Isis In A Global Empire

It introduces a religious dimension to the study of ethnic identity and globalization in the provinces of the Roman Empire.

The first study to document the extent and complexity of the cult's influence on Graeco-Roman and early Christian culture, R. E. Witt's acclaimed Isis in the Ancient World is now available in paperback Worship of the Egyptian goddess Isis dates as far back as 2500 B.C. and extended at least until the fifth century A.D. throughout the Roman world. The importance of her cult is attested to in Apuleius's Golden Ass, and evidence of its influence has been found in places as far apart as Afghanistan and Portugal, the Black Sea and northern England. The first study to document the extent and complexity of the cult's influence on Graeco-Roman and early Christian culture, R. E. Witt's acclaimed Isis in the Ancient World is now available in paperback.

Preliminary material /Sharon Kelly Heyob -- HISTORICAL PERSPECTIVES /Sharon Kelly Heyob -- THE ESSENTIAL NATURE OF ISIS /Sharon Kelly Heyob -- ISIS AS PERCEIVED BY WOMEN IN THE GRAECO-ROMAN WORLD /Sharon Kelly Heyob -- THE PARTICIPATION OF WOMEN IN THE CULT OF ISIS /Sharon Kelly Heyob -- MORALITY AND THE CULT OF ISIS /Sharon Kelly Heyob -- CONCLUSIONS /Sharon Kelly Heyob -- INDEX NOMINUM ET RERUM /Sharon Kelly Heyob -- INDEX AUCTORUM ANTIQUORUM /Sharon Kelly Heyob -- INDEX INSCRIPTIONUM /Sharon Kelly Heyob.

In June 2014 Islamic State launched an astonishing blitzkrieg which saw them seize control of an area in the Middle East the size of Britain. The news was soon filled with their relentless acts of savagery, yet nobody seemed to know who they were or where they’d come from. Now BBC reporter Andrew Hosken delivers the inside story on Islamic State. Through extensive first-hand reporting, Hosken builds a comprehensive picture of IS, their brutal ideology and exterminationist methods. Equally compelling and horrifying, Empire of Fear reveals how Islamic State came to be, explores how they might be defeated and asks a frightening question – if they were brought down, could we stop another group emerging to replace them?

The Islamic State, known as ISIS, exploded into the public eye in 2014 with startling speed and shocking brutality. It has captured the imagination of the global jihadist movement, attracting recruits in unprecedented numbers and wreaking bloody destruction with a sadistic glee that has alienated even the hardcore terrorists of its parent organization, al Qaeda. Jessica Stern and J.M. Berger, two of America’s leading experts on terrorism, dissect the new model for violent extremism that ISIS has leveraged into an empire of death in Iraq and Syria, and an international network that is rapidly expanding in the Middle East, North Africa and around the world. ISIS: The State of Terror traces the ideological innovations that the group deploys to recruit unprecedented numbers of Westerners, the composition of its infamous snuff videos, and the technological tools it exploits on social media to broadcast its atrocities, and its recruiting pitch to the world, including its success at attracting thousands of Western adherents. The authors examine ISIS’s predatory abuse of women and children and its use of horror to manipulate world leaders and its own adherents as it builds its twisted society. The authors offer a much-needed perspective on how world leaders should prioritize and respond to ISIS’s deliberate and insidious provocations.

This book explores Roman love elegy from postcolonial perspectives, arguing that the tropes, conventions, and discourses of the Augustan genre serve to reinforce the imperial identity of its elite, metropolitan audience. Love elegy presents the phenomena and discourses of Roman imperialism—in terms of visual spectacle (the military triumph), literary genre (epic in relation to elegy), material culture (art and luxury goods), and geographic space—as intersecting with ancient norms of gender and sexuality in a way that reinforces Rome’s dominance in the Mediterranean. The introductory chapter lays out the postcolonial frame, drawing from the work of Edward Said among other theorists, and situates love elegy in relation to Roman Hellenism and the varied Roman responses to Greece and its cultural influences. Four of the six subsequent chapters focus on the rhetorical ambivalence that characterizes love elegy’s treatment of Greek influence: the representation of the domina or mistress as simultaneously a figure for ‘captive Greece’ and a trope for Roman imperialism; the motif of the elegiac triumph, with varying figures playing the triumphator, as suggestive of Greco-Roman cultural rivalry; Rome’s competing visions of an Attic and an Asiatic Hellenism. The second and the final chapter focus on the figures of Osiris and Isis, respectively, as emblematic of Rome’s colonialist and ambivalent representation of Egypt, with the conclusion offering a deconstructive reading of elegy’s rhetoric of orientalism.

This volume explores and elucidates critical ancient world studies (CAWS), a new model for the study of the ancient world operating critically, setting itself against a long history of a discipline formulated to naturalise a hierarchical, white supremacist origin story for an imagined modern West. CAWS is a methodology for the study of antiquity that shifts away from the assumptions and approaches of the discipline known as classical studies and/or classics. Although it seeks to reckon with the discipline’s colonial history, it is not simply the application of decolonial theory or the search to uncover subaltern narratives in a subject that has special relevance to the privileged and powerful. Rather, it dismantles the structures of knowledge that have led to this privileging, and questions the categories, ideas, themes, narratives, and epistemological structures that have been deemed objective and essential within the inherited discipline of classics. The contributions in this book, by an international group of researchers, offer a variety of situated, embodied perspectives on the question of how to imagine a more critical discipline, rather than a unified single view. The volume is divided into four parts – “Critical Epistemologies”, “Critical Philologies”, “Critical Time and Critical Space”, and “Critical Approaches” – and uses these as spaces to propose disciplinary transformation. Critical Ancient World Studies: The Case for Forgetting Classics is a must-read for scholars and practitioners teaching in the field of classical studies, and the breadth of examples also makes it an invaluable resource for anyone working on the ancient world, or on confronting Eurocentrism, within other disciplines.

Preliminary material /J. GWYN GRIFFITHS -- INTRODUCTION /J. GWYN GRIFFITHS -- SIGLA /J. GWYN GRIFFITHS -- TEXT AND TRANSLATION /J. GWYN GRIFFITHS -- COMMENTARY /J. GWYN GRIFFITHS -- ADDENDA /J. GWYN GRIFFITHS -- A SELECT BIBLIOGRAPHY OF WORKS CONSULTED /J. GWYN GRIFFITHS -- GENERAL INDEX /J. GWYN GRIFFITHS.