Interdisciplinary Perspectives On Mortality And Its Timings

This book is open access under a CC BY 4.0 license. This volume provides a series of illuminating perspectives on the timings of death, through in-depth studies of Shakespearean tragedy, criminal execution, embalming practices, fears of premature burial, rumours of Adolf Hitler’s survival, and the legal concept of brain death. In doing so, it explores a number of questions, including: how do we know if someone is dead or not? What do people experience at the moment when they die? Is death simply a biological event that comes about in temporal stages of decomposition, or is it a social event defined through cultures, practices, and commemorations? In other words, when exactly is death? Taken together, these contributions explore how death emerges in a series of stages that are uncertain, paradoxical, and socially contested.

This volume provides a series of illuminating perspectives on the timings of death, through in-depth studies of Shakespearean tragedy, criminal execution, embalming practices, fears of premature burial, rumours of Adolf Hitler's survival, and the legal concept of brain death. In doing so, it explores a number of questions, including: how do we know if someone is dead or not? What do people experience at the moment when they die? Is death simply a biological event that comes about in temporal stages of decomposition, or is it a social event defined through cultures, practices, and commemorations? In other words, when exactly is death? Taken together, these contributions explore how death emerges in a series of stages that are uncertain, paradoxical, and socially contested. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.

This collection of essays presents a variety of perspectives on death and dying by scholars from different countries. The areas covered in the volume include: Conceptual, Cultural, and Gender Approaches to Death and the Deceased; Children and Death; Legal Aspects of Euthanasia and Discussion on Choices at End of Life; Palliative Care and Responsibilities and Challenges of Medical and Family Caregivers; the Aesthetic Experience of Life's End; and Modern Ways of Grieving and Commemorating the Dead.

The complexity of life is mirrored in, and elaborated by, the complexity of dying, death, and bereavement - perhaps not surprising if one views life and death as complementary processes, omnipresent and opposing sides of the same construct. Evidence of this complexity is readily apparent in the burgeoning discourse surrounding end of life issues.

This open access book is the culmination of many years of research on what happened to the bodies of executed criminals in the past. Focusing on the eighteenth and nineteenth centuries, it looks at the consequences of the 1752 Murder Act. These criminal bodies had a crucial role in the history of medicine, and the history of crime, and great symbolic resonance in literature and popular culture. Starting with a consideration of the criminal corpse in the medieval and early modern periods, chapters go on to review the histories of criminal justice, of medical history and of gibbeting under the Murder Act, and ends with some discussion of the afterlives of the corpse, in literature, folklore and in contemporary medical ethics. Using sophisticated insights from cultural history, archaeology, literature, philosophy and ethics as well as medical and crime history, this book is a uniquely interdisciplinary take on a fascinating historical phenomenon.

Addressing a gap in social science research to explore the meanings, understandings, and experiences of time at life’s most critical point, this book takes a thoughtful sociological approach to questions about how humans use and experience time in relation to when someone dies.

This inter- and multi-disciplinary volume examines how culture impacts care for the dying, the overall experience of dying, and ways the dead are re

This book presents a sociological challenge to the long-held assumption that dying alone is a bad way to die and that for a death to be a good one the dying person should be accompanied. This assumption is represented in the deathbed scene, where the dying person is supported by religious or medical professionals, and accompanied by family and friends. This is a familiar scene to consumers of culture and is depicted in many texts including news media, fiction, television, drama and documentaries. The cultural script underpinning this assumption is examined, drawing on empirical data and published literature. Clarification is offered about what is meant when someone is said to die alone: are they alone at the precise moment of their death, or is it during the period before that? Questions are asked about whose interests are best served by the accompaniment of dying people, whether dying alone means dying lonely and whether, for some individuals, dying alone can be a choice and offer a good death? This book is suitable for scholars and students in the field of dying and death, as well as practitioners who work with dying people, some of whom may wish to be alone.