Island Of Bewilderment

Twenty-six-year-old college graduate, artist, and employee of the Ministry of Art and Culture, Hasti Nourian aspires to be a “new woman”—independent-minded, strong-willed, and in control of her own destiny. A destiny that includes Morad, an idealistic young architect and artist with whom Hasti is deeply in love. Morad is a sharp critic of Iran’s Westernized bourgeois class, the one that Hasti’s mother relishes. After Hasti’s father died, her mother had married a wealthy businessman and moved to an exclusive neighborhood of northern Tehran. Socializing with a mixed group of Americans, English-speaking Iranians, and British expats, her mother’s life revolves around gym visits, hairdressers, and party planning. When her mother persuades Hasti to join her at the spa, she introduces her to Salim, an eligible young man from a wealthy family whose British education and proper comportment, as well as his economic status, make him an ideal suitor for Hasti in her mother’s eyes. Against her better judgment, Hasti finds herself attracted to Salim and tempted by her mother’s comfortable lifestyle. As the novel unfolds, Hasti is torn between her first love and the radical politics of her university friends, and her love for her mother and the freedom economic security can bring. Set in Tehran in the mid-1970s, just a few years before the 1977–79 revolution, Daneshvar’s unforgettable novel depicts the tumultuous social, cultural, and economic changes of the day through the intimate story of a young woman’s struggle to find her identity.

Six stories by an Iranian novelist. The title piece is on a smuggler who forces his wife and daughter into prostitution, 'Potshard' is about a white woman who tries to adopt a village orphan, and 'Anis' is on how a woman adjusts to new husbands. By the author of 'Savushun'.

Introducing "narrative mobility" as a new approach in comparative studies of Iran and the US, this book reinterprets the politics and aesthetics of relations between the nations through an analysis of Iranian and American authors. The book focuses specifically on three authors—Simin Daneshvar, Shahriar Mandanipour, and Don DeLillo—who each employ narrative mobility to rethink intercultural negotiation, addressing parallel issues in America and Iran from different, but complementary, perspectives. The book analyzes the employment of parallel narrational techniques, presenting physically and virtually mobile characters who embody their respective countries as they move from one culture to another. The strange affinity between Iran and the US is ultimately revealed by viewing literary works as a "contact zone" through which the complicated relations and shared history of the two nations can be renegotiated. On a more theoretical level, the book reflects on the role of literature—in particular the novel as a transnational medium—as a bridge between nations in a period of globalization. With its focus on cross-cultural connections, the book will be of interest to anyone studying or researching comparative literature, US–Iran relations, and cultural studies generally.

OPRAH BOOK CLUB PICK 2021 SHORTLISTED FOR THE 2021 BOOKER PRIZE A heartrending new novel from the Pulitzer Prize-winning and #1 New York Times and internationally bestselling author of The Overstory. Named one of the Most Anticipated Books of 2021 by New York, Chicago Tribune, BookPage, Literary Hub, The Millions, New Statesmen and Times of London The astrobiologist Theo Byrne searches for life throughout the cosmos while singlehandedly raising his unusual nine-year-old son, Robin, following the death of his wife. Robin is funny, loving, and filled with plans. He thinks and feels deeply, and can spend hours painting elaborate pictures of the endangered animals he loves. He is also about to be expelled from third grade for smashing his friend in the face. What can a father do, when the only solution offered to his troubled son is to put him on psychoactive drugs? What can he say when his boy comes to him wanting an explanation for a world that is clearly in love with its own destruction? With its soaring descriptions of the natural world, its tantalizing visions of life beyond and its account of a father and son's ferocious love, Bewilderment marks Richard Powers's most intimate and moving novel. At its heart lies the question: How can we tell our children the truth about this beautiful, imperilled planet?

