Imagining Asia S

As a continent lying to the east of Europe, Asia has been malleable to different spatial and temporal imaginations and politics. Recent scholarship has highlighted how the seemingly self-contained regional configurations of West and Central Asia, South and Southeast Asia, and East Asia carved by the Area Studies paradigm reflect changing (geo)political and economic interests than historical or cultural roots. This volume advances the question as to what Asia is, and as to whether there existed one or many Asia(s). It seeks to explore Asian societies as interconnected formations through trajectories/networks of circulation of people, ideas, and objects in the longue durée. Moving beyond the divides of Area Studies scholarship and the arbitrary borders set by late colonial empires and the rise of post-colonial nation-states, this volume maps critically the configuration of contact zones in which mobile bodies, minds, and cultures interact to foster new images, identities, and imaginations of Asia.

One of China’s most influential intellectuals questions the validity of thinking about Chinese history and its legacy from a Western conceptual framework. Wang Hui argues that we need to more fully understand China’s past in order to imagine alternative ways of conceiving Asia and world order.

This collection of new essays explores how Germany's imagined Asia informed its national fantasies at crucial historical junctures. It will influence future scholarly explorations of Asian-German cultural transfer. The first collection of essays in the new field of Asian-German Studies, Imagining Germany Imagining Asia demonstrates that Germany and Asia have always shared cultural spaces. Indeed, since the time of the German Enlightenment, Asia served as the foil for fantasies of sexuality, escape, danger, competition, and racial and spiritual purity that were central to foundational ideas of a cohesive German national culture during crucial historical junctures such as fascism or reunification. By exploring the complex and varied phenomenon of German "Orientalism," these essays argue that the relation between an imagined Germany and an imagined Asia defies the idea of a one-way influence, instead conceiving of their cultural transfers and synergies as multidirectional and mutually perpetuating. Examining literary and non-literary texts from the eighteenth century to the present, these essays cover a wide rangeof topics and genres in disciplines including philosophy, film and visual culture, theater, literary studies, and the history of science. Ideally positioned to shape further contributions, Imagining Germany Imagining Asiawill attract a wide range of readers interested in German, Asian, colonial, postcolonial, and transnational studies. Contributors: Sai Bhatawadekar, Petra Fachinger, Veronika Fuechtner, Randall Halle, David D. Kim, Hoi-eun Kim, Kamakshi Murti, Perry Myers, Mary Rhiel, Qinna Shen, Quinn Slobodian, Chunjie Zhang Veronika Fuechtner is Associate Professor of German at Dartmouth College. Mary Rhiel is Associate Professor of German at the University of New Hampshire.

To judge from many speculative fiction films and books, the future will be full of cities that resemble Tokyo, Hong Kong, and Shanghai, and it will be populated mainly by cold, unfeeling citizens who act like robots. Techno-Orientalism investigates the phenomenon of imagining Asia and Asians in hypo- or hyper-technological terms in literary, cinematic, and new media representations, while critically examining the stereotype of Asians as both technologically advanced and intellectually primitive, in dire need of Western consciousness-raising.

Despite widespread recognition that we are living in an era of mass globalization, there has been a startling resurgence of nationalism in many regions of the world. Alongside this development, many new national museums are being built or refurbished, pointing to the critical role the telling of history plays in processes of building national identity. From new museum construction to the re-purposing of colonial monuments, and from essentialized narratives to spaces which encourage visitors to dream, this book explores the development and influence of national museums in three contemporary Asian societies – Singapore, Hong Kong, and Macau.