide.

Now a Major Motion Picture From the internationally bestselling author of Measuring the World and F, an eerie and supernatural tale of a writer's emotional collapse A screenwriter, his wife, and their four-year old daughter rent a house in the mountains of Germany, but something isn’t right. As he toils on a sequel to his most successful movie, the screenwriter notices that rooms aren’t where he remembers them—and finds in his notebook words that are not his own.

Boo is the highly anticipated debut novel from one of the most incomparable voices in Canadian literature: Bang Crunch author Neil Smith. Oliver Dalrymple, nicknamed "Boo" because of his pale complexion and staticky hair, is an outcast at his Illinois middle school--more interested in biology and chemistry than the friendship of other kids. But after a tragic accident, Boo wakes up to find himself in a very strange sort of heaven: a town populated only by 13-year-old Americans. While he desperately wants to apply the scientific method to find out how this heaven works (broken glass grows back; flashlights glow without batteries; garbage chutes plummet to nowhere), he's confronted by the greatest mystery of all--his peers. With the help of his classmate Johnny, who was killed at the same time, Boo begins to figure out what exactly happened to them (and who they really were back in America) through this story about growing up, staying young and the never-ending heartbreak of being 13.