Ike Kligerman Barkley Houses

The architectural style of the classic American summer, the shingled house can suggest the beach, the countryside, the mountains, and even the city. AD100 architects Ike Kligerman Barkley, one of the most successful firms practicing in a traditional style today, presents 14 houses that celebrate the simple wood shingle’s infinite flexibility—ranging from richly historic to sculptural and experimental. The New Shingled House includes examples throughout the fabled seaside resorts of New England—Martha’s Vineyard, Block Island, and the Hamptons—as well as houses in California’s Bay Area and Point Loma, on a pristine mountain lake in South Carolina, and a Scandinavian influenced family residence in Connecticut. All are characterized by a sense of graciousness and generosity that makes them unique spaces for the owners and enviable spaces for readers. The versatility of the shingle style allows the designers to explore formal ideas and to respond to client preferences and taste. The houses thus achieve the architects’ fundamental goal: when their clients enter their new house for the first time, they should feel as though they have always lived there. This stunning visual presentation features new photography by noted interiors photographer William Waldron, who has captured the graciousness and generosity of the elegant interiors and welcoming porches and terraces that make these houses so inviting and timeless.

John Ike, Thomas Kligerman, and Joel Barkley speak architectural languages of the past with a sure command of grammar and syntax and a rich vocabulary of form and detail. As designers they build upon what went before to extend the trajectory of architecture. —Robert A. M. Stern The signature residential works of Ike Kligerman Barkley Architects bring together historic precedent and contemporary taste with a considered approach to detail, material, and craft. Based in New York and San Francisco, the firm incorporates elements from the great eras and the great practitioners of architecture: the Arts and Crafts movement, Art Deco, Modernism, Colonial Revival, Shingle Style; Sir Edwin Lutyens, Harrie T. Lindeberg, George Howe, Bernard Maybeck, and McKim, Mead & White. Yet ever present is a keen awareness of the modern world, notably in an emphasis on natural light and open views and a responsiveness to the unique qualities of a site. The twenty-one houses and apartments in this lavishly illustrated volume, the first published on Ike Kligerman Barkley, represent the remarkable breadth of the practice. A cottage in Michigan reveals a comprehensive investigation of craft traditions, while a Hawaiian beach retreat explores the vernacular Polynesian long-house. A sleek Manhattan loft evokes the industrial history of its neighborhood, while an oceanfront villa recalls Carlo Scarpa’s interweaving of past and present. Unusual, even unlikely combinations—an English-influenced Shingle Style house the firm terms “Shinglish,” a Virginia horse farm that draws equally on classical formality and easy rusticity—embody the firm’s sophisticated balance between historic model and modern refinement. Just as novelists and filmmakers gravitate toward genres that suit the themes they choose to explore, we look for the historic style that represents the best vehicle for the architectural story we wish to tell. —Ike Kligerman Barkley Architects

Each year the pristine beaches, lush pine forests, and picturesque New England towns of Martha’s Vineyard draw tens of thousands of admirers to this beautiful island. Some of these visitors have become part-time residents, building contemporary homes alongside the traditional Victorian cottages, sea captains’ mansions, and colonial farmhouses that comprise the island’s cultural and architectural heritage. Rarely does one find such a concentration of outstanding contemporary design. Authors Keith Moskow and Robert Linn expand their 2005 survey of Vineyard residential design to present twenty-five new houses that extend the traditional Vineyard vernacular of shingled houses and cottages. Each of the architects has described the goals for the project and the source of the design. Some reference nautical themes, others environmental concerns, and still others appropriateness of materials and scale. A significant number rely on a plan strategy based on a series of pavilions to minimize intrusion in the landscape while still taking advantage of views and prevailing breezes. What links the houses is that they are all built to stand the test of time in the sometimes extreme marine environment and they respectfully break with tradition.

