Irrational Exuberance Egalley

Why the irrational exuberance of investors hasn't disappeared since the financial crisis In this revised, updated, and expanded edition of his New York Times bestseller, Nobel Prize–winning economist Robert Shiller, who warned of both the tech and housing bubbles, cautions that signs of irrational exuberance among investors have only increased since the 2008–9 financial crisis. With high stock and bond prices and the rising cost of housing, the post-subprime boom may well turn out to be another illustration of Shiller's influential argument that psychologically driven volatility is an inherent characteristic of all asset markets. In other words, Irrational Exuberance is as relevant as ever. Previous editions covered the stock and housing markets—and famously predicted their crashes. This edition expands its coverage to include the bond market, so that the book now addresses all of the major investment markets. It also includes updated data throughout, as well as Shiller's 2013 Nobel Prize lecture, which places the book in broader context. In addition to diagnosing the causes of asset bubbles, Irrational Exuberance recommends urgent policy changes to lessen their likelihood and severity—and suggests ways that individuals can decrease their risk before the next bubble bursts. No one whose future depends on a retirement account, a house, or other investments can afford not to read this book.

"A sexy, emotional, and pitch-perfect romance." —NPR on Lush Money Opposites attract in this rivals-to-lovers romance from Lush Money author Angelina M. Lopez Guapo pobrecito her grandmother calls him. The “poor handsome man.” Professor Jeremiah Post, the poor handsome man, is in fact standing in the way of Alejandra “Alex” Torres turning Loretta’s, her grandmother’s bar, into a viable business. The hot brainiac who sleeps in one of the upstairs tenant rooms already has all of her Mexican American family’s admiration; she won’t let him have the bar and building she needs to resurrect her career, too. Alex blowing into town has rocked Jeremiah to his mild-mannered core, but the large, boisterous Torres clan is everything he never had. He doesn’t believe Alex has the best interest of her family, their community, or the bar’s legacy in mind. To protect all three, he’ll stand up to the tough and tattooed bartender with whom he now shares a bedroom wall—and resist the insta-lust they both feel. But when an old enemy threatens Loretta’s and the surrounding neighborhood, Alex and Jeremiah must combine forces. It will take her might and his mind to save the home they both desperately need. "Sparks fly and tempers flare in this passionate, un-put-downable rivals-to-lovers romance that launches a sizzling new series...Lopez seamlessly blends high-heat romance with discussions of Alex’s heritage and the fascinating history of 19th-century Mexican immigrants to the Kansas plains. This is a treasure." —Publishers Weekly, starred review

A blazingly intelligent first book of essays from the award-winning author of Open City and Every Day Is for the Thief NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Time • The Guardian • Harper's Bazaar • San Francisco Chronicle • The Atlantic • Financial Times • Kirkus Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay and PEN/Jean Stein Book Award With this collection of more than fifty pieces on politics, photography, travel, history, and literature, Teju Cole solidifies his place as one of today’s most powerful and original voices. On page after page, deploying prose dense with beauty and ideas, he finds fresh and potent ways to interpret art, people, and historical moments, taking in subjects from Virginia Woolf, Shakespeare, and W. G. Sebald to Instagram, Barack Obama, and Boko Haram. Cole brings us new considerations of James Baldwin in the age of Black Lives Matter; the African American photographer Roy DeCarava, who, forced to shoot with film calibrated exclusively for white skin tones, found his way to a startling and true depiction of black subjects; and (in an essay that inspired both praise and pushback when it first appeared) the White Savior Industrial Complex, the system by which African nations are sentimentally aided by an America “developed on pillage.” Persuasive and provocative, erudite yet accessible, Known and Strange Things is an opportunity to live within Teju Cole’s wide-ranging enthusiasms, curiosities, and passions, and a chance to see the world in surprising and affecting new frames. Praise for Known and Strange Things “On every level of engagement and critique, Known and Strange Things is an essential and scintillating journey.”—Claudia Rankine, The New York Times Book Review (Editors’ Choice) “A heady mix of wit, nostalgia, pathos, and a genuine desire to untangle the world, or at the least, to bask in its unending riddles.”—The Atlantic “Brilliant . . . [Known and Strange Things] reveals Cole’s extraordinary talent and his capacious mind.”—Time “[Known and Strange Things] showcases the magnificent breadth of subjects [Cole] is able to plumb with . . . passion and eloquence.”—Harper’s Bazaar “[Cole is] one of the most vibrant voices in contemporary writing.”—LA Times “Cole has fulfilled the dazzling promise of his novels Every Day Is for the Thief and Open City. He ranges over his interests with voracious keenness, laser-sharp prose, an open heart and a clear eye.”—The Guardian “Remarkably probing essays . . . Cole is one of only a very few lavishing his focused attention on that most approachable (and perhaps therefore most overlooked) art form, photography.”—Chicago Tribune “There’s almost no subject Cole can’t come at from a startling angle. . . . His [is a] prickly, eclectic, roaming mind.”—The Boston Globe “[Cole] brings a subtle, layered perspective to all he encounters.”—Vanity Fair “In page after page, Cole upholds the sterling virtue of good writing combined with emotional and intellectual engagement.”—The New Statesman “[Known and Strange Things possesses] a passion for justice, a deep sympathy for the poor and the powerless around the world, and a fiery moral outrage.”—Poets and Writers

