Introducing The Medieval Swan

Birds have always been a popular and accessible subject, but most books about medieval birds are an overview of their symbolism generally: owl for ill-omen, the pelican as a Eucharistic image and the like. The unique selling point of this book is to focus on one bird and explore it in detail from medieval reality to artistic concept. This book also traces how and why the medieval perception of the swan shifted from hypocritical to courtly within the medieval period. With special attention to ‘The Knight of the Swan’, the book traces the rise and popularity of the medieval swan through literature, history, courtly practices, and art. The book uses thoroughly readable language to appeal to a wide audience and explains some of the reasons why the swan holds such resonance today by covering views of the swan from classic to early modern times.

"Delivers fascinating material across genres, periods, and theoretical issues." TIMES LITERARY SUPPLEMENT This volume is a special issue dedicated to Professor Elizabeth Archibald, who has had such an impact on, and made so many significant contributions to, the field of Arthurian Studies. It maintains its tradition of diverse approaches to the Arthurian tradition - albeit on this occasion with a particular focus on Malory, appropriately reflecting one of Professor Archibald's main interests. It starts with the essay awarded this year's D.S. Brewer Prize for a contribution by an early career scholar, which considers the little-known debt owed by early modern sailors to Arthurian knighthood and pageantry. The essays that follow begin with a wide-ranging account of manuscript decorations and annotations in Geoffrey of Monmouth's Historia, before turning to the Evil Custom trope in Sir Gawain and the Green Knight. Further contributions explore the formalities of requests and conditions in Malory's '"Tale of Gareth", emotional excess and magical transformation in several scenes across the Morte Darthur, tensions between public and private and self and identity in Malory's "Sankgreal", and friction between the (external and imposed) law and (internal and subjective but honourable) code of chivalry, especially apparent in Malory's final Tales. The last article examines the ways in which Mordred's origins in modern Arthurian fiction build on Malory's false, or forgotten, promise to relate Mordred's upbringing. The volume closes with a short tribute to Elizabeth Archibald, highlighting her leadership in the field and her encouragement of scholarly collaboration and community.

The study of pre-modern anthropology requires the close examination of the relationship between nature and human society, which has been both precarious and threatening as well as productive, soothing, inviting, and pleasurable. Much depends on the specific circumstances, as the works by philosophers, theologians, poets, artists, and medical practitioners have regularly demonstrated. It would not be good enough, as previous scholarship has commonly done, to examine simply what the various writers or artists had to say about nature. While modern scientists consider just the hard-core data of the objective world, cultural historians and literary scholars endeavor to comprehend the deeper meaning of the concept of nature presented by countless writers and artists. Only when we have a good grasp of the interactions between people and their natural environment, are we in a position to identify and interpret mental structures, social and economic relationships, medical and scientific concepts of human health, and the messages about all existence as depicted in major art works. In light of the current conditions threatening to bring upon us a global crisis, it matters centrally to take into consideration pre-modern discourses on nature and its enormous powers to understand the topoi and tropes determining the concepts through which we perceive nature. Nature thus proves to be a force far beyond all human comprehensibility, being both material and spiritual depending on our critical approaches.

This textbook offers the perfect introduction to the complex world of social work theory, giving a concise yet comprehensive overview of how practice is influenced by each theoretical approach described. The book begins by outlining the origins and historical context of social work, which allows the reader to see show how theoretical fashions have changed and adapted to certain times, and concludes with advice on the best way forward for the modern-day social worker. Packed with thought-provoking discussions surrounding the topic, students will be encouraged to question the theories portrayed – a skill crucial to being a truly effective social work practitioner. Written by one social work's most highly regarded commentators, the book's accessible and easy-to-read writing style makes it a must-have companion for students and practitioners looking to gain an overall view of social work theory.

Introducing Anglo-Saxon literature in an approachable way, this is an indispensable guide for students to a key literary topic.

Ducks, Geese, and Swans of North America has been hailed as a classic since the first edition was published in 1942. A must-have for professional biologists, birders, waterfowl hunters, decoy collectors, and wildlife managers, this fully revised and updated edition provides definitive information on the continent's forty-six species. Maps of both winter and breeding ranges are presented with images by top waterfowl photographers and the acclaimed original artwork of Robert W. (Bob) Hines. Originally authored by F. H. Kortright and later revised by Frank Bellrose, this latest edition, which has been meticulously updated by renowned waterfowl biologist Guy Baldassarre, continues the legacy of esteemed authors. Each species account contains in-depth sections on: - identification - distribution - migration behavior - habitat - population status - breeding biology - rearing of young - recruitment and survival - food habits and feeding ecology - molts and plumages - conservation and management To facilitate identification, the species accounts also include detailed illustrations of wings. An appendix contains comparative illustrations of ducklings, goslings, and cygnets. Guy Baldassarre has hit the target. His remake of the Kortright/Bellrose classic provides good biological descriptions, wonderful photographs and illustrations, and easy-to-understand information about waterfowl. I would encourage every hunter and enthusiast to have these books as an educational guide to waterfowl and their needs.--H. Dale Hall, CEO, Ducks Unlimited, Inc. When, as an eleven-year-old in 1942, I read F. H. Kortright's first edition of this book, it altered the trajectory of my life. Every subsequent edition, including this latest update by Guy Baldassarre, has improved the landmark reference. I can't imagine that anyone interested in waterfowl or wetlands can live without this indispensable book.--Paul A. Johnsgard, University of Nebraska-Lincoln Creating a brand-new version of such a timeless and previously revised classic is a risky venture indeed, but nobody could be better suited for this monumental task than Guy Baldassarre. He has created a stunning new classic, at once magnificent in its visual appeal and truly comprehensive in its scientific breadth and depth. Hats off to Guy for dedicating himself to this project with such obvious passion, patience, and skill. This book absolutely belongs on the shelf or coffee table of anyone who has ever marveled at waterfowl, whether through their binoculars or from inside the duck blind.--John W. Fitzpatrick, Cornell Laboratory of Ornithology Guy Baldassarre was a professor of wildlife ecology at the State University of New York College of Environmental Science and Forestry in Syracuse until his death in 2012. He is the coauthor of the textbook, Waterfowl Ecology and Management. Johns Hopkins University Press Baltimore www.press.jhu.edu This product consists of two volumes, packaged in a slipcase along with a CD containing references and additional maps. ISBN 13: 978-1-4214-0751-7 ISBN 10: 1-4214-0751-5 [Use barcode for ISBN 13: 978-1-4214-0751-7] Cover design: Cover illustration: Northern Pintail. GaryKramer.net Author photo: HOLD SPACE FOR AUTHOR PHOTO X: \marketing\author photos --John W. Fitzpatrick, Cornell Lab of Ornithology "Midwest Book Review"

This book is a captivating historical tale set in the court of Charlemagne, one of Europe's greatest medieval monarchs. Genlis weaves together historical fact and fanciful fiction to create a vivid portrait of this era, complete with knights, castles, and courtly intrigue. As a sequel to her earlier work Tales of the Castle, this book is an essential read for fans of Genlis' work. A must-read for anyone interested in medieval history or historical fiction. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.