With economic restructuring, demographic shifts, and lifestyle changes, the traditional family - working father, stay-at-home mother, two to three children - is no longer the norm and the need for smaller homes at moderate cost has skyrocketed. The first prototype of the Grow Home was built on the campus of McGill University in 1990 and more than one thousand units were built across North America and Europe in the first year alone. In this illustrated guide, Friedman describes the background, conception, and construction of these modest (14" x 36") homes. He details their construction for prospective owners, builders, and architects, showing how past and contemporary precedents have been transformed and how the first versions were adapted by the building industry. Visits to completed Grow Homes shed light on why such homes were purchased and the process by which they "grew." Friedman also shows how the design has been adapted for prefabrication to meet the needs of the developing world. He describes the contribution that small-unit design makes to saving valuable natural resources and shares his experiences in planning communities based on the Grow Home. The Grow Home reveals the development and history of a concept that revolutionizes the home and building industry, has been translated into over 10,000 housing units, and has received, among many accolades, the United Nations World Habitat Award.

The first monograph of the stunning residences designed by a contemporary master of traditional architecture. A must-have for lovers of traditional or southwestern-inspired residential design, Michael G. Imber: Ranches, Villas, and Houses reveals the beauty of building from the rich architectural traditions of the desert southwest and Mexico. A master of traditional forms derived from these regions, particularly of his native Texas, Michael G. Imber begins each of his designs by considering the land through watercolors and then develops his ideas in relation to climate and local historical references. The result is an array of ranches and houses that evokes the rural building traditions of the west, that is unafraid of the delights of classical ornamentation, and that is nonetheless wholly modern in its execution. Here, in the first monograph devoted to the architect’s work, is a collection of masterful residential projects ranging in scale from bungalows to sprawling ranches, all presented in large-format photographs and accompanied by Imber’s extraordinary watercolor studies.

For clients in the Hamptons, the Jersey shore, and in New England, Andrew Geller built dozens of houses, most of wood, and most on modest budgets. These spirited houses, many shown here for the first time through vintage photos and drawings, still delight today and will inspire anyone interested in beach house living. 85 photos, 25 in color.

- Presents stories behind the images including exclusive artwork and previously unseen images- Endorsed by celebrated interior designer, Kelly Wearstler and Amy Astley, the editor of Architectural Digest- QR codes link images to the sites of buildings and evolving video contentThis book is a celebration of the power of the mobile phone camera combined with Tom Kligerman's unique eye. Tom is a New York architect who adores travel and the different cultures of the world, recording vibrant details and evocative scenes on his iPhone as he journeys from India to New Mexico, from Beaux-Arts monuments to rustic barns, from ocean to mountaintop. The images have been curated into dynamic pairs that spark a conversation about the world and the different ways of seeing it. They are accompanied by Tom's reflections, and those of his Instagram followers, in a series of captions, comments and mini essays. This book is a child of the pandemic, a time when people could only dream of traveling or relive past experiences, as Tom has done, from the image banks on their mobile devices. It rejoices in both the potential of new media and the physical pleasure given by a beautifully made and structured book. It allows readers a moment of pause and reflection, so necessary if we are not to be lost in the digital feed.

- Each of the 12 houses will be featured in national and international press to announce the book- In the UK, the media includes Tatler, House & Garden, Country Life, The English Home, and Telegraph Luxury Online- In the US, the media includes Town & Country, Architectural Digest Online, The AD Aesthete Podcast, Air Mail, and DeparturesThis book is a sumptuously produced journey around 12 privately-owned country houses, asking what it is like to live in such places today. What role do they play in the 21st century? For many years after the Second World War, the country house was struggling. Now a new generation of young owners, often with children, has taken over. They're finding innovative ways to live in these ancient, fragile and poetic places. While they treasure the history and beauty of the houses, they're also adapting and enhancing them for a modern era. Old Homes, New Life is a behind-the-scenes account of today's aristocracy, as they reinvent the country house way of life. Each family does this in its own way, maintaining the tradition of individualism, even eccentricity, which is so much associated with country houses. Dylan Thomas's superb yet intimate photographs capture both the inhabitants of these houses and the spaces they occupy - from State dining to family kitchen, walled garden to attic. This feast for the eyes is accompanied by an equally mouth-watering text by Clive Aslet, based on interviews with family members and his long experience of the subject through his years as editor of Country Life. The result is an exclusive tour of a dozen spectacular homes.