The Arabesque from Kant to Comics tracks the life and afterlife of the arabesque in its surprising transformation from an iconoclastic literary theory of early German Romanticism to aesthetic experimentation in both avant-garde art and popular culture. Its explosive growth in popularity was followed by an inevitable taming as arabesques became staples in book illustration, poetry publications, and even the decoration of printed scores. The subversive potential of the arabesque was preserved in one of its most surprising offspring, the comic strip: born at the moment when the cholera pandemic first swept through Europe, the comic translated the arabesque’s rank growth into unnerving lawlessness and sequences of contagious visual slapstick. Focusing roughly on the period between 1780 and 1880, this book illuminates the intersecting histories of avant-garde theories of writing, visual culture, and even the disciplinary origins of art history. In the process, it explores media history and intermediality, social networks and cultural transfer, as well as the rise of new and nontraditional art forms. This book will be of particular interest to scholars of art history, intellectual history, European art, aesthetics, book illustration, material culture, reproduction, comics, and German history.

Convenient and user-friendly, this one-volume guide provides resources for the entire three-year lectionary cycle, including midweek festival days. Brief comments on each of the three daily biblical texts identify themes for the day, musical settings for the appointed psalm are offered, organ music appropriate for the day is suggested, anthems for the day are graded according to difficulty, and hymns of the day are keyed to several hymnals. Pastors, music leaders, and worship committees will find much practical assistance for worship planning in the Handbook for the Common Lectionary.

A marriage of convenience and three nights a month. That’s all the sultry, self-made billionaire wants from the impoverished prince. And at the end of the year, she’ll grant him his divorce…with a settlement large enough to save his beloved kingdom. As a Latinx woman, Roxanne Medina has conquered small-town bullies, Ivy League snobs and boardrooms full of men. She’s earned the right to mother a princess and feel a little less lonely at the top. The offer she’s made is more than generous, and when the contract’s fulfilled, they’ll both walk away with everything they’ve ever wanted. Pr’ncipe Mateo Ferdinand Juan Carlos de Esperanza y Santos is one of the top winegrowers in the world, and he’s not marrying and having a baby with a stranger. Even if the millions she’s offering could save his once-legendary wine-producing principality. But the successful, single-minded beauty uses a weapon Prince Mateo hadn’t counted on: his own desire. Filthy Rich Book 1: Lush Money Book 2: Hate Crush Book 3: Serving Sin Also by Angelina M. Lopez: After Hours on Milagro Street

“[Lagnado writes] in crystalline yet melodious prose.” —New York Times Lucette Lagnado’s acclaimed, award-winning The Man in the White Sharkskin Suit (“[a] crushing, brilliant book” —New York Times Book Review) told the powerfully moving story of her Jewish family’s exile from Egypt. In her extraordinary follow-up memoir, The Arrogant Years, Lagnado revisits her first years in America, and describes a difficult coming-of-age tragically interrupted by a bout with cancer at age 16. At once a poignant mother and daughter story and a magnificent snapshot of the turbulent ’60s and ’70s, The Arrogant Years is a stunning work of memory and resilience that ranges from Cairo to Brooklyn and beyond—the unforgettable true story of a remarkable young woman’s determination to push past the boundaries of her life and make her way in the wider world.