Idols Of Perversity

This is a book filled with the dangerous fantasies of the Beautiful People of a century ago. It contains a few scenes of exemplary virtue and many more of lurid sin.

By examining the theme of idol-worship in medieval art, this book reveals the ideological basis of paintings, statues, and manuscript illuminations that depict the worship of false gods in the thirteenth and fourteenth centuries. By showing that images of idolatry stood for those outside the Church - pagans, Muslims, Jews, heretics, homosexuals - Camille sheds new light on how medieval society viewed both alien 'others' and itself. He links the abhorrence of worshipping false gods in images to an 'image-explosion' in the thirteenth century when the Christian Church was filled with cult statues, miracle-working relics, and 'real' representations in the new Gothic style. In attempting to bring the Gothic image to life, Camille shows how images can teach us about attitudes and beliefs in a particular society.

Explores the historical perception of woman as the seductress whose influence undermines the power of the white male.

Performed by: David Thewlis, Lesley Sharp, Katrin Cartlidge.Originally released as a motion picture in 1993.

Twilight of the Idols presents a vivid, compressed overview of many of Nietzsche’s mature ideas, including his attack on Plato’s Socrates and on the Platonic legacy in Western philosophy and culture. Polt provides a trustworthy rendering of Nietzsche’s text in contemporary American English, complete with notes prepared by the translator and Tracy Strong. An authoritative Introduction by Strong makes this an outstanding edition. Select Bibliography and Index.

“Baker takes the fantasy genre and turns it on its ear . . . political and familial intrigue that fans of Game of Thrones have come to love.” —Examiner.com From the acclaimed author of The Night Inside and A Terrible Beauty comes a new novel about the price of safety and the cost of power . . . “With them, there are no happy endings.” In the remote city of Lushan, they know that the Fey are not fireside tales but a dangerous reality. Generations ago, the last remnants of a dying empire bargained with the Faerie Queen for a place of safety in the mountains and each year the ruler of Lushan must travel to the high plateau to pay the city’s tribute. When an unexpected misfortune means that the traditional price is not met, the Queen demands the services of Teresine, once a refugee slave and now advisor to the Sidiana. Teresine must navigate the treacherous politics of the Faerie Court, where the Queen’s will determines reality and mortals are merely pawns in an eternal struggle for power. Years later, another young woman faces an unexpected decision that forces her to discover the truth of what happened to Teresine in the Faerie Court, a truth that could threaten everything she loves. “Baker writes scenes of extreme beauty and extreme horror and I can’t tell you how well the cover captures the feeling of the novel . . . If you love fantasy, you should really pick up Cold Hillside.” —The Mad Reviewer “Baker eases us into a lovely, culturally rich, but sometimes harsh world.” —ReadingTrance

"So Real It Hurts is the perfect title for this collection. It's a mission statement. A few bleeding slices straight from the butcher shop. A sampler from an enormous archive of work that will, no doubt, be pored over by grad students, book lovers, film historians, music nerds and straight-up perverts a hundred years from now." —Anthony Bourdain, from the Introduction Through personal essays and interviews, punk musician and cultural icon Lydia Lunch claws and rakes at the reader's conscience in this powerful, uninhibited feminist collection. Oscillating between provocative celebrations of her own defiant nature and nearly-tender ruminations on the debilitating effects of poverty, abuse, and environmental pollution, along with a visceral revenge fantasy against misogynistic men, Lydia Lunch presents her exploits without apology, daring the reader to judge her while she details the traumas and trials that have shaped her into the legendary figure she's become. Inserted between these biting personal essays, Lunch thoughtful cultural insights convey a widely-shared desire to forestall inevitable cultural amnesia and solidify a legacy for her predecessors and peers. Her interview with Hubert Selby Jr. and profile of Herbert Hunke, her short unromanticized histories of No Wave and of the late Sixties, and her scathing examination of the monetization of counterculture (thanks, Vivienne Westwood!) all serve to reinforce the notion that, while it may appear that there are no more heroes, we are actually just looking for heroes in the wrong places. The worthy idols of the past have been obscured by more profitable historical narratives, but Lunch challenges us to dig deeper. So Real It Hurts pulls the reader into a world that is entirely hers — one in which she exacts vengeance against predators with an enviable ease and exerts an almost-sexual dominance over authority, never permitting those with power to hold on to it too tightly.