Inventing Collateral Damage

A provocative and powerful collection that explores the concept of "collateral damage" through wars across space and time

The violence and destruction hiding behind the obsession with immunity Our contemporary political condition is obsessed with immunity. The immunity of bodies and the body politic; personal immunity and herd immunity; how to immunize the social system against breakdown. The obsession intensifies with every new crisis and the mobilization of yet more powers of war and police, from quarantine to border closures and from vaccination certificates to immunological surveillance. Engaging four key concepts with enormous cultural weight – Cell, Self, System and Sovereignty – Politics of Immunity moves from philosophical biology to intellectual history and from critical theory to psychoanalysis to expose the politics underpinning the way immunity is imagined. At the heart of this imagination is the way security has come to dominate the whole realm of human experience. From biological cell to political subject, and from physiological system to the social body, immunity folds into security, just as security folds into immunity. The book thus opens into a critique of the violence of security and spells out immunity’s tendency towards self-destruction and death: immunity, like security, can turn its aggression inwards, into the autoimmune disorder. Wide-ranging and polemical, Politics of Immunity lays down a major challenge to the ways in which the immunity of the self and the social are imagined.

This book is about religion, pacifism, and the nonviolence that informs pacifism in its most coherent form. Pacifism is one religious approach to war and violence. Another is embodied in just war theories, and both pacifism and just war thinking are critically examined. Although moral support for pacifism is presented, a main focus of the book is on religious support for pacifism, found in various religious traditions. A crucial distinction for pacifism is that between force and violence. Pacifism informed by nonviolence excludes violence, but, the book argues, allows forms of force. Peacekeeping is an activity that on the face of it seems compatible with pacifism, and several different forms of peacekeeping are examined. The implications of nonviolence for the treatment of nonhuman animals are also examined. Two models for attaining the conditions required for a world without war have been proposed. Both are treated and one, the model of a biological human family, is developed. The book concludes with reflections on the role of pacifism in each of five possible futurescapes.

Why do states who are committed to the principle of civilian immunity and the protection of non-combatants end up killing and injuring large numbers of civilians during their military operations? Bugsplat explains this paradox through an in-depth examination of five conflicts fought by Western powers since 1989. It argues that despite the efforts of Western military organizations to comply with the laws of armed conflict, the level of collateral damage produced by Western military operations is the inevitable outcome of the strategies and methods through which their military organizations fight wars. Drawing on their superior technology and the strategic advantage of not having to fight on their own territory, such states employ highly-concentrated and overwhelming military force against a wide variety of political, economic, and military targets under conditions likely to produce high civilian casualties. As a result, collateral damage in western-fought wars is largely both foreseeable and preventable. The book title is derived from the name of a computer program that had been used by the Pentagon to calculate probable civilian casualties prior to launching air attacks.

This book explores the role played by civilians in shaping the outcomes of military combat across time and place. This volume explores the contributions civilians have made to warfare in case studies that range from ancient Europe to contemporary Africa and Latin America. Building on philosophical and legal scholarship, it explores the blurred boundary between combatant and civilian in different historical contexts and examines how the absence of clear demarcations shapes civilian strategic positioning and impacts civilian vulnerability to military targeting and massacre. The book argues that engagement with the blurred boundaries between combatant and non-combatant both advance the key analytical questions that underpin the historical literature on civilians and underline the centrality of civilians to a full understanding of warfare. The volume provides new insight into why civilian death and suffering has been so common, despite widespread beliefs embedded in legal and military codes across time and place that killing civilians is wrong. Ultimately, the case studies in the book show that civilians, while always victims of war, were nevertheless often able to become empowered agents in defending their own lives, and impacting the outcomes of wars. By highlighting civilian military agency and broadening the sense of which actors affect strategic outcomes, the book also contributes to a richer understanding of war itself. This book will be of much interest to students of military studies, international history, international relations and war and conflict studies.

This historiography demonstrates how theorists have rationalized killing the innocent in war. It shows how moral arguments about killing the innocent respond to material conditions, and it explains how we have arrived at the post-World War II convention.

This collection of essays explores ways in which visual cultures have engaged with armed conflict and politically-motivated acts of violence of all types. It works out of analytical frameworks developed in the fields of Art History and Visual Culture in order to address the politics of representing conflict within and beyond these disciplines. The contributors seek to extend perceived well-established academic approaches to thinking about visual production in the context of war, conflict, and militarism through a study of various themes, including historiography, subjectivity, biography, narrative construction, commemoration, identity, and memory formation. Each author considers how visual representations of conflict shape the meanings of politically significant events, of specific social formations, of subject positions and enacted roles. The volume investigates a set of representational regimes in visual media, including print-making, painting, photography and digital imaging, and the use to which they have been put to generate as well as mediate realities of conflict.

Massacres and mass killings have always marked if not shaped the history of the world and as such are subjects of increasing interest among historians. The premise underlying this collection is that massacres were an integral, if not accepted part (until quite recently) of warfare, and that they were often fundamental to the colonizing process in the early modern and modern worlds. Making a deliberate distinction between 'massacre' and 'genocide', the editors call for an entirely separate and new subject under the rubric of 'Massacre Studies', dealing with mass killings that are not genocidal in intent. This volume offers a reflection on the nature of mass killings and extreme violence across regions and across centuries, and brings together a wide range of approaches and case studies.