Introduction To Paint Chemistry And Principles Of Paint Technology Fourth Edition

This work provides a comprehensive introduction to paint technology supported by the relevant aspects of chemistry and physics. It covers the basic science and is devoted to paint composition, formulation and drying mechanisms, paint ingredients such as solvents, pigments and additives, and the different paint groups by chemical type. Throughout the book the authors emphasize the factors which govern the choice of a particular paint for a particular job. This new edition has been thoroughly revised to modernize and clarify the text. Areas of new development have been added including environmental impacts, safety issues and modern paint making techniques. Nomenclature and units have also been updated and a glossary of technical terms added. This book should be of interest as a course text for paint technology students and technical staff concerned with the paint industry.

Introduction to Paint Chemistry was first published in 1967 with~he intention of providing both a textbook for students and an introduction to the subject for those with little or no technical knowledee. This remains the objective. The book was completely revised in 1980, but the pace of change continued to quicken. In this third edition, I have sought to bring it up to date with the newest developments in the technology and, with an additional chapter, to emphasize the importance of the painting system as a composite, in which the substrate and its chemistry playa vital role. The book is divided into two parts. Part One begins at the very basis of matter-its atomic structure-and works step by step through a sufficient selection of chemistry and physics to allow any interested reader to cope with the chemistry and the technology of paint in Part Two. The reader should absorb as much of Part One as he or she feels necessary. It is worth noting, however, that the topics in it are specially selected from a paint point of view and that, for example, detail on oils in Chapter 3, on polymers in Chapter 5 and on light and colour in Chapter 6 could well be missing in some Chemistry degree courses.

Introduction to Paint Chemistry was first published in 1967 with the intention of providing both a textbook for students and an introduction to the subject for those with little or no technical knowledge. This remains the objective. The book was revised in 1980 and again in 1988, but change continues. In this fourth edition, we have sought to bring it up to date with the newest developments in the technology and, with an additional chapter, to add a perspective on the importance now given to safety and also to environmental issues in paint system design, manufacture and use. An additional feature is the attention that has been given to the use of nomenclature and units, attempting to reconcile current usage in both education and in industry, providing a bridge where these differ. The book is divided into two parts. Part One begins at the very basis of matter - its atomic structure - and works step by step through a sufficient selection of chemistry and physics to allow any interested reader to cope with the chemistry and the technology of paint in Part Two. The reader should absorb as much of Part One as he or she feels necessary.

Introduction to Paint Chemistry was first published in 1967 with~he intention of providing both a textbook for students and an introduction to the subject for those with little or no technical knowledee. This remains the objective. The book was completely revised in 1980, but the pace of change continued to quicken. In this third edition, I have sought to bring it up to date with the newest developments in the technology and, with an additional chapter, to emphasize the importance of the painting system as a composite, in which the substrate and its chemistry playa vital role. The book is divided into two parts. Part One begins at the very basis of matter-its atomic structure-and works step by step through a sufficient selection of chemistry and physics to allow any interested reader to cope with the chemistry and the technology of paint in Part Two. The reader should absorb as much of Part One as he or she feels necessary. It is worth noting, however, that the topics in it are specially selected from a paint point of view and that, for example, detail on oils in Chapter 3, on polymers in Chapter 5 and on light and colour in Chapter 6 could well be missing in some Chemistry degree courses.

Conservation of Easel Paintings, Second Edition provides a much-anticipated update to the previous edition, which has come to be known internationally as an invaluable and comprehensive text on the history, philosophy and methods of the treatment of easel paintings. Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists’ materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shipping, and exhibition. Including exciting developments that have taken place since the last edition was published, the book also covers new techniques of examination, especially MacroXRF scanning and Reflectance Transmission Imagery. Drawing on research presented at recent professional conferences, information about innovative methods for cleaning modern and contemporary paintings and insights into modern oil paints is also included. Incorporating the latest regulations and understanding of health and safety practices and integrating theory with practice throughout, Conservation of Easel Paintings, Second Edition will continue to be an indispensable reference for practicing conservators. It will also be an essential resource for students taking conservation courses around the world.

Conservation of Easel Paintings is the first comprehensive text on the history, philosophy and methods of treatment of easel paintings integrating theory with practice. A guide to necessary background knowledge in technical art history, artists " materials, interviews with artists, scientific methods of examination and documentation precedes sections that present varying approaches and methods for treatment. This book concludes with the history and treatment of frames and a section featuring issues of preventive conservation, storage, shipping, exhibition, display, wall colours, and lighting. Extensive bibliographies at the end of each section point readers to additional resources. Conservation of Easel Paintings will be of use in the training of conservation students and will provide generations of practicing paintings conservators and interested art historians, curators, directors, collectors, dealers, artists, and students of art and art history with valuable information.