In Place

In Place/Out of Place was first published in 1996. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. What is the relationship between place and behavior? In this fascinating volume, Tim Cresswell examines this question via "transgressive acts" that are judged as inappropriate not only because they are committed by marginalized groups but also because of where they occur. In Place/Out of Place seeks to illustrate the ways in which the idea of geographical deviance is used as an ideological tool to maintain an established order. Cresswell looks at graffiti in New York City, the attempts by various "hippie" groups to hold a free festival at Stonehenge during the summer solstices of 1984–86, and the Greenham Common Women's Peace Camp in Berkshire, England. In each of the cases described, the groups involved were designated as out of place both by the media and by politicians, whose descriptions included an array of images such as dirt, disease, madness, and foreignness. Cresswell argues that space and place are key factors in the definition of deviance and, conversely, that space and place are used to construct notions of order and propriety. In addition, whereas ideological concepts being expressed about what is good, just, and appropriate often are delineated geographically, the transgression of these delineations reveals the normally hidden relationships between place and ideology-in other words, the "out-of-place" serves to highlight and define the "in-place." By looking at the transgressions of the marginalized, Cresswell argues, we can gain a novel perspective on the "normal" and "taken-for-granted" expectations of everyday life. The book concludes with a consideration of the possibility of a "politics of transgression," arguing for a link between the challenging of spatial boundaries and the possibility of social transformation. Tim Cresswell is currently lecturer in geography at the University of Wales.

The Gray Man is back in another nonstop international thriller from the #1 New York Times bestselling coauthor of Tom Clancy's Jack Ryan novels. Fresh off his first mission back with the CIA, Court Gentry secures what seems like a cut-and-dried contract job: A group of expats in Paris hires him to kidnap the mistress of Syrian dictator Ahmed Azzam to get intel that could destabilize Azzam's regime. Court delivers Bianca Medina to the rebels, but his job doesn't end there. She soon reveals that she has given birth to a son, the only heir to Azzam's rule--and a potent threat to the Syrian president's powerful wife. Now, to get Bianca's cooperation, Court must bring her son out of Syria alive. With the clock ticking on Bianca's life, he goes off the grid in a free-fire zone in the Middle East--and winds up in the right place at the right time to take a shot at bringing one of the most brutal dictatorships on earth to a close...

"While Washington, D.C. is still often referred to as 'Chocolate City,' it has undergone significant demographic, political, and architectural change in the last decade. No place represents this shift better than H Street, one of the neighborhoods devastated by the April 1968 riots after Martin Luther King Jr.'s assassination. Over the last decade and a half, the H Street corridor has changed from a historically low-income, African American neighborhood--featuring black-owned businesses that catered to the local residents--to one of the most sought after commercial and residential areas in the nation, replete with art house theaters, fusion restaurants, and rising property values that have pushed out much of the original population. Brandi T. Summers explores this shift from chocolate city to cosmopolitan metropolis, looking at the role of race in urban environments and how the neighborhood's aesthetics--from fashion and language to foodways and black bodies themselves--have been commodified and branded. Through ethnography, interviews, archival research, and media analysis, Summers sheds new light on the relationship between race, space, and capitalism"

From Nora Roberts comes the #1 New York Times bestseller Shelter in Place (June 2018)—a powerful tale of heart, heroism...and propulsive suspense. It was a typical evening at a mall outside Portland, Maine. Three teenage friends waited for the movie to start. A boy flirted with the girl selling sunglasses. Mothers and children shopped together, and the manager at video game store tended to customers. Then the shooters arrived. The chaos and carnage lasted only eight minutes before the killers were taken down. But for those who lived through it, the effects would last forever. In the years that followed, one would dedicate himself to a law enforcement career. Another would close herself off, trying to bury the memory of huddling in a ladies' room, helplessly clutching her cell phone--until she finally found a way to pour her emotions into her art. But one person wasn't satisfied with the shockingly high death toll at the DownEast Mall. And as the survivors slowly heal, find shelter, and rebuild, they will discover that another conspirator is lying in wait--and this time, there might be nowhere safe to hide.

"Reading Hideaway is like a mini vacation, as Roberts transports you from the sun-drenched mountains of Big Sur to the rolling hills of Ireland to the bustling streets of New York City." - Associated Press A family ranch in Big Sur country and a legacy of Hollywood royalty set the stage for Nora Roberts’ emotional new suspense novel, Hideaway. Caitlyn Sullivan had come from a long line of Hollywood royalty, stretching back to her Irish immigrant great-grandfather. At nine, she was already a star—yet still an innocent child who loved to play hide and seek with her cousins at the family home in Big Sur. It was during one of those games that she disappeared. Some may have considered her a pampered princess, but Cate was in fact a smart, scrappy fighter, and she managed to escape her abductors. Dillon Cooper was shocked to find the bloodied, exhausted girl huddled in his house—but when the teenager and his family heard her story they provided refuge, reuniting her with her loved ones. Cate’s ordeal, though, was far from over. First came the discovery of a shocking betrayal that would send someone she’d trusted to prison. Then there were years spent away in western Ireland, peaceful and protected but with restlessness growing in her soul. Finally, she would return to Los Angeles, gathering the courage to act again and get past the trauma that had derailed her life. What she didn’t yet know was that two seeds had been planted that long-ago night—one of a great love, and one of a terrible vengeance...

Place and Replace is a collection of recent interdisciplinary research into Western Canada that calls attention to the multiple political, social, and cultural labours performed by the concept of “place.” The book continues a long-standing tradition of situating questions of place at the centre of analyses of Western Canada’s cultures, pasts, and politics, while making clear that place is never stable, universal, or static. The essays here confirm the interests and priorities of Western Canadian scholarship that have emerged over the past forty years and remind us of the importance of Indigenous peoples, dispossession, and colonialism; of migration, race and ethnicity; of gender and women’s experiences; of the impact of the natural and built environment; and the impact of politics and the state.

Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact. This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.