Invisible Connections An Archaeometallurgical Analysis Of The Bronze Age Metalwork From The Egyptian Museum Of The University Of Leipzig

The Egyptian Museum of the University of Leipzig has the largest university collection of ancient Egyptian artefacts in Germany. This volume presents an analysis of 86 of these artefacts using a range of archaeometallurgical methods in order to provide a diachronic sample of Bronze Age Egyptian copper alloy metalwork from Dynasty 1 to Dynasty 19.

The first Science for Ancient Egyptian Materials and Technologies conference was held under the auspices of His Excellency Pr. Khaled el-Enany at the Manial Palace Museum in Cairo, from 4 to 6 November 2017. Its aim was to provide a venue at which specialists in the application of physical and chemical sciences to archaeology could meet, present their research and exchange ideas. Above all, it was intended to highlight the importance of archaeological sciences and interdisciplinary approaches within Egyptology. This volume brings together papers on high-level studies relevant to all fields of archaeometry, carried out both on museum objects and at excavation sites. It provides a general overview of the impressive possibilities that this science offers to various fields, and opens the way for a radical improvement of its application in archaeological research in Egypt.

Written by eminent scholars in the field, this edited volume is the first to treat in a comprehensive manner the archaeology of metallurgy's origins, focusing specifically on initial uses of copper and bronze, as well as the coming of iron across Asia from the Eastern Mediterranean to the Far East. It is a volume that should serve for some time to come as the source of the fundamental information upon which larger interpretations of metallurgical developments in Asia will be grounded. MASCA research papers, Vol. 16 University Museum Monograph, 89

The study of ancient metals in their social and cultural contexts has been a topic of considerable interest in archaeology and ancient history for decades, partly due to the modern dependence on technology and man-made materials. The formal study of Archaeometallurgy began in the 1970s-1980s, and has seen a recent growth in techniques, data, and theoretical movements. This comprehensive sourcebook on Archaeometallurgy provides an overview of earlier research as well as a review of modern techniques, written in an approachable way. Covering an extensive range of archaeological time-periods and regions, this volume will be a valuable resource for those studying archaeology worldwide. It provides a clear, straightforward look at the available methodologies, including: • Smelting processes • Slag analysis • Technical Ceramics • Archaeology of Mining and Field Survey • Ethnoarchaeology • Chemical Analysis and Provenance Studies • Conservation Studies With chapters focused on most geographic regions of Archaeometallurgical inquiry, researchers will find practical applications for metallurgical techniques in any area of their study. Ben Roberts is a specialist in the early metallurgy and later prehistoric archaeology of Europe. He was the Curator of the European Copper and Bronze Age collections at the British Museum between 2007 and 2012 and is now a Lecturer in Prehistoric Europe in the Departm ent of Archaeology at the Durham University, UK. Chris Thornton is a specialist in the ancient metallurgy of the Middle East, combining anthropological theory with archaeometrical analysis to understand the development and diffusion of metallurgical technologies throughout Eurasia. He is currently a Consulting Scholar of the University of Pennsylvania Museum, where he received his PhD in 2009, and the Lead Program Officer of research grants at the National Geographic Society.

Bronze ornaments of the Nordic Bronze Age were elaborate objects that served as status symbols to communicate social hierarchy. An interdisciplinary investigation of the artefacts (dating from 1500-1100 BC) was adopted to elucidate their manufacture and origin, resulting in new insights into metal craft in northern Europe during the Bronze Age.

The Social Context of Technology explores non-ferrous metalworking in Britain and Ireland during the Bronze and Iron Ages (c. 2500 BC to 1st century AD). Bronze-working dominates the evidence, though the crafting of other non-ferrous metals – including gold, silver, tin and lead – is also considered. Metalwork has long played a central role in accounts of European later prehistory. Metals were important for making functional tools, and elaborate decorated objects that were symbols of prestige. Metalwork could be treated in special or ritualised ways, by being accumulated in large hoards or placed in rivers or bogs. But who made these objects? Prehistoric smiths have been portrayed by some as prosaic technicians, and by others as mystical figures akin to magicians. They have been seen both as independent, travelling ‘entrepreneurs’, and as the dependents of elite patrons. Hitherto, these competing models have not been tested through a comprehensive assessment of the archaeological evidence for metalworking. This volume fills that gap, with analysis focused on metalworking tools and waste, such as crucibles, moulds, casting debris and smithing implements. The find contexts of these objects are examined, both to identify places where metalworking occurred, and to investigate the cultural practices behind the deposition of metalworking debris. The key questions are: what was the social context of this craft, and what was its ideological significance? How did this vary regionally and change over time? As well as elucidating a key aspect of later prehistoric life in Britain and Ireland, this important examination by leading scholars contributes to broader debates on material culture and the social role of craft.

Demonstrates that the pre-Islamic Sahara was a more connected region than previously thought, with trade an essential linking element.