Indian Nationalism

It highlights shifts over two centuries as the geopolitical context has transitioned from the Pax Britannica to the Pax Americana.

How do we define nationalism? Who is a good nationalist? Do you become anti-national if you criticize the government? These are questions that overwhelm most debates today, but these discussions are not new. And while the loudest voices would have us believe that Indian nationalism is (and has always been) a narrow, parochial, xenophobic one, our finest political leaders, thinkers, scientists and writers have been debating the concept since the early nineteenth century and come to a different conclusion. Nationalism as we understand it today first came into being more than a hundred years ago. Studied by historians, political scientists and sociologists for its role in world history, it remains one of the strongest driving forces in politics and also the most malleable one. A double-edged sword, it can be a binding force or a deeply divisive instrument used to cause strife around political, cultural, linguistic or, more importantly, religious identities. In this anthology, historian S. Irfan Habib traces the growth and development of nationalism in India from the late nineteenth century through its various stages: liberal, religion-centric, revolutionary, cosmopolitan, syncretic, eclectic, right liberal...The views of our most important thinkers and leaders-Mahatma Gandhi, Jawaharlal Nehru, C. Rajajgopalachari, Bhagat Singh, Bal Gangadhar Tilak, Sarojini Naidu, B. R. Ambedkar, Rabindranath Tagore, M. N. Roy, Maulana Azad, Jayaprakash Narayan and others-remind us what nationalism should mean and the kind of inclusive, free and humanistic nation that we should continue to build.

In this volume Dr Seal analyses the social roots of the rather confused stirrings towards political organisations of the 1870s and 1880s which brought about the foundation of the Indian National Congress. He is concerned not only with the politicians, viceroys and civil servants but with the social structure of those parts of India where political movements were most prominent at the time. The emphasis of this work is more upon Indian politics than upon British policy: the associations in Bengal and Bombay, the genesis of the Congress and the Muslim breakaway which accentuated the political divisions in India.

Seventeen distinguished historians and political scientists discuss the phenomenon of Indian Nationalism, one hundred years after the founding of the Congress party. They offer important new interpretations of Nationalism's evolution during more than six decades of crucial change and rapid growth. As India's foremost political institution, the National Congress with its changing fortunes mirrored Indian aspirations, ideals, dreams, and failures during the country's struggle for nationhood. Many difficulties face by the pre-independence Indian National Congress are critically examined for the first time in this volume. Major times of crisis and transition are considered, as well as the tension between mass action and political control and the problem of creating and maintaining unity in the face of divisive social and economic interests and between deeply hostile religious communities. A composite portrait of the Congress Party emerges. We see a coalition of often conflicting communities and interests much like India itself, struggling to stay together, tenuously united by little more at times than a common "enemy," the imperial British Raj. But linked together in precarious, seemingly haphazard fashion, shifting networks of elite political entrepreneurs manage to keep India's National Congress alive long enough to convince the British that it would be easier to "Quit India" than to try to hang on to it by force. With the abrupt transfer of power form the British to the independent Dominions of India and Pakistan in 1947, Congress provided institutional sinews for the administration of what had been British India and over five hundred Princely States. By contributing to a deeper understanding of India's nationalist experience, this volume may illuminate the experience of other Third World states. Essays by: S. BhattacharyaJudith M. BrownMushirul HansanZoya HasanD.A. LowClaude MarkovitsJohn R. McLaneW.H. Morris-JonesGyanendra PandeyBimal PrasadRajat Kanta RayBarbara N. RamusackPeter D. ReevesHitesranjan SanyalRichard SissonStanley WolpertEleanor Zelliot This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.

Sardar Kavalam Madhava Panikkar (or K. M. Panikkar) was an Indian scholar, journalist, historian, administrator and diplomat. He was born to Puthillathu Parameswaran Namboodiri and Chalayil Kunjikutti Kunjamma in the Kingdom of Travancore, then a princely state in the British Indian Empire on June 3, 1895. Primarily, this book is neither a defence nor a criticism of a policy,—it is an account of a people’s awakening. There seems to be in human nature some original perversity which preordains, for every national movement that is a growth, three stages of maltreatment. At first it is treated with indifference, then it is ridiculed, then it is abused. Not until it has outlived these experiences of adolescence will men deal with it on its merits.

The representation of the Muslims as threatening to India's body politic is central to the Hindu nationalist project of organizing a political movement and normalizing anti-minority violence. Adopting a critical ethnographic approach, this book identifies the poetics and politics of fear and violence engendered within Hindu nationalism.

Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.