I Ll Tell Them I Remember You

I'll Tell Them I Remember You is New York Times bestselling author William Peter Blatty's memoir about being raised by his single Lebanese mother struggling to make ends meet in 1930s Manhattan. In this heartfelt and humorous autobiography, Blatty shares what it was like growing up with a strong-willed and opinionated mother who did anything and everything to keep her five children fed and sheltered no matter how strange or unusual. Her spirit and influence helped shape Blatty as a man, a father, and as the famous author of The Exoricst. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

International superstar Yrsa Sigurdardottir has captivated the attention of readers around the world with her mystery series featuring attorney Thora Gudmundsdottir. Now, Yrsa will stun readers once again with this out-of-this-world ghost story that will leave you shivering. In an isolated village in the Icelandic Westfjords, three friends set to work renovating a rundown house. But soon, they realize they are not as alone as they thought. Something wants them to leave, and it's making its presence felt. Meanwhile, in a town across the fjord, a young doctor investigating the suicide of an elderly woman discovers that she was obsessed with his vanished son. When the two stories collide, the terrifying truth is uncovered. In the vein of John Ajvide Lindqvist, this horrifying thriller, partly based on a true story, is the scariest novel yet from Yrsa Sigurdardottir, who has taken the international crime fiction world by storm. The film rights have been sold to Sigurjon Sighvatsson, a Hollywood-based Icelandic film producer who has produced such films as Brothers and Arlington Road.

Raising the Devil reveals how the Christian Pentecostal movement, right-wing conspiracy theories, and an opportunistic media turned grassroots folk traditions into the Satanism scare of the 1980s. During the mid-twentieth century, devil worship was seen as merely an isolated practice of medieval times. But by the early 1980s, many influential experts in clinical medicine and in law enforcement were proclaiming that satanic cults were widespread and dangerous. By examining the broader context for alleged "cult" activity, Bill Ellis demonstrates how the image of contemporary Satanism emerged during the 1970s. Blaming a wide range of mental and physical illnesses on in-dwelling demons, a faction of the Pentecostal movement became convinced that their gifts of the spirit were being opposed by satanic activities. They attributed these activities to a "cult" that was the evil twin of true Christianity. In some of the cases Ellis considers, common folk beliefs and rituals were misunderstood as evidence of devil worship. In others, narratives and rituals themselves were used to combat satanic forces. As the media found such stories more and more attractive, any activity with even remotely occult overtones was demonized in order to fit a model of absolute good confronting evil. Ellis's wide-ranging investigation covers ouija boards, cattle mutilation, graveyard desecration, and "diabolical medicine"--the psychiatric community's version of exorcism. He offers a balanced view of contentious issues such as demonic possession, satanic ritual abuse, and the testimonies of confessing "ex-Satanists." A trained folklorist, Ellis seeks to navigate a middle road in this dialog, and his insights into informal religious traditions clarify how the image of Satanism both explained and created deviant behavior.

Catholicism was all over movie screens in 2004. Mel Gibson's The Passion of the Christ was at the center of a media firestorm for months. A priest was a crucial character in the Academy Award-winning Million Dollar Baby. Everyone, it seemed, was talking about how religious stories should be represented, marketed, and received. Catholic characters, spaces, and rituals have been stock features in popular films since the silent era. An intensely visual religion with a well-defined ritual and authority system, Catholicism lends itself to the drama and pageantry of film. Moviegoers watch as Catholic visionaries interact with the supernatural, priests counsel their flocks, reformers fight for social justice, and bishops wield authoritarian power. Rather than being marginal to American popular culture, Catholic people, places, and rituals are all central to the world of the movie. Catholics in the Movies begins with an introductory essay that orients readers to the ways that films appear in culture and describes the broad trends that can be seen in the movies' hundred-year history of representing Catholics. Each chapter is written by a noted scholar of American religion who concentrates on one movie engaging important historical, artistic, and religious issues. Each then places the film within American cultural and social history, discusses the film as an expression of Catholic concerns of the period, and relates the film to others of its genre. Tracing the story of American Catholic history through popular films, Catholics in the Movies should be a valuable resource for anyone interested in American Catholicism and religion and film.

Juliet and Lucas are falling in love, but when Lucas "remembers" things about Juliet he couldn't possibly know, Juliet begins to wonder if something's wrong.