Imagining Masculinities

This book examines the intersections between debates in critical studies of men and masculinities and debates on visual representation, investigating representations of men and masculinities in contemporary culture and examples of visual art that deconstruct those representations. It attends to various spaces associated with heteronormativity, including the visible domains of working life, leisure and public discourses, as well as less visible domains such as private spaces, lifestyle, desire and sexual agency.

Writings on gender in the Middle East have tended to focus overwhelmingly on the status of women, on the rise of Islamist politics and veiling, and on the social construction of female identity. In the process issues of male identity in a region which has seen enormous social transformations over the past thirty years have been somewhat neglected. This book looks at the process by which stereotypical male identities get constructed, reproduced and contested in different parts of the Middle East.

Metal is a form of popular music. Popular music is a form of leisure. In the modern age, popular music has become part of popular culture, a heavily contested collection of practices and industries that construct place, belonging and power.

An in-depth look at skateboarding culture by a promising young scholar

Exploring models for masculinity as they appear in major works of Greek literature, this book combines literary, historical, and psychological insights to examine how the ancient Greeks understood the meaning of a man's life. The thoughts and actions of Achilles, Odysseus, Oedipus, and other enduring characters from Greek literature reflect the imperatives that the ancient Greeks saw as governing a man's life as he moved from childhood to adult maturity to old age. Because the Greeks believed that men (as opposed to women) were by nature the proper agents of human civilization within the larger order of the universe, examining how the Greeks thought that a man ought to live his life prompts exploration of the place of human life in a world governed by transcendent forces, nature, fate, and the gods. While focusing on the experience of men in ancient Greece, the discussion also offers an analysis of the society in which they lived, addressing questions still vital in our own time, such as how the members of a society should govern themselves, distribute resources, form relationships with others, weigh the needs of the individual against the larger good of the community, and establish right relations with divine forces beyond their knowledge or control. Suggestions for further reading offer the reader the chance to explore the ideas in the book.

Writings on gender in the Middle East have tended to focus overwhelmingly on the status of women, on the rise of Islamist politics and veiling, and on the social construction of female identity. In the process issues of male identity in a region which has seen enormous social transformations over the past thirty years have been somewhat neglected. This book looks at the process by which stereotypical male identities get constructed, reproduced and contested in different parts of the Middle East.

Soldier Heroes explores the imagining of masculinities within adventure stories. Drawing on literary theory, cultural materialism and Kleinian psychoanalysis, it analyses modern British adventure heroes as historical forms of masculinity originating in the era of nineteenth-century popular imperialism, traces their subsequent transformations and examines the way these identities are internalized and lived by men and boys.

Victims of the Book uncovers a long-neglected but once widespread subgenre: the fin-de-siècle novel of formation in France. In the final decades of the nineteenth century, social commentators insistently characterized excessive reading as an emasculating illness that afflicted French youth. Novels about and geared toward adolescent male readers were imbued with a deep worry over young Frenchmen’s masculinity, as evidenced by titles like Crise de jeunesse (Youth in Crisis, 1897), La Crise virile (Crisis of Virility, 1898), La Vie stérile (A Sterile Life, 1892), and La Mortelle Impuissance (Deadly Impotence, 1903). In this book, François Proulx examines a wide panorama of these novels, as well as polemical essays, pedagogical articles, and medical treatises on the perceived threats posed by young Frenchmen’s reading habits. Fin-de-siècle writers responded to this pathologization of reading with a profusion of novels addressed to young male readers, paradoxically proposing their own novels as potential cures. In the early twentieth century, this corpus was critically revisited by a new generation of writers. Victims of the Book shows how André Gide and Marcel Proust in particular reworked the fin-de-siècle paradox to subvert cultural norms about literature and masculinity, proposing instead a queer pact between writer and reader.