Identity And Authority

This is a history of Europe unlike any other: a theory-informed history of its language use. The 'rise' and 'fall' of languages are recounted, along with an analysis of why periods of linguistic diversity are followed by hegemony. How did the sociolinguistic past differ from the sociolinguistic present?

This book explores how the early Christians constructed, developed, and asserted their identity and authority in Asia Minor and Greece in the first five centuries CE.

For women, for lesbians and gays, for African Americans, for Asians, Native Americans, or any other self-identified and -identifying group, who can speak? Who has the authority to speak for these groups? Is there genuinely such a thing as "objectivity," or can only members of these groups speak, finally, for themselves? And who has the authority to decide who has the authority? This collection examines how theory and criticism are complicated by multiple perspectives in an increasingly multicultural society and faces head on the difficult question of what qualifies a critic to speak from or about a particular position. In different formats and from different perspectives from various disciplines, the contributors to this volume analytically and innovatively work together to define the problems and capture the contradictions and tensions inherent in the issues of authority, epistemology, and discourse.

Explores and develops a framework for the ethical practice of name authority control, through theoretical and practice-based essays, stories, content analyses, and other methods

Impressive Shakespeare reassesses Shakespeare’s relationship with "print culture" in light of his plays’ engagement with the language and material culture of three interrelated "impressing technologies": wax sealing, coining, and typographic printing. It analyses the material and rhetorical forms through which drama was thought to "imprint" early modern audiences and readers with ideas, morals and memories, and—looking to our own cultural moment—shows how Shakespeare has been historically constructed as an "impressive" dramatist. Through material readings of four plays—Coriolanus, A Midsummer Night’s Dream, Measure for Measure and The Winter’s Tale—Harry Newman argues that Shakespeare deploys the imprint as a self-reflexive trope in order to advertise the value of his plays to audiences and readers, and that in turn the language of impression has shaped, and continues to shape, Shakespeare’s critical afterlife. The book pushes the boundaries of what we understand by "print culture", and challenges assumptions about the emergence of concepts now central to Shakespeare’s perceived canonical value, such as penetrating characterisation, poetic transformation, and literary fatherhood. Harry Newman’s suggestive analysis of techniques and tropes of sealing, coining and printing produces a revelatory account of Shakespearean creative poetics. It’s sustainedly startling in its rereading of familiar lines - but the chapter I found most original is on Measure for Measure: Newman is the first critic to attempt to interpret the play’s authorial status as part of its own thematic and linguistic interrogation of illegitimacy and counterfeiting. He makes authorship matter in a literary and creative, rather than a quantitative and statistical, sense. Impressive Shakespeare is a brilliant scholarly debut. - Emma Smith Editor, Shakespeare Survey Professor of Shakespeare Studies, Hertford College, Oxford

The unprecedented scope and intensity of the First World War has prompted an enormous body of retrospective scholarship. However, efforts to provide a coherent synthesis about the war's impact and significance have remained circumscribed, tending to focus either on the operational outlines of military strategy and tactics or on the cultural legacy of the conflict as transmitted bythe war's most articulate observers. This volume departs from traditional accounts on several scores: by exploring issues barely touched upon in previous works, by deviating from the widespread tendency to treat the experiences of front and homefront isolation, and by employing a thematic treatment that, by considering the construction of authority and identity between 1914 and 1918, illuminates the fundamental question of how individuals, whether in uniform or not, endured the war's intrusion into so many aspects of their public and private lives.

This book analyses the discourses of Orthodox Christianity in Western Europe to demonstrate the emerging discrepancies between the mother Church in the East and its newer Western congregations. Showing the genesis and development of these discourses over the twentieth century, it examines the challenges the Orthodox Church is facing in the modern world. Organised along four different discursive fields, the book uses these fields to analyse the Orthodox Church in Western Europe during the twentieth century. It explores pastoral, ecclesiological, institutional and ecumenical discourses in order to present a holistic view of how the Church views itself and how it seeks to interact with other denominations. Taken together, these four fields reveal a discursive vitality outside of the traditionally Orthodox societies that is, however, only partly reabsorbed by the church hierarchs in core Orthodox regions, like Southeast Europe and Russia. The Orthodox Church is a complex and multi-faceted global reality.Therefore, this book will be a vital guide to scholars studying the Orthodox Church, ecumenism and religion in Europe, as well as those working in religious studies, sociology of religion, and theology more generally.