In Exile From My Montreal

In Exile from My Montreal is a must read for everyone who loves Canada, and for all others who enjoy stories which illuminate a unique time and place that no longer exists. In this engaging memoir, Susie Yovic Hoeller tells her story about growing up in Montreal when the city was the cosmopolitan jewel of Canada. Three years after the Parti Quebecois election victory in 1976, the author joined the "Anglophone Exodus" from Montreal.

The complexity and uncertainty of the idea of home are very much at issue in the stories Gallant writes about Canada, her home country. Included in this new collection are the celebrated Linnet Muir stories, wonderfully wise and funny investigations into the difficulties of growing up and breaking free.

What is the relationship between migration and politics in Quebec? How did French Canadians' activities in the global south influence future debates about migration and Quebec society? How did migrants, in turn, shape debates about language, class, nationalism and sexuality? A Place in the Sun explores these questions through overlapping histories of Quebec and Haiti. From the 1930s to the 1950s, French-Canadian and Haitian cultural and political elites developed close intellectual bonds and large numbers of French-Canadian missionaries began working in the country. Through these encounters, French-Canadian intellectual and religious figures developed an image of Haiti that would circulate widely throughout Quebec and have ongoing cultural ramifications. After first exploring French-Canadian views of Haiti, Sean Mills reverses the perspective by looking at the many ways that Haitian migrants intervened in and shaped Quebec society. As the most significant group seen to integrate into francophone Quebec, Haitian migrants introduced new perspectives into a changing public sphere during decades of political turbulence. By turning his attention to the ideas and activities of Haitian taxi drivers, exiled priests, aspiring authors, dissident intellectuals, and feminist activists, Mills reconsiders the historical actors of Quebec intellectual and political life, and challenges the traditional tendency to view migrants as peripheral to Quebec history. Ranging from political economy to discussions about sexuality, A Place in the Sun demonstrates the ways in which Haitian migrants opened new debates, exposed new tensions, and forever altered Quebec society.

This innovative study of the Montreal novel in French looks at how imaginary and material landscapes come together to produce a city of neighbourhoods.

"An affecting meditation on loss and exile" ANGEL GURRIA-QUINTANA, Financial Times Windsor Laferrière left Haiti in fear of his life. He has lived in Montreal for thirty-three years, and when his father dies in New York, himself an exile for half a century, Windsor travels there to attend the funeral, and then back to Haiti to inform his mother of the death. In Haiti, Windsor is faced with the grim truth of life in his homeland - the endemic poverty, the thwarted ambitions and broken dreams. But only here can he become a writer again . . . The Enigma of the Return lives where fiction, poetry and autobiography meet. These creative tensions sustain a narrative of astonishing beauty, clarity and insight. "Looks set to become one of the great poetic statements of homesickness and return . . . It should be read by all exiles everywhere" Ian Thomson, Independent "A poetic, melancholic tour de force . . . a compelling, intense, stark and poignant exploration of living life as an outsider . . . The great Haitian novel" Jo Lateu, New Internationalist

In recent decades, developments in research technologies and therapeutic advances have generated immense public recognition for neuroscience. However, its origins as a field, often linked to partnerships and projects at various brain-focused research centres in the United States during the 1960s, can be traced much further back in time. In A New Field in Mind Frank Stahnisch documents and analyzes the antecedents of the modern neurosciences as an interdisciplinary field. Although postwar American research centres, such as Francis O. Schmitt's Neuroscience Research Program at MIT, brought the modern field to prominence, Stahnisch reveals the pioneering collaborations in the early brain sciences at centres in Germany, Austria, and Switzerland in the first half of the twentieth century. One of these, Heinrich Obersteiner's institute in Vienna, began its work in the 1880s. Through case studies and collective biographies, Stahnisch investigates the evolving relationships between disciplines – anatomy, neurology, psychiatry, physiology, serology, and neurosurgery – which created new epistemological and social contexts for brain research. He also shows how changing political conditions in Central Europe affected the development of the neurosciences, ultimately leading to the expulsion of many physicians and researchers under the Nazi regime and their migration to North America. An in-depth and innovative study, A New Field in Mind tracks the emergence and evolution of neuroscientific research from the late nineteenth century to the postwar period.

In this unforgettable novel, Leonard Cohen boldly etches the youth and early manhood of Lawrence Breavman, only son of an old Jewish family in Montreal. Life for Breavman is made up of dazzling colour – a series of motion pictures fed through a high-speed projector: the half-understood death of his father; the adult games of love and war, with their infinite capacity for fantasy and cruelty; his secret experiments with hypnotism; the night-long adventures with Krantz, his beloved comrade and confidant. Later, achieving literary fame as a college student, Breavman does penance through manual labour, but ultimately flees to New York. And although he has loved the bodies of many women, it is only when he meets Shell, whom he awakens to her own beauty, that he discovers the totality of love and its demands, and comes to terms with the sacrifices he must make.

Jean-Luc Godard and Anne-Marie Miéville are among the most important postwar filmmakers; they have worked across forms, across media, and across countries. This book, the first to be devoted specifically to the work they did together, examines the way they expanded the possibilities of cinema by using cutting-edge video equipment in a constant search for a new kind of filmmaking. Two Bicycles examines all of the films, videos, and television works that the two did together, and moves slowly across France and Switzerland, with detours in Quebec, Mozambique, and Palestine. Their amazingly varied body of work includes a twelve-hour television series, some experimental videos, an acclaimed feature film with Isabelle Huppert, a cigarette commercial, and much else. Overall the book shows the degree to which this work departs radically from the legacy of the French New Wave, and in many ways shows signs of having been formed by the distinct culture of Switzerland, to which Godard and Miéville returned in the 1970s to set up their “atelier,” Sonimage. Two Bicycles offers a chance to explore a body of work that is as unique and demanding as it is rich and revelatory. Godard and Miéville have worked together for four decades but have never seemed more relevant.