These stories not only portray, with incomparable perception, humour, and compassion, women from the various strata of Iranian society, but they also capture the essence of a rich traditional culture undergoing change. A nanny lets go of a little girl's hand in Shiraz's exotic and crowded Vakil Bazaar, and goes off to flirt with the nutseller -- the child is lost. In The Accident, the author portrays, in hilarious parody, a young woman who forsakes husband, children, and home just to own a car. The Playhouse is a traditional Persian theatre where the play and the players act on many levels both real and fantastic. The Traitor's Intrigue lets you into the life of a middle-class couple and brilliantly shows how a colonel's allegiance passed from Shah to Khomeini. To Whom Can I Say Hello? tells of an old woman's memories, her life, love, tragic outcome, and eventual hope. Loss of Jalal is a moving chronicle of the final days of Jalal Al-e Ahmad, one of Iran's great writers and the author's husband. Simin Daneshvar draws from over a thousand years of Persian storytelling tradition and combines this with modern techniques of short fiction and cinema. The result is both entertaining and a key of uncompromising honesty, rich detail, and a dazzling range of voices that guides the reader into the centre of a complex society and its concerns.

WINNER OF THE BARBARA JEFFERIS AWARD 2020 'Atmospheric...evocative...important.' Tom Keneally Kitty Hawke, the last inhabitant of a dying island sinking into the wind-lashed Chesapeake Bay, has resigned herself to annihilation... Until one night her granddaughter blows ashore in the midst of a storm, desperate, begging for sanctuary. For years, Kitty has kept herself to herself - with only the company of her wolfdog, Girl - unconcerned by the world outside, or perhaps avoiding its worst excesses. But blood cannot be turned away in times like these. And when trouble comes following her granddaughter, no one is more surprised than Kitty to find she will fight to save her as fiercely as her name suggests... A richly imagined and mythic parable of home and kin that cements Lucy Treloar's place as one of our most acclaimed novelists. SHORTLISTED FOR THE PRIME MINISTER'S LITERARY AWARD FOR FICTION 2020 SHORTLISTED FOR NSW PREMIER'S LITERARY AWARD FOR FICTION 2020 SHORTLISTED FOR ABIA LITERARY FICTION BOOK OF THE YEAR 2020 LONGLISTED FOR THE VOSS LITERARY AWARD 2020 PRAISE FOR LUCY TRELOAR 'A capacious talent' The Australian 'Deeply moving' The Age 'This lovely, atmospheric book sings of the inherent human drama, rising fragility of home-country and the recurrent need to flee and to protect. The journey told in this book is so evocative it will stay with the reader as an important literary fable of our period of history, in which a fraught world threatens all of us with flight, exile and bewilderment.' Tom Keneally, bestselling author of Schindler's Ark 'A work that is more than powerful: it's transformative.' Australian Book Review 'Disturbing but beautiful' Susan Wyndham

The four essays in this volume discuss the autobiographical writings of Iranian women. The contributors to the collection include William Hanaway, Michael Hillmann, and Farzaneh Milani. Milani asks why modern Persian literature, with its rich self-reflective tradition, has not produced many autobiographies, and what particular problems confront Iranian women engaging in autobiographical writing. Najmabadi discusses one of the earliest modern autobiographical writings by a woman, Taj os-Saltaneh’s Memories, and Hillman projects Forugh Farrokhzad’s poetry as an autobiographical voice. Hanaway investigates the possibilities of going beyond lack of Western-style autobiographical form and looking for what Persian literary forms and categories provide for the autobiographical voice.

This interdisciplinary study of how 9/11 and the 'war on terror' were represented during the Bush era, shows how culture often functioned as a vital resource, for citizens attempting to make sense of momentous historical events that frequently seemed beyond their influence or control.Illustrated throughout, the book discusses representation of 9/11 and the war on terror in Hollywood film, the 9/11 novel, mass media, visual art and photography, political discourse, and revisionist historical accounts of American 'empire,' between the September 11 attacks and the Congressional midterm elections in 2006. As well as prompting an international security crisis, and a crisis in international governance and law, David Holloway suggests the culture of the time also points to a 'crisis' unfolding in the institutions and processes of republican democracy in the United States. His book offers a cultural and ideological history of the period.