Islamicate Cosmopolitan Spirit

Discover the essence of the Islamicate Cosmopolitan Spirit and what it has contributed to societies across the ages In Islamicate Cosmopolitan Spirit, author and expert, Bruce B. Lawrence, delivers a spiritual elan filtered through cultural practices and artefacts. Neither juridical nor creedal, the book expresses a desire for the just and the beautiful. The author sets out an original and fascinating theory, that Islamicate cosmopolitanism marks a new turn in global history. An unceasing, self-critical pursuit of truth, hitched to both beauty and justice, its history is marked by male elites who were scientific exemplars in the pre-modern period. In the modern period, these exemplars include women as well as men, artists as well as scientists. The Islamicate Cosmopolitans have had special impact across the Afro-Eurasian ecumene at the heart of civilized exchange between multiple groups with competing yet convergent interests. The Islamicate Cosmopolitan Spirit is a boundary busting challenge to those who think of the world merely in terms of an “Arab” Middle East. Readers will also benefit from: A thorough introduction to the Islamicate Cosmopolitan Spirit across time and space An exploration of premodern Afro-Eurasia and Persianate Culture in the Indian Ocean A practical discussion of the future of the Islamicate Cosmopolitan Spirit Perfect for all students of Islamicate civilization, both traditional and progressive, Islamicate Cosmopolitan Spirit will also earn a place in the libraries of general readers of world history and those grounded in the larger history of Islamicate Asia will find a perspective that centers their own contribution to the Islamicate Cosmopolitan Spirit.

A ground-breaking and comprehensive collection on various facets of Islamic spirituality throughout history and in the modern world The Wiley Blackwell Companion to Islamic Spirituality is an authoritative reference work comprising twenty-eight scholarly essays that explore the expressive and performative dimensions of Islamic spirituality. Edited by two of its most prominent scholars, and bringing together a stellar cast of contributors, this wide-ranging volume covers religious practices, sacred texts, history and places, gender, music, poetry, the visual arts, and politics. Spirituality has had a long and important history in Islam, where a focus on spirituality is required of every believer. Each Muslim is asked to achieve a state of devotion through prayer, fasting, supplications, recitations, pilgrimage, and ascetic practices. The essays in this volume explain the role of spirituality in Islam—from its beginnings, through the development of its institutions, and into the present day. They also reflect important new research, and discuss contemporary debates and issues affecting Islamic spirituality such as the Internet, social justice, the role of women, ethics, and religious fundamentalism. Offering readers a thought-provoking way to engage with the topic, this comprehensive work includes: The spirituality of words and letters, including the Qur’an, prophetic traditions in Islam, and litanies, invocations, and devotional texts Devotional practices in Islam, including the spirituality of prayer, ascetic spirituality, Qur’an recitation, and spirituality of the Sufi path Spirituality in literature, including Arabic and Persian poetry, spirituality in the modern novel, and the art of translation Spirituality in the arts, including the visual arts, music, song, and film Islamic spirituality and post-modern practices, including the Internet, Islamic hip-hop, and Salafism From the personal to the political, The Wiley Blackwell Companion to Islamic Spirituality offers a fresh and revitalized view of all aspects of spirituality in Islam. It is a must-have scholarly resource for advanced undergraduates, graduate students, instructors and scholars studying Islam, spirituality, and Asian and Middle Eastern history as well as general readers with an interest in the subject.

This book is an attempt to explain how, in the face of increasing religious authoritarianism in medieval Islamic civilization, some Muslim thinkers continued to pursue essentially humanistic, rational, and scientific discourses in the quest for knowledge, meaning, and values. Drawing on a wide range of Islamic writings, from love poetry to history to philosophical theology, Goodman shows that medieval Islam was open to individualism, occasional secularism, skepticism, even liberalism.

Islam means "peace" and "submission to God." With its ethical system of instruction for a balanced life based on faith and reason, how did this "religion of peace" come to be feared? After the 9/11 tragedy, Islam was judged by many in the West to be a hub of terrorism and a threat to world peace. People everywhere voiced concern over its concepts of war and Jihad. Ashraf traces these and related concepts from their inception in Qur'anic injunctions and the Prophet's precepts to their current interpretation, evaluating them in their spiritual, moral, juridical, and cultural contexts. Misunderstandings about Islam lie at the core of much bitterness and violence. With no central authority to definitively interpret its teachings, misconceptions regarding Islam's ideology of war and peace abound. To label Islam as militant is to misinterpret jihad as simply a call to war and to ignore its laws governing warfare, which emphasize restraint as far as possible. Islamic Philosophy of War and Peace explains the spirit of Islam, its mandate for peace, and what the pluralistic notion of jihad stands for in the hope that clearing up ambiguities will foster peaceful relations between Muslims and the rest of the world.

