In The Wake Of The Komagata Maru Transpacific Migration Race And Contemporary Art

"This publication brings together documentation from the art exhibition Ruptures in Arrival: Art in the Wake of the Komagata Maru [April 12 to June 15, 2014] and the symposium Disfiguring Identities: Art, Migration and Exile [May 10 and 11th, 2014]. These two related projects that both took place at the Surrey Art Gallery features mainly Canadian contemporary artists who are engaged in their respective art practices in the subject matter of migration, race, racism, particularly as it pertains to Asian Canadian identity and Canadian identity at large. Many of the artworks in the exhibition and projects discussed at the symposium responded to the history of the Komagata Maru incident in which 376 Indian migrants (primarily Sikhs) attempted to come to Canada in 1914 but were turned away by Canadian and British Columbia officials. Other participants in the exhibition and symposium made artwork responding to the histories of other migrant ships that had come to Canada from Asia in more recent decades: the ship MV Ocean Lady and MV Sun Sea that carried over 550 Sri Lankan Tamil passengers collectively in 2009 and 2010, and the four ships that carried 600 Chinese migrants to British Columbia's coast in 1999. Like the exhibition and symposium, the publication features reproductions of painting, drawing, photography, video art, short film, installation art, and music composition and incorporates many voices of participating artists and curators from across Canada."--

Historical story of the ship Komagata Maru and Canada.

In 1914, the SS Komagata Maru arrived in Vancouver Harbour and was detained for two months. Most of its 376 passengers were then forcibly returned to India. Unmooring the Komagata Maru challenges conventional Canadian historical accounts by drawing from multiple disciplines and fields to consider the international and colonial dimensions of the voyage. By situating South Asian Canadian history within a global-imperial context, the contributors offer a critical reading of Canadian multiculturalism through past events and their commemoration. A hundred years later, the voyage of the Komagata Maru has yet to reach its conclusion.

Founded in 1997 by producer Anita Lee and journalist Andrew Sun, the Toronto Reel Asian International Film Festival is a unique showcase of contemporary Asian cinema and work from the Asian diaspora. The festival fosters the exchange of cultural and artistic ideals between East and West, provides a public forum for homegrown Asian media artists and their work and fuels the growing appreciation for Asian cinema in Canada. In Reel Asian: Asian Canada on Screen, contributors, many of them filmmakers, examine East and Southeast Asian Canadian contributions to independent film and video. From artist-run centres, theories of hyphenation, distribution networks and gay and lesbian cinema to F-words, new media technologies and sweet n' sour controversies, Reel Asian: Asian Canada on Screen presents a multi-faceted picture of independent Asian film in Canada. The collection highlights the screen as a site for the reflection, projection and reimagination of identities and communities. Includes: David Eng, Ann Marie Fleming, Richard Fung, Monika Kin Gagnon, Colin Geddes, Kwoi Gin, Mike Hoolboom, Alice Ming Wai Jim, Cheuk Kwan, Julia Kwan, Anita Lee, Helen Lee, Karin Lee, Keith Lock, Pamila Matharu, Christine Miguel, Tan Hoang Nguyen, Midi Onodera, Mieko Ouchi, Alice Shih, Mina Shum, Mary Stephen, Ho Tam, Loretta Todd, Khanhthuan Tran, Phil Tsui, Paul Wong, Su-Anne Yeo, Iris Yudai and Wayne Yung.

In 1914 the British-built and Japanese-owned steamship Komagata Maru left Hong Kong for Vancouver carrying 376 Punjabi migrants. Chartered by railway contractor and purported rubber planter Gurdit Singh, the ship and its passengers were denied entry into Canada and two months later were deported to Calcutta. In Across Oceans of Law Renisa Mawani retells this well-known story of the Komagata Maru. Drawing on "oceans as method"—a mode of thinking and writing that repositions land and sea—Mawani examines the historical and conceptual stakes of situating histories of Indian migration within maritime worlds. Through close readings of the ship, the manifest, the trial, and the anticolonial writings of Singh and others, Mawani argues that the Komagata Maru's landing raised urgent questions regarding the jurisdictional tensions between the common law and admiralty law, and, ultimately, the legal status of the sea. By following the movements of a single ship and bringing oceans into sharper view, Mawani traces British imperial power through racial, temporal, and legal contests and offers a novel method of writing colonial legal history.

Refugee States explores how the figure of the refugee and the concept of refuge shape the Canadian nation-state within a transnational context.

Presenting an unprecedented, integrated view of migration in North America, this interdisciplinary collection of essays illuminates the movements of people within and between Canada, the Caribbean, Mexico, and the United States over the past two centuries. Several essays discuss recent migrations from Central America as well. In the introduction, Dirk Hoerder provides a sweeping historical overview of North American societies in the Atlantic world. He also develops and advocates what he and Nora Faires call “transcultural societal studies,” an interdisciplinary approach to migration studies that combines migration research across disciplines and at the local, regional, national, and transnational levels. The contributors examine the movements of diverse populations across North America in relation to changing cultural, political, and economic patterns. They describe the ways that people have fashioned cross-border lives, as well as the effects of shifting labor markets in facilitating or hindering cross-border movement, the place of formal and informal politics in migration processes and migrants’ lives, and the creation and transformation of borderlands economies, societies, and cultures. This collection offers rich new perspectives on migration in North America and on the broader study of migration history. Contributors. Jaime R. Aguila. Rodolfo Casillas-R., Nora Faires, Maria Cristina Garcia, Delia Gonzáles de Reufels, Brian Gratton, Susan E. Gray, James N. Gregory, John Mason Hart, Dirk Hoerder, Dan Killoren, Sarah-Jane (Saje) Mathieu, Catherine O’Donnell, Kerry Preibisch, Lara Putnam, Bruno Ramirez, Angelika Sauer, Melanie Shell-Weiss, Yukari Takai, Omar S. Valerio-Jiménez, Carlos G. Vélez-Ibáñez