In A New Light

In the early 1970s, a German study estimated that women expended as many calories cleaning their coal-mining husbands' work clothes as their husbands did working below ground, arguably making the home as much a site of industrialized work as factories and mines. But while energy studies are beginning to acknowledge the importance of social and historical contexts and to produce more inclusive histories of the unprecedented energy transitions that powered industrialization, women have remained notably absent from these accounts. In a New Light explores the vital place of women in the shift to fossil fuels that spurred the Industrial Revolution, illuminating the variety of ways in which gender and energy intersected in women's lives in nineteenth- and twentieth-century Europe and North America. From their labour in the home, where they managed the adoption of new energy sources, to their work as educators in electrical housecraft and their protests against the effects of industrialization, women took on active roles to influence energy decisions. Together these essays deepen our understanding of the significance of gender in the history of energy, and of energy transitions in the history of women and gender. By foregrounding women's energetic labours and concerns, the authors shed new light on energy use in the past and provide important insights as societies move towards a carbon-neutral future.

#1 New York Times bestselling author Sandra Brown has long inspired readers to believe that life is full of wonderful possibilities. Here is one of her classic novels, an exquisite tale of longtime friends who have seen it all—and suddenly see each other in a whole new light. Ever since losing her husband, Cyn McCall has counted on his business partner, Worth Lansing. Though a confirmed bachelor, Worth nonetheless proves himself to be a dependable friend and a father figure to her son. He makes her laugh, and she teases him about his many romantic entanglements. But falling for a man who can’t settle down is the furthest thing from her mind—until an innocent gesture changes everything. When Worth invites Cyn to a getaway weekend in Acapulco, he doesn’t expect to be sharing a room. And he certainly doesn’t intend for them to wind up in bed together. Cyn wants to believe that their night of passion was a mistake sparked by the exotic locale. But Worth is convinced that they share something deeper. He knows he’s finally ready to stop playing games—if only Cyn will open her heart to the promise of love.

Beth Martin wakes up one day feeling she has wasted years of her life. She goes to St. Louis to visit her college roommate and take some time to get her bearings. But at a party she experiences a vision, which she finds disconcerting, but also compelling. Also compelling is her seemingly chance meeting with neuroscientist who is researching the vision phenomenon. Beth accompanies him to New Light, a visionary commune in the mountains where she meets its charismatic leader, a woman known as The Mother, and is befriended by some of the members. Their conception of America is challenging, most notably in their openness to sexual and emotional experimentation. Beth is intrigued by the sense of possibility she finds at New Light, but is also disturbed by the enormous power The Mother wields over the members' lives. In the end Beth must address questions of faith and personal responsibility, jealousy and desire, loyalty and tolerance.

A collection of essays first published in 1991 to commemorate the bicentenary of Boswell's Life of Johnson.

Tinseltown is tarnished. Hollywood, while embracing creativity, seems to be shutting out morality and community. Can those with a Christian perspective find anything of value in such an environment -- or contribute anything worthwhile to it? Eyeing the landscape from an insider's perspective, Ron Austin answers a firm yes. Austin's In a New Light unpacks the spiritual principles underlying the art of film, including aáhistorical survey of how cinematic art was shaped by the crisis of modernity. A veteran of the industry -- having worked nearly half a century in its environs -- Austin goes a step beyond the now-popular course of critiquing current films from a Christian worldview, espousing that the key to confronting evil in the media arts lies in the Christian attitude toward suffering. Based on several years of Austin's filmmaking courses, In a New Light explores a spiritual foundation for creative film work and seeks ways to find common ground on which to build creative relationships. Austin's inside look will prove fascinating not only to students and practitioners of the media arts but to anyone interested in this aspect of popular culture.

What kind of a science is psychoanalysis? What constitutes its domain? What truth claims does it maintain? In this unique and scholarly work concerning the nature of psychoanalysis, Gunnar Karlsson guides his arguments through phenomenological thinking which, he claims, can be seen as an alternative to the recent attempts to cite neuropsychoanalysis as the answer to the crisis of psychoanalysis. Karlsson criticizes this effort to ground psychoanalysis in biology and neurology and emphasizes instead the importance of defining the psychoanalytic domain from the vantage point of the character of consciousness. His understanding of the unconscious, the libido and the death drive offer new insights into the nature of psychoanalysis, and he also illuminates and develops neglected dimensions such as consciousness and self-consciousness. Karlsson's approach to psychoanalysis is rigorous yet original, and this book fills an intellectual gap with implications for both the theoretical understanding and clinical issues of psychoanalysis.