Intricacy Design And Cunning In The Book Of Judges

The Book of Judges in the Old Testament is a deeply-disturbing anthology of short stories about ambushes, assassinations, murders, dismemberments, spying, deception, underdog trickiness, lawlessness, sexual behavior, gang rapes, and the need for community reform and national leadership. Actually, Judges holds an infinity of meaning and is a great puzzle that has waited for centuries to be solved. Although widely studied by scholars, Judges has never been subjected to professional literary criticism and therefore has never been fully analyzed, understood, or appreciated. Intricacy, Design, and Cunning in the Book of Judges teaches one how penetrate the secrets of this ancient work, decipher its profound messages, and appreciate it as a masterpiece of world literature. Davidson's book is the result of years of thinking and has been written in a thoughtful, easily-understood, but intelligent style that should give pleasure to any reader-layperson and biblical scholar.

In the Book of Judges, why, if we view Samson as a heroic Übermensch, do we read his story one way, yet if we read him as a buffoonish and violent oaf, we read the story another way? How does our assessment of the characters of a story, our empathy with them or suspicion of them, shape the way we read it? This book addresses these questions by analyzing the complex characterization in the Book of Judges, paying attention to an often neglected but important area of study in the Hebrew Bible. Its international group of contributors explore the implications of characterization on storytelling, situating their contributions within the context of literary studies of the Hebrew Bible, and offering multiple perspectives on the many and various characters one encounters in the Book of Judges. Chapters examine a range of topics, including the relationship between humor, characterization and theology in Judges; the intersection of characterization and ethics through the story of the story of Jephthah's daughter; why the 'trickster hero' Ehud disturbs interpreters; and the ways in which Abimelech's characterization affects the key narrative themes of succession and kingship in his story.

Reveals Israel's intense relationship with YHWH: a masochistic dance on an epic scale.

In Violence in the Hebrew Bible scholars reflect on texts of violence in the Hebrew Bible, as well as their often problematic reception history. Authoritative texts and traditions can be rewritten and adapted to new circumstances and insights. Texts are subject to a process of change. The study of the ways in which these (authoritative) biblical texts are produced and/or received in various socio-historical circumstances discloses a range of theological and ideological perspectives. In reflecting on these issues, the central question is how to allow for a given text’s plurality of possible and realised meanings while also retaining the ability to form critical judgments regarding biblical exegesis. This volume highlight that violence in particular is a fruitful area to explore this tension.

Comprised of contributions from scholars across the globe, The Oxford Handbook of Biblical Narrative is a state-of-the-art anthology, offering critical treatments of both the Bible's narratives and topics related to the Bible's narrative constructions. The Handbook covers the Bible's narrative literature, from Genesis to Revelation, providing concise overviews of literary-critical scholarship as well as innovative readings of individual narratives informed by a variety of methodological approaches and theoretical frameworks. The volume as a whole combines literary sensitivities with the traditional historical and sociological questions of biblical criticism and puts biblical studies into intentional conversation with other disciplines in the humanities. It reframes biblical literature in a way that highlights its aesthetic characteristics, its ethical and religious appeal, its organic qualities as communal literature, its witness to various forms of social and political negotiation, and its uncanny power to affect readers and hearers across disparate time-frames and global communities.

This theological treatment of the Book of Judges is fresh, original, imaginative, scholarly, and relevant. In his commentary E. John Hamlin pays careful attention to the structure and meaning of the text of Judges, and he elucidates the "risk" that Israel faced in the Promised Land — the risk of living among the "Canaanites," of adopting their ungodly practices and their way of organizing society (the way of death). Hamlin's characterizations of the various liberator judges are particularly thought-provoking. Each chapter concludes with "Perspectives" on the text — reflections on the ancient context of the Judges accounts, insights from the Asian cultures among which Hamlin has lived and worked, and applications to modern situations.

This groundbreaking volume presents a new translation of the text and detailed interpretation of almost every word or phrase in the book of Judges, drawing from archaeology and iconography, textual versions, biblical parallels, and extrabiblical texts, many never noted before. Archaeology also serves to show how a story of the Iron II period employed visible ruins to narrate supposedly early events from the so-called "period of the Judges." The synchronic analysis for each unit sketches its characters and main themes, as well as other literary dynamics. The diachronic, redactional analysis shows the shifting settings of units as well as their development, commonly due to their inner-textual reception and reinterpretation. The result is a remarkably fresh historical-critical treatment of 1:1-10:5.--Publisher's description.

Making Men identifies and elaborates on a theme in the Hebrew Bible that has largely gone unnoticed by scholars-the transition of a male adolescent from boyhood to manhood. Wilson locates five examples of the male coming-of-age theme in the Hebrew Bible. The protagonists of these stories include the well-known biblical heroes Moses, Samuel, David, and Solomon. He also reveals the existence of a narrative theme of failing to mature to manhood, exemplified in the tales of Samson and Gideon's son Jether. Beyond identifying the coming-of-age theme, Wilson describes how the theme is employed by biblical narrators and redactors to highlight broader messages and transitions in the historical narratives of the Hebrew Bible. He additionally considers how these stories provide unique insight into the varying representations of biblical masculinity and how the ideals associated with manhood can change dramatically over time.