In The Slender Margin

Like Joan Didion's The Year of Magical Thinking, an extraordinarily moving and engaging look at loss and death. Eve Joseph is an award-winning poet who worked for twenty years as a palliative care counselor in a hospice. When she was a young girl, she lost a much older brother, and her experience as a grown woman helping others face death, dying, and grief opens the path for her to recollect and understand his loss in a way she could not as a child. In the Slender Margin is an insider's look at an experience that awaits us all, and that is at once deeply fascinating, frightening, and in modern society shunned. The book is an intimate invitation to consider death and our response to it without fear or morbidity, but rather with wonder and a curious mind. Writing with a poet's precise language and in short meditative chapters leavened with insight, warmth, and occasional humor, Joseph cites her hospice experience as well as the writings of others across generations—from the realms of mythology, psychology, science, religion, history, and literature—to illuminate the many facets of dying and death. Offering examples from cultural traditions, practices, and beliefs from around the world, her book is at once an exploration of the unknowable and a very humane journey through the land of grief.

A journey into the land of death and dying seen through the lens of art and the imagination Part memoir, part meditation on death itself, In the Slender Margin is an exploration of death from an "insider's" point of view. Using the threads of her brother's early death and her twenty years of work at a hospice, Joseph utilizes history, religion, philosophy, literature, personal anecdote, mythology, poetry and pop culture to discern the unknowable and to illuminate her travels through the land of the dying. The book is neither an academic text nor a self-help manual; rather, it is a rumination on death, dying and the mystery that awaits us all. Rather than relying solely on narrative, In the Slender Margin gains momentum from a buildup of thematic resonances. In the process of thinking deeply about death, Joseph finds the brother she lost as a young girl. She wrote this book as a way to understand what she had seen: the mysterious and the horrendous. Replete with literary allusions and references ranging from Joan Didion and Susan Sontag to D.H. Lawrence and Voltaire, among many other literary voices, the result is an absorbing and inspired consideration of how we die and how we deal with death.

Reprint of the original, first published in 1888.