In Islamic Legal Thought: A Compendium of Muslim Jurists, twenty-three scholars each contribute a chapter containing the biography of a distinguished Muslim jurist and a translated sample of his work. Jurists of the formative, classical and modern periods are represented.

An, erudite, and invaluable contribution to the philosophical, religious, political, cultural, and historical dynamism of the Islamic civilization. ZARREEN AKBAR, Scholar of Islamic Literature. In this exceptionally impressive and brilliant book, Mirza Ashraf, rationally discusses and analyses the diversity and unity in Islamic civilization. Addressing many contemporary issues of concern, including terrorism, he proves philosophically that Islam united different tribes, races, and nations within its civilization, while keeping their socio-cultural diversity intact. In this process of cultural amalgamation, Islam, no more remained exclusively an Arab phenomenon. It became a multi-cultural, transnational socio-political and economic civilization. The author of this illuminating book has shown an intrinsic picture of Islam which I believe, could not be more timely. Dr. MOJAHID MIRZA; author of, Quagmire of Being, and an Independent Journalist and Broadcaster stationed at Moscow. Beginning with its founder Prophet Muhammad, Islamic civilization as a world religious, cultural, and political force, with rich, varied, and abundant literature, Mirza Ashraf has presented an insightful analysis of this civilization. It progressed because of its universal human values, with efforts to initiate progress in all fields of learning. This book, is a timely contribution to the present tension between Western and Islamic civilization. It explicates that the strain of recent cataclysm is focused on Islam as a religion, while its political and cultural aspects, which are the core of its civilization, are being ignored. Dr. MUHAMMAD HAFEEZ; author of: Human Character and Behavior, The Mission and Destiny of Humankind, and Who are the Believers.

In the third volume of the trilogy, Seta B. Dadoyan focuses on social and cultural aspects, rather than the core political focus exhibited in her first two volumes. Her objective is to suggest political readings of these themes and related texts by revealing hitherto unstudied and novel interactions in the cities of Asia Minor during the Mongol Period.Dadoyan focuses on the Armenian condition and role in the medieval Islamic world. She argues that if the entire region was the habitat of most of the Armenians, their history too is part of these locations and peoples. Dadoyan draws the outlines of a new philosophy of Armenian history based on hitherto obscured patterns of interaction.The first three chapters of this volume are dedicated to the images of Prophet Muhammad in Armenian literature. Dadoyan shows that direct interactions and borrowings happened regularly from Islamic sciences, reform projects, poetry, and arts. Dadoyan argues that the cosmopolitan urban environments were radically different from rural areas and close interactions took different and unexpected patterns. In the last part of the volume, she presents the first and only polemical-apologetic Armenian texts addressed to Islam at the end of the fourteenth century. This book is essential for all historians and Middle East scholars and is the latest volume in Transaction's Armenian Studies series.

In this first of a massive three-volume work, Seta B. Dadoyan studies the Armenian experience in the medieval Islamic world and takes the reader through hitherto undiscovered paradigmatic cases of interaction with other populations in the region. Being an Armenian, Dadoyan argues, means having an ethnic ancestry laden with narratives drawn from the vast historic Armenian habitat. Contradictory trends went into the making of Armenian history, yet most narratives fail to reflect this rich texture. Linking Armenian-Islamic history is one way of dealing with the problem. Dadoyan's concern is also to outline revolutionary elements in the making of Armenian ideologies and politics. This extensive work captures the multidimensional nature of the Armenian experience in the medieval Islamic world. The author holds that every piece of literature, including historical writing, is an artifact. It is a composition of many elements arranged in certain forms: order, sequence, proportion, detail, intensity, etc. The author has composed and arranged the larger subjects and their sub-themes in such a way as to create an open, dynamic continuity to Armenian history that is intellectually intriguing, aesthetically appealing, and close to lived experiences.