Islands Of Protest

Literature is an important vehicle to further knowledge of other cultures, and English translations of Okinawan literary works have had a major impact on the field of Okinawan studies. Yet the riches of Okinawa's literature have yet to be adequately mined. Islands of Protest attempts to address this lacuna with this new selection of critically acclaimed modern and contemporary works in English. The anthology includes poetry, fiction, and drama, drawing on Okinawa's distinct culture and subtropical natural environment to convey the emotions and tensions present in everyday life. Tōma Hiroko's poem "Backbone" juxtaposes the natural environment of aquamarine beaches and subtropical flora and fauna with the built environment of America's military bases. Stories by two of Okinawa's most dynamic contemporary authors display wide breadth, from the preservation of island dances and burial practices in Sakiyama Tami's "Island Confinement" and "Come Swaying, Come Swinging" to the bold, disquieting themes of violence and comfort women in Medoruma Shun's "Hope," "Taiwan Woman," and "Tree of Butterflies." The crown jewel of the anthology, Chinen Seishin's play The Human Pavilion, is based on an infamous historical incident in which Okinawans were put on display during a 1903 industrial exhibition in Osaka. In his 1978 masterpiece, Chinen depicts the relentless pressure on Okinawans to become more Japanese. Given the controversial presence of U.S. military forces in Okinawa, this book is particularly timely. Disputes between the United States and Japanese governments over construction of a new marine airbase at Henoko have led to the resignation of Japan's prime minister, the election of an anti-base governor, and repeated protests. Islands of Protest offers a compelling entrée into a complex culture, one marked by wartime decimation, relentless discrimination, and fierce resistance, yet often overshadowed by the clichéd notion of a gentle Okinawa so ceaselessly depicted in Japan's mass media.

The Nazi occupation of Europe of World War Two is acknowledged as a defining juncture and an important identity-building experience throughout contemporary Europe. Resistance is what 'saves' European societies from an otherwise chequered record of collaboration on the part of their economic, political, cultural and religious elites. Opposition took pride of place as a legitimizing device in the post-war order and has since become an indelible part of the collective consciousness. Yet there is one exception to this trend among previously occupied territories: the British Channel Islands. Collective identity construction in the islands still relies on the notion of 'orderly and correct relations' with the Germans, while talk of 'resistance' earns raised eyebrows. The general attitude to the many witnesses of conscience who existed in the islands remains ambiguous. This book conversely and expertly argues that there was in fact resistance against the Germans in the Channel Islands and is the first text to fully explore the complex relationship that existed between the Germans and the people of the only part of the British Isles to experience occupation.

Includes bibliographical references and index

Okinawan people have developed a unique tradition of protest in their long history of oppression and marginalization. Beginning with the Ryukyu Kingdom’s annexation to Japan in the late nineteenth century, Miyume Tanji charts the devastation caused by the Second World War, followed by the direct occupation of post-war Okinawa and continued presence of the US military forces in the wake of reversion to Japan in 1972. With ever more fragmented organizations, identities and strategies, Tanji explores how the unity of the Okinawan community of protest has come to rest increasingly on the politics of myth and the imagination. Drawing on original interview material with Okinawan protestors and in-depth analysis of protest history, Myth, Protest and Struggle in Okinawa will appeal to scholars of Japanese history and politics, and those working on social movements and protest.

Five women entered the Cathedral of Christ the Saviour in Moscow and began a performance of a "Punk Prayer." Young people fried eggs on the eternal flame near the Tomb of the Unknown Soldier in Ukraine. A small island in the Japan Sea provoked a diplomatic spat between the leadership of Japan and South Korea. All of these incidents are examples of politically motivated insults that escalated into surprisingly significant clashes. While the field of conflict analysis has looked extensively at the dynamics of insults between individuals, it has largely ignored the more complicated dynamics of insult committed between groups, often of uneven political and social power. In this book, Karina V. Korostelina offers a novel framework for analyzing the ways in which seemingly minor insults between ethnic groups, nations, and other types of groups escalate to disproportionately violent behavior and political conflict. Insult can take many forms. Yet, as this book shows, it is always a social act mutually defined between groups, and it has the power to destabilize and redefine social and power hierarchies. Korostelina identifies six different drivers of political insults, producing a theoretical model for analyzing intergroup insult and conflict. She uses her model to explore each of the incidents above, among other recent conflicts, to explicate the complicated dynamics that figure within them. The book concludes with practical suggestions for analyzing and resolving complex conflict situations.

In November 1918, the implementation of agrarian change in the Scottish Highlands threatened another wave of unemployment and eviction for the land-working population, which led to widespread and varied social protest. Those who had been away on war service (and their families) faced returning to exactly the same social and economic conditions in the Scottish Highlands they had hoped they had left behind in the struggle to make ’a land fit for heroes’. Widespread and varied social protest rapidly followed. It argues that, previously, there has been a failure to capture fully the geography, chronology typology and rate of occurrence of these events. The book not only offers new insights and a greater understanding of what was happening in the Highlands in this period, but illustrates how a range of forms of protest were used which demand attention, not least for the fact that these events, unlike most of the earlier Land Wars period, were successful. There are functioning townships in the Highlands today that owe their existence to the land invasions of the 1920s. The book innovatively concentrates on formulating explanation and interpretation from within and looks to the crofting landscape as base, means and motive to disturbance and interpretation. It proposes that protest is much more convincingly understood as an expression of environmental ethics from 'the bottom up' coming increasingly into conflict with conservationist views expressed from 'the top down' It focuses on individual case studies in order to engage more convincingly with an important evidential base - that of popular memory of land disturbances - and to adopt a frame and lens through which to explore the fluid and contingent nature of protest performances. Based upon the belief that in the study of landscapes of social protest the old shibboleth of space as solely passive setting and symbolic register is no longer tenable is paid here to nature/culture interactions, to vernacular ecological b