Interior Landscapes Second Edition

The classic autobiography of the famous Indigenous writer and critic Gerald Vizenor The classic memoir by one of the most celebrated Indigenous writers of the modern era, Interior Landscapes offers an unforgettable glimpse of the life and world of Gerald Vizenor. Vizenor writes about his experiences as a tribal mixedblood in the new world of simulations; the themes in his autobiographical stories are lost memories and a "remembrance past the barriers." The chapters open with natural harmonies and the premier union of the Anishinaabe families of the crane and the first white fur traders. The author bares his fosterage, his ambitions, his contentions with institutions and imposed histories; his encounters as a community advocate, journalist for the Minneapolis Tribune, university teacher, critic, and novelist. Vizenor celebrates chance, or "trickster signatures" and communal metaphors in these pages: he was hired to teach social sciences at Lake Forest College, his first experience as a teacher, because the head of the department admired his haiku poems; he toured the armorial emblems at Maxim's de Beijingwhen it opened on October 1, 1983, in the People's Republic of China; he wrote about the suicide of Dane White and the murderer Thomas White Hawk; he rescued his dreams from the skinwalkers at the Clyde Kluckhohn house in Santa Fe, New Mexico; and, as an editorial writer, he followed the American Indian Movement from Custer to Rapid City, from Calico Hall on the Pine Ridge Reservation to Wounded Knee, South Dakota. Teasing, revealing, and irresistible, Interior Landscapes charts the fascinating life of a brilliant Anishinaabe writer. The new edition contains a wealth of new photographs and information on the journey of Gerald Vizenor. Gerald Vizenor, a member of the White Earth Anishinaabeg, is a professor of American Studies at the University of New Mexico. His many books include Fugitive Poses, Manifest Manners, Hiroshima Bugi, and Survivance. He is the editor of the series Native Traces (SUNY) and Native Storiers (Nebraska). "The Chippewa writer Gerald Vizenor is at once a brilliant and evasive trickster figure. . . He is perhaps the supreme ironist among American Indian writers of the twentieth century." -- N. Scott Momaday "Instead of trying to walk the thin, often invisible line between art and politics, history and future, Vizenor dances on both sides, knowing all too well that in our time politics can become myth and vice versa."--San Francisco Review of Books

The classic autobiography of the famous Indigenous writer and critic Gerald Vizenor

Annotation Vizenor writes about his experiences as a tribal mixedblood in these autobiographical stories. He writes of his fosterage, ambitions, contentions with institutions and imposed histories; his encounters as a community advocate, journalist for the Minneapolis Tribune, university teacher, and novelist. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com).

The tension between interior and exterior has always been present in architecture, differently articulated over the centuries, and expressed through several means of representation. Contemporary architecture is often characterized by the total interpenetration of interior and exterior configurations: often the differentiation between these two dialectical poles has become undistinguishable, boundaries blurry and the result of any design process is a hybrid product, based on the superposition of different and heterogeneous layers. Starting from the 18th century, Interior Landscapes describes the principles of the relationship between interior and exterior landscapes in architecture. It unveils the invariant forms that have crossed the History of Architecture, and which have periodically re-emerged to shape contemporary design episodes. By borrowing different interpretative elements—drawings, photographs, illustrations—Interior Landscapes is configured as a visual atlas, aimed to demonstrate how, through the contamination of interior and exterior, always- new architectural insights emerge. Comprising detailed essays that contribute insightfully to the international discourse, Stefano Corbo unpacks the general re-organization of topics internal to the territory of architecture. This book distinguishes itself with almost 70 unique plates of etchings, sketches, illustrations and photographs, each linking carefully and directly the visual with the theory, providing unique entry points and examinations of this text’s fascinating observations.

This publication celebrates the skill, talent, and cooperation needed to create interior landscapes, a unique design discipline melding the exterior garden with the built architectural environment to bring the vitality and liveliness of nature inside the many diverse structures in which we live and work. The permanent display of living plants inside buildings meant for, but not limited to, human rather than horticultural use is a relatively recent phenomenon. Interior Landscapes will illustrate how sophisticated this discipline has become in a space of only thirty years.

Practically all books written on interior landscape address the needs of home gardeners or the more detailed needs of business owners and researchers. Technicians, trainees, and advanced personnel alike--those who must maintain large interior installations on a commercial level--have not had ready access to information often critical to performing their job successfully. Finally, here is a dictionary specifically compiled for the interior landscape professional. It fills the gap in the literature by covering all terms that apply to interior landscaping. Definitions of more than 1,000 interior landscape terms are listed in alphabetical order for easy access. Each definition is brief but thorough to provide the right depth needed by the working professional. Although terms are described at a level that requires no background in the science of horticulture, the Interior Landscape Dictionary also provides technical terminology for those who require it. Nearly 130 illustrations--including 70 photographs--make it easy to identify specific plants and treatment for various plant diseases and pests. Detailed appendices cover both Latin and common plant nomenclature, pronunciation of Latin names, and lists of additional reading materials for reference. Unlike other botanical dictionaries that have too few illustrations and too many complex definitions, the Interior Landscape Dictionary has the right blend of information and format for the daily needs of interior landscapers. It is a valuable reference source for professionals and trainees in the fields of landscape architecture and management, interior design, horticulture, architecture, and plant science.

Already acknowledged by Metacritic and the Guinness World Records as the highest-rated series in the history of television, Breaking Bad has elicited an unprecedented amount of criticism. Writers both popular and academic, columnists as well as eager commenters, have addressed every imaginable topic, from the show’s characterization and major scenes, to fine details such as Walt’s knack for picking up habits from those he kills, and the symbolism inherent within the cars that characters own. This book considers another perspective, one relatively unexplored to date. By considering the series from the perspective of its interior spaces, two possibilities emerge. Firstly, the spaces become a tangible record of their characters’ inner lives, one that provides something like an objective correlative or photographic negative of their thought processes and approach to the world. They provide more, and richer ways to trace the course of character, action, and themes throughout the series. Secondly, Breaking Bad’s spaces are not simply acted upon or within: they interact with characters as well. Interpreted through the theories of Judith Butler, Michel de Certeau, and many others, the series’ homes, labs, RVs and elevators take on new significance. The collection plumbs the interior spaces of Breaking Bad from many angles. Ultimately, these diverse perspectives enrich an appreciation for the series and its innovative handling of interiors (both literal and metaphorical). They also suggest new ways of reading the series, ensuring it can continue to be explored by academics, students, and fans well into the future.

--Pointed, absorbing novel about an indigenous artist’s long journey of creativity and coming-of-awareness from White Earth Reservation to Paris