Illustrated History Of Canada

An authoritative one-volume chronicle of Canada from its earliest times. First published in 1987, the 4th edition is fully updated and includes contemporary material on the rise of small government, Native land claims and Canada's post-Cold War role.

The Illustrasted History of Canada has been fully updated to bring readers into the twenty-first century, with contemporary material on such topics as the rise of small government, the recognition of Native land claims, and Canada's role in the post-Cold War "peace." -- cover p. 4.

The study of children's illustrated books is located within the broad histories of print culture, publishing, the book trade, and concepts of childhood. An interdisciplinary history, Picturing Canada provides a critical understanding of the changing geographical, historical, and cultural aspects of Canadian identity, as seen through the lens of children's publishing over two centuries. Gail Edwards and Judith Saltman illuminate the connection between children's publishing and Canadian nationalism, analyse the gendered history of children's librarianship, identify changes and continuities in narrative themes and artistic styles, and explore recent changes in the creation and consumption of children's illustrated books. Over 130 interviews with Canadian authors, illustrators, editors, librarians, booksellers, critics, and other contributors to Canadian children's book publishing, document the experiences of those who worked in the industry. An important and wholly original work, Picturing Canada is fundamental to our understanding of publishing history and the history of childhood itself in Canada.

More than ever, The Illustrated History of Canada is a must-have reference guide for all Canadians interested in the history - and the future - of our country."--pub. desc.

Winner of the 2006 Fred Landon Award Osgoode Hall is a national monument and one of the architectural treasures of Canada. Of the many public buildings erected in pre-confederation Canada and British North America, it best encapsulates the diverse stylistic forces that shaped public buildings in the first half of the nineteenth century. The gated lawns, grandly Venetian rotunda, the noble dimensions of its library, handsome and ornate courtroom, portrait-lined walls and stained glass evoke a venerable dignity to which few Canadian institutions even aspire. It has been the seat of the Law Society of Upper Canada since 1832 and of several of the Superior Courts of the province for almost as long. Intended to be the focal point of the legal profession in Upper Canada it has become a symbol of the legal tradition not only in Ontario but throughout Canada and beyond.

Providing a detailed account of the multitude of experiences within British Columbia, this fifth volume in Oxford's acclaimed Illustrated History of Canada series presents a compact narrative survey of British Columbia's economic, political, and social history, generously illustrated with roughly 150 paintings, drawings, and maps that shed their own light on the province's history.

Long-listed for the George Ryga Award. Canada’s drug laws are constantly changing. But what does Canada’s history of drug prohibition say about its future? Busted is an illustrated history of Canadian drug prohibition and resistance to that prohibition. Reproducing over 170 archival and contemporary drawings, paintings, photographs, film stills and official documents from the 1700s to the present, Susan Boyd shows how Canada’s drug prohibition policies evolved and were shaped by white supremacy, colonization, race, class and gender discrimination. This history demonstrates that prohibition and criminalization produces harm rather than benefits, including the arrest of thousands of Canadians each year for cannabis-related offences, and the current drug overdose crisis. . Visually engaging and approachably written, Busted is a timely examination of Canada’s history of drug control and movements against that control. Susan Boyd argues that in order to chart the future, it is worthwhile for us as Canadians to know our history of prohibition and how it continues to intersects with colonization and race, class, and gender injustice.

Canadians fell in love with the car at first glance. They were scared by it too, and by its potential. Canada was quick to become a car nation, as the automobile was enthusiastically adopted by Prairie grain farmers, the new modern woman, travellers to the north, and rough-and-tumble adventurers looking for a thrill by traversing the immense length of the country. The automobile was the symbol of the modern Canada of the twentieth century, and the final victory of technology over landscape. Canadians were building cars from the beginning. Independent firms and branches of the big American manufacturers vied for the lucrative Canadian market. Automaking has been an integral part of Canada's economy since the car's introduction. For more than a century, Canadians have lived with this automobile revolution, and all the consequences and permutations that it represents. Blending social, cultural and economic history, Dimitry Anastakis's engaging text tells the fascinating story of the car across Canada from earliest days, when cars and horses jockeyed for parking space, to the multilane freeways of the twenty-first century.