In Search Of The Real

The originality of Winnicott's thought and his originality as a person as inseparable. This book explores the way in which a search for an experiencing that feels real is evident in both Winnicott's life and work. He believes deeply that individuals possess a unique, innate authenticity. One feels most alive and free when in touch with this core sense of real self.

The writings of the "dean of the New York School of Abstract-Expressionist Painting." "The creative process lies not in imitating, but in paralleling nature; translating the impulse received from nature into the medium of expression, thus vitalizing this medium. The picture should be alive, the statue should be alive and every work of art should be alive." Thus Hans Hofmann wrote nearly half a century ago. He left the Old World, Germany, for the New, at the age of 50. In 1948, when the retrospective exhibition was held at the Addison Gallery of American Art, Hofmann was 68; he had been in the United States for 18 years, a citizen for seven years. Yet he was scarcely recognized in Europe or America as an artist of significance and had never had a full-scale retrospective exhibition of his work. Beginning with a group exhibition in Germany in 1909, he had been given 12 one-man shows and had been included in four group exhibitions before the exhibit at Andover. Subsequently, he was to have 33 one-man shows and to be in over 60 group exhibitions, including the 1960 Venice Biennale, in which he was one of the four artists chosen to represent America. The catalogue of the 1948 retrospective at the Addison Gallery incorporated Hofmann's writings, all originally written in German, some pieces translated fluently, others awkwardly paraphrasing the original. He had written them over a period of 40 years for periodicals journals, or his own teaching purposes; occasionally they overlapped; there was no sequence of development. In the original volume of Search for the Real, published in 1948, it was felt desirable to edit his writing as little as possible, nevertheless to present the essays in the most lucid English true to his meaning, printed only with his approval. "The Search for the Real in the Visual Arts," "Sculpture," and "Painting and Culture" were all printed in full. The section "Excerpts from the Teaching of Hans Hofmann" was composed of selections from his essays "On the Aims of Art" and "Plastic Creation." The last brief section, "Terms," was gleaned from the other essays, lectures, diagrams, notes, and cryptic memoranda written to himself, headed by one of Hoffman's diagrams. It was a further distillation of his own definitions in the nature of a vocabulary. In the last 18 years of his life, recognition was his, nationally and internationally, in proportion to the originality and depth of his thinking, his versatility and comprehensiveness, his productivity and vigor. His was a prophetic visual expression of action in a three-dimensional world on a vibrating two-dimensional surface. He was a dynamic teacher; the wide range of his influence is to be seen in the list of artists comprising an exhibition "Hans Hofmann and His Students," circulated in America and abroad during the three years before his death in 1966. Among the 32 painters and sculptors in this exhibition were students as varied in their developed personal idioms as Helen Frankenthaler, Larry Rivers, Louise Nevelson, Richard Stankiewicz, and Alan Kaprow. Running simultaneously and also shown in South America and Europe as well as in the United States, a one-man show of 40 major works initiated by the Museum of Modern Art, New York, is a testimony to the words of the "dean of the New York School of Abstract-Expressionist Painting."

What do you see in your mind's eye when you hear the word 'heaven'? Do you see transparent people floating on clouds and playing harps? Or do you imagine a perpetual praise and worship service, singing 'Holy, Holy, Holy' for all eternity? This often-promotedChristianview of eternity doesn't even appeal to the saved-much less to the unsaved. But is this the true, biblical picture? Not even close. After his father died, author Steve Hemphill began searching the Bible for glimpses of heaven, anything to give him comfort about his father's new home.My Search for the Real Heavenis the culmination of seven years of studying, meditating, and cross-referencing biblical findings and is unique in its Bible-based evaluation of eternity. Find the real heaven with Steve Hemphill.

Bestselling author David Dalton goes in seach of the real Bob Dylan in an electrifying biography that puts all the others in the shade. As an artist Bob Dylan has been a major force for half a century. As a musical influence he is without equal. Yet as a man he has always acted like an outlaw on the run, constantly seeking to cover his tracks by confounding investigators with a dizzying array of aliases, impersonations, tall tales and downright lies. David Dalton presents Dylan's extraordinary life in such a way that his subject's techniques for hiding in full sight are gradually exposed for what they are, Despite the changing images, the spiritual body swerves, the manipulative nature and the occasionally baffling lurches between making sublime music and self-indulgent whimsy, the real Bob Dylan has never been more visible. Among the eyewitnesses cited are Marianne Faithful, Allen Ginsberg, Andy Warhol, Larry 'Ratso' Sloman, Nat Hentoff, Suze Rotolo and many more. Yet in the end it is Dalton's impressive ability to find revealing patterns in Dylan's multiple disguises that reveals more than we ever expected to learn about the real man behind the Dylan legend.

Realistic, achievable self-healing is attainable with Dr. French's "Search for Personal Balance" technique. With this method of stress reduction, the internal and external sources of stress are identified and eliminated. The exercises and techniques within this guide will help cure illnesses with emotional components and aid parents in understanding the psychological development of their children

From the authoritative expert in personality disorders, Search for the Real Self is a thorough dissection of how one’s real self is developed, how it relates to the outer world, and how personality disorders are understood and treated in our modern society. Personality disorders—borderline, narcissistic, and schizoid—have become the classic psychological disorders of our age. Outwardly successful, charming and powerful, personality-disordered individuals have long confounded their colleagues, family, lovers and employees—as well as mental health professionals. The author helps the reader understand them. After describing how the healthy real self develops and functions, he explains what can go wrong. Drawing on case histories, he shows how the false self behaves in relationships and on the job, and then delineates appropriate treatments, offering real hope for cure.

Who was the real man who inspired the Dracula legend? In spring 1460, a contemporary wrote, 'untold abuses, damage hardly reparable, sad murders, mutilations, sorrows' were visited upon the city of Brasov, by 'the unfaithful cruel tyrant Dracula, who calls himself Vlad, prince ... He did this following the teaching of the Devil'. According to legend, he impaled his victims, then sat at table mopping up their blood from his plate; later he hung the still alive bodies of opposing forces on a field of stakes. So began the history of Vlad the Impaler. But were his actions the righteous defence of a kingdom, an act of vengence for the cruel deaths of his father and brother? Or the unspeakable fury of a madman with a taste for blood? Here, M.J. Trow reveals the real man whose name gave birth to a legend. He explores the terror with which the character was once associated, going backwards in time from the celluloid Count of Hammer and Universal Studios to the literary creations of Bram Stoker, Sheridan le Fanu and John Polidori. This book also looks at Vlad from the many facets he has left to history - the Impaler; the Renaissance prince 'more sinned against than sinning' whose reputation was destroyed by his enemies; the hero on a white horse, who welded Wallachia into a fighting and defiant nation-state; the defeated martyr, captured by the Hungarian king Corvinus. A stylishly written and compelling narrative, this book unravels the true story behind the image, and takes us into the heart of the bloody, uncertain world of medieval Europe. M.J. TROW is a crime novelist and historian. His previous books include Boudicca and Who Killed Kit Marlowe?