In The House Upon The Dirt Between The Lake And The Woods

In the House upon the Dirt between the Lake and the Woods tells the story of a newly married couple who take up a lonely existence in the title's mythical location. In this blank and barren plot far from the world they've known, they mean to start the family the unnamed husband wants so obsessively. But their every pregnancy fails, and as their grief swells, the husband─a hot-tempered and impatient fisherman and trapper─attempts to prove his dominion in other ways, emptying both the lake and the woods of their many beasts. As the years pass, the wife changes too, her suddenly powerful voice singing some new series of objects into being, including a threatening moon hung above their house, its doomed weight already slowly falling, bending their now-starless sky. In the House upon the Dirt between the Lake and the Woods is about marriage, parenthood, and the dreams parents have for their children─as well as what happens to a marriage whose success is measured solely by the children it produces, or else the grief that marks their absence.

A man embarks on a desperate quest for redemption in a devastated Detroit, in this novel that “has the feel of Cormac McCarthy’s The Road . . . Powerful” (Publishers Weekly). Detroit has descended into ruin. Kelly scavenges for scrap metal from the hundred thousand abandoned buildings in a part of the city known as “the zone”—an increasingly wild landscape where one day he finds something far more valuable than the copper he’s come to steal: a kidnapped boy, crying out for rescue. Briefly, Kelly is celebrated as a hero. But even after he has brought the boy to safety, he is driven to secretly avenge this crime and solve the mystery behind the kidnapping—a task that will take him deeper into the zone, and into a confrontation with his own past and long-buried traumas. From the acclaimed author of In the House Upon the Dirt Between the Lake and the Woods, Scrapper is a devastating reimagining of one of America’s greatest cities, its beautiful architecture, its lost houses, shuttered factories, boxing gyms, and storefront churches. With precise, powerful prose, it asks: What do we owe for our crimes, even those we’ve committed to protect the people we love?

A NEW YORK TIMES NOTABLE BOOK · A PHILADELPHIA INQUIRER BEST OF THE YEAR “Woven together out of the strands of myth, science fiction, and ecological warning, Matt Bell’s Appleseed is as urgent as it is audacious.” —Kelly Link, Pulitzer Prize finalist and national bestselling author of Get in Trouble A “breathtaking novel of ideas unlike anything you’ve ever read” (Esquire) from Young Lions Fiction Award–finalist Matt Bell, a breakout book that explores climate change, manifest destiny, humanity’s unchecked exploitation of natural resources, and the small but powerful magic contained within every single apple. In eighteenth-century Ohio, two brothers travel into the wooded frontier, planting apple orchards from which they plan to profit in the years to come. As they remake the wilderness in their own image, planning for a future of settlement and civilization, the long-held bonds and secrets between the two will be tested, fractured and broken—and possibly healed. Fifty years from now, in the second half of the twenty-first century, climate change has ravaged the Earth. Having invested early in genetic engineering and food science, one company now owns all the world’s resources. But a growing resistance is working to redistribute both land and power—and in a pivotal moment for the future of humanity, one of the company’s original founders will return to headquarters, intending to destroy what he helped build. A thousand years in the future, North America is covered by a massive sheet of ice. One lonely sentient being inhabits a tech station on top of the glacier—and in a daring and seemingly impossible quest, sets out to follow a homing beacon across the continent in the hopes of discovering the last remnant of civilization. Hugely ambitious in scope and theme, Appleseed is the breakout novel from a writer “as self-assured as he is audacious” (NPR) who “may well have invented the pulse-pounding novel of ideas” (Jess Walter). Part speculative epic, part tech thriller, part reinvented fairy tale, Appleseed is an unforgettable meditation on climate change; corporate, civic, and familial responsibility; manifest destiny; and the myths and legends that sustain us all.

“Blurs the often fine lines between literary and genre fictions, allegory and horror, magical realism and bizarro . . . An unforgettable reading experience” (The New York Journal of Books). A nineteenth-century minister builds an elaborate motor that will bring about the Second Coming. A man with rough hands locks a boy in a room with an albino ape. An apocalyptic army falls under a veil of forgetfulness. The story of Red Riding Hood is run through a potentially endless series of iterations. A father invents an elaborate, consuming game for his hospitalized son. Indexes, maps, a checkered shirt buried beneath a blanket of snow: they are scattered through these pages as clues to mysteries that may never be solved, lingering evidence of the violence and unknowability of the world. Named one of the best books of the year by the Chicago Review of Books, A Tree or a Person or a Wall brings together Matt Bell’s acclaimed short fiction—the story collection How They Were Found and the acclaimed novella Cataclysm Baby—along with seven dark and disturbing new stories, to create a work of singular power.

Matt Bell's often non-realist, always genre-bending stories combine sci-fi, mystery, and horror into innovative literary fiction.

Fiction. Beset with environmental disaster, animal-like children, and the failure of traditional roles, the twenty-six fathers of CATACLYSM BABY raise their desperate voices to reveal the strange stations of frustrated parenthood, to proclaim familial thrashings against the fading light of our exhausted planet, its glory grown wild again. As the known world disappears, these beleaguered and all-too-breakable men cling ever tighter to the duties of an unrecoverable past, even as their children rush ahead, evolve away. Unflinching in the face of apocalypse and unblinking before the complicated gaze of parental love, Matt Bell's CATACLYSM BABY is a powerful chronicle of our last days, and of the tentative graces that might fill the hours of our dusk.

NEW YORK TIMES BESTSELLER • The remarkable true story of a man who lived alone in the woods of Maine for 27 years, making this dream a reality—not out of anger at the world, but simply because he preferred to live on his own. “A meditation on solitude, wildness and survival.” —The Wall Street Journal In 1986, a shy and intelligent twenty-year-old named Christopher Knight left his home in Massachusetts, drove to Maine, and disappeared into the forest. He would not have a conversation with another human being until nearly three decades later, when he was arrested for stealing food. Living in a tent even through brutal winters, he had survived by his wits and courage, developing ingenious ways to store edibles and water, and to avoid freezing to death. He broke into nearby cottages for food, clothing, reading material, and other provisions, taking only what he needed but terrifying a community never able to solve the mysterious burglaries. Based on extensive interviews with Knight himself, this is a vividly detailed account of his secluded life—why did he leave? what did he learn?—as well as the challenges he has faced since returning to the world. It is a gripping story of survival that asks fundamental questions about solitude, community, and what makes a good life, and a deeply moving portrait of a man who was determined to live his own way, and succeeded.

“Comyns’ novel is deranged in ways that shouldn’t be disclosed.” —Ben Marcus This is the story of the Willoweed family and the English village in which they live. It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues the villagers. The newspaper asks, “Who will be smitten by this fatal madness next?” Through it all, Comyns' unique voice weaves a text as wonderful as it is horrible, as beautiful as it is cruel. Originally published in England in 1954, this “overlooked small masterpiece” is a twisted, tragicomic gem.