Invisibility In African American Novels

Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,7, University of Mannheim, course: African American Novels, language: English, abstract: Blindness is a topic in many African American novels published in the middle of the 20th century. However, this does not mean that black protagonists are over-averaged disabled. The inability of seeing refers more to a special type of blindness: a psychical one. This kind of disablement is "a matter of the construction of [the] inner eyes, those eyes with which [one] look[s] through [the] physical eyes upon reality" (Ellison, Ralph. Invisible Man. London: Penguin Books, 1965. p.7). It is a way of refusing to recognise people and their character traits, which African Americans were often confronted with. This ignorance of the - mainly - "white" society is picked out as a central theme in many African American novels and, therefore, it will be the topic of this publishing. To prove this thesis, the following analysis will examine some example scenes from Ralph Ellison's 1952 published novel Invisible Man. As one single book is not sufficient to establish a thesis for a whole genre, additionally scenes from Richard Wright's 1940 published novel Native Son and Ann Petry's 1946 published novel The Street will be briefly analysed. Even though a comparison between all three novels would have been interesting as well, this work will take its main focus on one single novel, to go as deeply into detail as the limited space allows, instead of giving only a cursory overview of different works. For the same reason, this work will not contain a summary of the discussed novels as these are expected to be known. As the title of the work probably raises the expectation of an analysis of the physical blindness, this topic will be worked out in the second chapter, concentrating on Invisible Man, and, later on, briefly on Native Son. The attempts to point out its metaphorical meaning and to connect this with th

From Ishmael Reed and Toni Morrison to Colson Whitehead and Terry McMillan, Darryl Dickson-Carr offers a definitive guide to contemporary African American literature. This volume-the only reference work devoted exclusively to African American fiction of the last thirty-five years-presents a wealth of factual and interpretive information about the major authors, texts, movements, and ideas that have shaped contemporary African American fiction. In more than 160 concise entries, arranged alphabetically, Dickson-Carr discusses the careers, works, and critical receptions of Alice Walker, Gloria Naylor, Jamaica Kincaid, Charles Johnson, John Edgar Wideman, Leon Forrest, as well as other prominent and lesser-known authors. Each entry presents ways of reading the author's works, identifies key themes and influences, assesses the writer's overarching significance, and includes sources for further research. Dickson-Carr addresses the influence of a variety of literary movements, critical theories, and publishers of African American work. Topics discussed include the Black Arts Movement, African American postmodernism, feminism, and the influence of hip-hop, the blues, and jazz on African American novelists. In tracing these developments, Dickson-Carr examines the multitude of ways authors have portrayed the diverse experiences of African Americans. The Columbia Guide to Contemporary African American Fiction situates African American fiction in the social, political, and cultural contexts of post-Civil Rights era America: the drug epidemics of the 1980s and 1990s and the concomitant "war on drugs," the legacy of the Civil Rights Movement, the struggle for gay rights, feminism, the rise of HIV/AIDS, and racism's continuing effects on African American communities. Dickson-Carr also discusses the debates and controversies regarding the role of literature in African American life. The volume concludes with an extensive annotated bibliography of African American fiction and criticism.

The book is a comparative study of the invisibility trope in African American and Asian American literature. It distinguishes between various kinds of invisibility and offers a genealogy of the term while providing a theoretical dissection of the invisibility trope itself. Investigating the various ways of striving for visibility, the author places special emphasis on the need for cooperation among various racial groups. While the book explores invisibility in a variety of African American and Asian American literary texts, the main focus is on four novels: Ralph Ellison's Invisible Man, Sam Greenlee's The Spook Who Sat by the Door, Maxine Hong Kingston's Tripmaster Monkey and Chang-rae Lee's Native Speaker. The book not only sheds light on the oppressed but also exposes the structures of oppression and the apparatus of power, which often renders itself invisible. Throughout the study the author emphasizes that power is multi-directional, never flowing only in one direction. The book brings to light mechanisms of oppression within the dominant society as well as within and between marginalized racial groups.

An African-American man's search for success and the American dream leads him out of college to Harlem and a growing sense of personal rejection and social invisibility. Copyright © Libri GmbH. All rights reserved.

A novel about black lives in 1940s America, in which the unnamed narrator, defeated and embittered by a country which treats him as non-being, retreats into an underground cell, where he smokes, drinks, listens to jazz and recounts his search for identity in white society.

First published in 1996. This volume includes a collection of essays that where collected after the inspiration of finding positive interactions between African-American and Irish Writers during the Harlem Renaissance, a time when these two groups were hardly on good terms. The essays look at theories and realities of literary influence that especially affect African-American writers.

The most influential East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was the reading and writing of haiku. Here, esteemed contributors investigate the impact of Eastern philosophy and religion on African American writers such as Richard Wright, Ralph Ellison, and Toni Morrison, offering a fresh field of literary inquiry.

This collection contributes to scholarly discussions about the African American novel as a literary form. Essays respond to the general question, what has been the impact of the African American vernacular tradition from the spirituals, blues, gospel and jazz to hip hop on the structure and style of the modern African American novel?