In Search Of American Jewish Culture

A leading cultural historian explores the complex interactions of Jewish and American cultures.

Demonstrates how American Jews used culture—art, dance, music, fashion, literature—to win the hearts and minds of postwar Americans to the cause of Israel. Bringing Zion Home examines the role of culture in the establishment of the “special relationship” between the United States and Israel in the immediate postwar decades. Many American Jews first encountered Israel through their roles as tastemakers, consumers, and cultural impresarios—that is, by writing and reading about Israel; dancing Israeli folk dances; promoting and purchasing Israeli goods; and presenting Israeli art and music. It was precisely by means of these cultural practices, argues Emily Alice Katz, that American Jews insisted on Israel’s “natural” place in American culture, a phenomenon that continues to shape America’s relationship with Israel today. Katz shows that American Jews’ promotion and consumption of Israel in the cultural realm was bound up with multiple agendas, including the quest for Jewish authenticity in a postimmigrant milieu and the desire of upwardly mobile Jews to polish their status in American society. And, crucially, as influential cultural and political elites positioned “culture” as both an engine of American dominance and as a purveyor of peace in the Cold War, many of Israel’s American Jewish impresarios proclaimed publicly that cultural patronage of and exchange with Israel advanced America’s interests in the Middle East and helped spread the “American way” in the postwar world. Bringing Zion Home is the first book to shine a light squarely upon the role and importance of Israel in the arts, popular culture, and material culture of postwar America. Emily Alice Katz teaches history at the University of California, Irvine.

Key Texts in American Jewish Culture expands the frame of reference used by students of culture and history both by widening the "canon" of Jewish texts and by providing a way to extrapolate new meanings from well-known sources. Contributors come from a variety of disciplines, including American studies, anthropology, comparative literature, history, music, religious studies, and women's studies. Each provides an analysis of a specific text in art, music, television, literature, homily, liturgy, or history. Some of the works discussed, such as Philip Roth's novel Counterlife, the musical Fiddler on the Roof, and Irving Howe's World of Our Fathers, are already widely acknowledged components of the American Jewish studies canon. Others-such as Bridget Loves Bernie, infamous for the hostile reception it received among American Jews+ may be considered "key texts" because of the controversy they provoked. Still others, such as Joshua Liebman's Piece of Mind and the radio and TV sitcom The Goldbergs, demonstrate the extent to which American Jewish culture and mainstream American culture intermingle with and borrow from each other.

Illustrates how some Jews have created a new, hybrid form of Judaism, merging American values and behaviors with those from historical Jewish traditions.

Culling the finest thinking of renowned historian Jonathan D. Sarna, Coming to Terms with America examines how Jews have long “straddled two civilizations,” endeavoring to be both Jewish and American at once, from the American Revolution to today.

Recounts the story of Jews in America, from the mid-seventeenth century to the present day, examining the contributions of the Jewish people to American culture, politics, and society.

They've dived into the melting pot - and they've achieved the American Dream. And that, according to Dershowitz, is precisely the problem. More than 50 percent of Jews will marry non-Jews, and their children will most often be raised as non-Jews. Which means, in the view of Dershowitz, that American Jews will vanish as a distinct cultural group sometime in the next century - unless they act now. Speaking to concerned Jews everywhere, Dershowitz calls for a new Jewish.