In Defense Of Sentimentality

Philosophy has as much to do with feelings as it does with thoughts and thinking. Philosophy, accordingly, requires not only emotional sensitivity but an understanding of the emotions, not as curious but marginal psychological phenomena but as the very substance of life. In this, the second book in a series devoted to his work on the emotions, Robert Solomon presents a defense of the emotions and of sentimentality against the background of what he perceives as a long history of abuse in philosophy and social thought and art and literary criticism. The title piece reopens a classic debate about the role of sentimentality in art and literature. In subsequent chapters, Solomon discusses not only such "moral sentiments" as sympathy and compassion but also grief, gratitude, love, horror, and even vengeance. He also defends, with appropriate caution, the "seven deadly sins." The emotions, at least some emotions--are essential to a well-lived life. They are or can be virtues, features of the human condition without which civilized life would be unimaginable.

This defence of the emotions and sentimentality against the background of what is perceived as a long history of abuse in social thought and literary criticism argues that our emotions are the essence of a well-lived life. They can be virtues, features of the human condition without which civilized life would be unimaginable.

From personal loss to phantom diseases, The Empathy Exams is a bold and brilliant collection, winner of the Graywolf Press Nonfiction Prize A Publishers Weekly Top Ten Essay Collection of Spring 2014 Beginning with her experience as a medical actor who was paid to act out symptoms for medical students to diagnose, Leslie Jamison's visceral and revealing essays ask essential questions about our basic understanding of others: How should we care about each other? How can we feel another's pain, especially when pain can be assumed, distorted, or performed? Is empathy a tool by which to test or even grade each other? By confronting pain—real and imagined, her own and others'—Jamison uncovers a personal and cultural urgency to feel. She draws from her own experiences of illness and bodily injury to engage in an exploration that extends far beyond her life, spanning wide-ranging territory—from poverty tourism to phantom diseases, street violence to reality television, illness to incarceration—in its search for a kind of sight shaped by humility and grace.

Originally published in 1969, In Defense of Nature is an eloquent and prescient plea on behalf of the natural world. Devoid of sentimentality yet lyrical and deeply moving in its portrayals of our despoliation of nature, Hay’s classic work is now available to a new generation of readers.

Sound Sentiments seeks to open a new path in the philosophy of emotion. The focus of most recent work on the philosophy of emotion has been on the nature of emotion, with some attention also to the relation of emotion to ethics. This book explores the idea that emotions admit of valuation, of degrees of adequacy. We cannot just decide what to think, or to desire, or to feel, as we can decide to act, and these attitudes are integral to emotions. Nonetheless, emotions canhave normative characteristics that resemble virtues. Philosophers are familiar with the notion that emotions are valuational. But how well they serve that function determines the value they themselves have.The book opens with an account of the theory of emotion, reflecting recent work on that, and considers the way in which emotions are valuational (with reference to the contributions of writers such as de Sousa, Gibbard, and McDowell). The worth of an emotional experience depends on the quality of the valuation it itself achieves. Most of the book is then devoted to a set of interconnected themes. Some of these concern properties that emotions can have which can variously enhance or detractfrom them: profundity, social leverage, narcissism, and sentimentality. Others are attitudes with characteristic emotional loadings, and sometimes motivations, that raise similar questions: cynicism, ambivalence, and sophistication. David Pugmire's general approach is indirect and negative: to analyseemotional foibles, which tend to elude us as we succumb to them, and thereby to point to what soundness in emotion would be. He also elicits connections amongst these aspects of the emotional life. The most pervasive is the dimension of profundity, which opens the discussion: each of the subsequent problems amounts to a way in which emotion can be shallow and slight and so amount to less than it seems; and accordingly, each identifies a form of integrity in the emotions.

A crucial period for the birth of the modern subject, France's 'long eighteenth century' (approximately 1650-1820) was an era marked by the formulation of a new aesthetic and ethical code revolving around the intensification of emotions and the hyperbolic use of weeping. Precisely because tears are not a simple biological fact but rather hang suspended between natural immediacy, on one side, and cultural artifice, on the other, the analysis of crying came to represent an exemplary testing ground for investigations into the enigmatic relations binding the realm of physiology to that of psychology. Thinking About Tears explores how the link between tears and sensibility in France's long eighteenth century helps shed light on the process through which the European emotional lexicon has been built: from viewing tears as governed by the sphere of 'passions' and 'feelings', thinkers began to view crying as first a matter of sensibility and then of sensiblerie (a pathological excess of sensibility), thereby presupposing an intimate connection with the category of 'sentiments'. For this reason, this volume examines not only or even primarily the actual emotion of crying, but also the attempt to think about and explain this feeling. Drawing on a wide range of early modern philosophical, medical, religious, and literary texts-including moral treatises on the passions, medical textbooks, letters, life-writings, novels, and stage-plays-Thinking About Tears reveals another side to a period that has too often been saddled with the cursory label of 'the age of reason'.

This volume provides the first comprehensive evaluation of 'sentimentalism' - one of the most dominant moral theories in philosophy today.