Irish Country Furniture 1700 1950

This study focuses on the various customs and behaviour surrounding the objects which belonged to the majority of the Irish population. Where some were too impoverished to own furniture, it looks at how they managed without it, as well as the interaction of means of survival. The emphasis is placed upon materials, techniques, and makers; within this framework there emerges a functionalism and purity which has no heroes.

This major illustrated study investigates farmhouse and cabin furniture from all over the island of Ireland. It discusses the origins and evolution of useful objects, what materials were used and why, and how furniture made for small spaces, often with renewable elements, was innate and expected. Encompassing three centuries, it illuminates a way of life that has almost vanished. It contributes as much to our knowledge of Ireland's cultural history as to its history of furniture. Lavishly illustrated with a mass of the author's own photographs, mostly in colour and many previously unpublished, it draws on several decades of fieldwork, underpinned by academic research. It looks at influences such as traditional architecture, shortage of timber, why and how furniture was painted, and the characteristics of designs made by a range of furniture makers. The incorporation of natural materials such as bog oak, turf, driftwood, straw, recycled tyres or packing cases is viewed in terms of use, and durability. Chapters individually examine stools, chairs and then settles in all their ingenious and multi-purpose forms. How dressers were authentically arranged, with displays varying minutely according to time and place, reveal how some had indoor coops to encourage hens to lay through winter. Some people ate communally or slept in outshot beds, in the coldest north-west, this is illustrated through art as well as surviving objects. Hanging cradles and falling tables are discussed. A chapter is devoted to the hearth and the shrine, another focuses on small furnishings, such as horn spoons, wooden drinking vessels, basketry, tin-ware, aluminium, coarse earthenware and spongeware pottery.

This study focuses on the various customs and behaviour surrounding the objects which belonged to the majority of the Irish population. Where some were too impoverished to own furniture, it looks at how they managed without it, as well as the interaction of means of survival. The emphasis is placed upon materials, techniques, and makers; within this framework there emerges a functionalism and purity which has no heroes.

This work provides an insight into the history of Welsh stick chairs and includes instructions on how to make a chair, covering methods of bending the wood for chair construction. Illustrations show each stage in the building process.

This book offers a fascinating view of many aspects of Irish rural life from the eighteenth to the mid twentieth century. Illustrated with more than 250 images, many of which have not been published before, the book evokes the hardships and celebrations of laborers and farmers, men and women, the old and the young as depicted in oil paintings, watercolors, drawings, prints, postcards, and cartoons. Most of the illustrations show people engaged in indoor activities at home, but schools, shops, pubs, and doctors' surgeries are also included. Claudia Kinmonth draws on extensive knowledge of the material culture of rural life to present a new social history of Irish country people. Working within a broadly chronological framework, the author addresses such themes and patterns of rural life as the architecture of houses, where people slept, cooking over the open hearth, rural dress, display, childcare, work within the home, the arrangement of marriages, weddings, wakes, and celebrations. The book also explores why Irish and foreign artists depicted rural interiors and sets their work in the context of art history.

Together these countries pioneered new technologies that have made them ever richer.

This edition of Cormac O'Grada's study expands upon his central arguments about the agricultural and demographic developments surrounding the Great Irish Famine. It provides new statistical information, new appendices and integrated responses to the new research and writing on the subject that has appeared since the publication of the first edition in 1987.

This book describes the living-room artifacts, clothing styles, and intellectual proclivities of American classes from top to bottom.