Images Of Rule

This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne. This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne.

DIVJane Rule’s fourth book explores lesbianism as portrayed by authors from Gertrude Stein to Colette, from Vita Sackville-West to May Sarton and Willa Cather /divDIV Lesbian Images opens with a disclaimer from the author: “This book is not intended to be a comprehensive literary or cultural history of lesbians.” Rather, as Jane Rule goes on to tell us, her goal is to present her own attitudes and measure them against the images of lesbianism as depicted by other female authors. Thus, chapters titled “Gertrude Stein 1874–1946,” “Willa Cather 1876–1947,” and “Ivy Compton-Burnett 1892–1969,” among many others, reveal how the concept of love between women can be filtered through one’s personal experiences and perceptions./divDIV /divDIVThere are also chapters about lesbian myths and morality; the effect of the women’s movement on lesbianism; the inherent conflicts between lesbianism and feminism; how Radclyffe Hall’s The Well of Loneliness changed fifteen-year-old Rule’s life; and what it means to be labeled a lesbian writer./divDIV /divDIVAt once astute and nonjudgmental, Lesbian Images is a deeply engaging work that sounds a powerful note of hope for the future. /div

Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! Some rules are meant to be broken, even those in the animal kingdom! You're probably familiar with many of the common categories scientists use for animals: warm-blooded or cold-blooded, nocturnal or diurnal. But what about the animals that don't fit in? Sharks cannot be classified as warm or cold-blooded—they are somewhere in-between. And Eurasian eagle owls don't hunt during the day or night. Instead, they swoop through the trees at dawn and dusk. Author and science educator Jessica Fries-Gaither introduces eight common categories scientists use and the animals that break those rules. Gorgeous, full-color photos will captivate budding scientists with every read!

Due to the popularity of knowledge discovery and data mining, in practice as well as among academic and corporate R&D professionals, association rule mining is receiving increasing attention. The authors present the recent progress achieved in mining quantitative association rules, causal rules, exceptional rules, negative association rules, association rules in multi-databases, and association rules in small databases. This book is written for researchers, professionals, and students working in the fields of data mining, data analysis, machine learning, knowledge discovery in databases, and anyone who is interested in association rule mining.

This book outlines the core theory and practice of data mining and knowledge discovery (DM & KD) examining theoretical foundations for various methods, and presenting an array of examples, many drawn from real-life applications. Most theoretical developments are accompanied by extensive empirical analysis, offering a deep insight into both theoretical and practical aspects of the subject. The book presents the combined research experiences of 40 expert contributors of world renown.