Crime Scene Photography

Crime Scene Photography is a book wrought from years of experience, with material carefully selected for ease of use and effectiveness in training, and field tested by the author in his role as a Forensic Services Supervisor for the Baltimore County Police Department. While there are many books on non-forensic photography, none of them adequately adapt standard image-taking to crime scene photography. The forensic photographer, or more specifically the crime scene photographer, must know how to create an acceptable image that is capable of withstanding challenges in court. This book blends the practical functions of crime scene processing with theories of photography to guide the reader in acquiring the skills, knowledge and ability to render reliable evidence. Required reading by the IAI Crime Scene Certification Board for all levels of certification Contains over 500 photographs Covers the concepts and principles of photography as well as the "how to" of creating a final product Includes end-of-chapter exercises

This handy pocket guide is an essential field guide to crime scene photography. The authors have used limited technical terms and jargon to distill concepts down to understandable, step-by-step methodologies. The book highlights best practices that apply to most any crime scene but specialized instructions—pertaining to unique evidence and crime scenes that present challenging conditions—are also provided. The book introduces concise, comprehensive checklists for photographing such evidence as tire tracks, dust impressions, fingerprints, luminescence from trace blood search reagents, and more. This convenient reference allows police professionals, investigators, and crime scene analysts and technicians to improve their proficiency to achieve professional, reliable results.

This collection contains never-before-published images of seminal LAPD cases, including the Black Dahlia murder, the Onion Field case, the Watts riots, the Manson murders, and more. Captions are culled from original police logs and newspaper accounts.

From the author of Crime Scene Photography, 2nd Edition, this introductory text serves as a detailed nuts-and-bolts version of its big brother, currently required reading for certification by the IAI Crime Scene Certification Board. Written for those just beginning their educations related to crime scene investigations, Introduction to Crime Scene Photography shares many of the features of the advanced text. This text initiates the novice to all the essentials of basic crime scene photography techniques. And, it provides a smooth transition to the more complicated and advanced techniques found in the larger text. The beginning of the book deals with basic theory and science of photography. This acquaints the reader with knowledge required to take superior photographs using composition, lighting and focus. Then follows photographing the crime scene, including specialty types of photography such as ultraviolet, fluorescence and infrared, going digital, using photos specifically to document bodies, wounds, and other related components to the crime scene. Also included are two chapters on the legal aspects of forensic photography and digital image processing. *Contains over 350 high-quality 4-color images *Includes a Companion Web site hosting images from the volume as well as an Instructor Web site with key words, lecture slides, test bank and supplemental images *'Rules of Thumb' are included to highlight key concepts

The ability to thoroughly and properly document a crime scene through photography is a must for crime scene investigators. Regardless of the time of day, weather conditions, or confines in which a piece of evidence is concealed, photographs must be true and accurate. Capturing all the pertinent information and evidence for use during an investigati

Crime Scene Photography, Third Edition, covers the general principles and concepts of photography, while also delving into the more practical elements and advanced concepts of forensic photography. Robinson assists the reader in understanding and applying essential concepts in order to create images that are able to withstand challenges in court. This text is a required reading by both the International Association for Identification’s Crime Scene Certification Board and the Forensic Photography Certification Board. Includes an instructor website with lecture slides, practical exercises, a test bank, and image collection and many videos which can be used. Extensively illustrated with over 1000 full color photographs, with many images entirely new for the third edition Over 100 practical exercises help the reader grasp the practical applications Variations of correct and incorrect approaches, to be used alongside practical exercises, available online in the Instructor’s Manual The chapter on Special Photographic Situations includes new sections on autopsy photography, images from drones, recommendations to photographically document bloodstain patterns and firearms trajectories

The ability to thoroughly and accurately photograph a crime scene is a mandate for all investigators, regardless of the time of day, weather conditions, or confines within which a piece of evidence is concealed. Evidence is commonly found in locations that are some of the most difficult to access and photograph. Having the knowledge, wherewithal, and skills necessary to photograph evidence in less-than-accommodating environments is vital to a photographer’s effectiveness and success. Advanced Crime Scene Photography, Third Edition takes a somewhat different approach to the subject over prior editions. Rather than assuming a crime scene investigator’s or photographer’s comfort with the operation of their cameras—and a basic understanding of apertures, shutter speeds, ISO values, and basic exposure calculations—the author has added coverage to provide a thorough review of basic photographic concepts, as a refresher to readers. And, for those less familiar or otherwise new to photography, such background makes the foundational concepts more understandable for those readers who require such information to understand the more advanced techniques covered later in the book. In addition to this background coverage, an entirely new chapter has been added to provide essential guidance on how to prepare and testify in court. Anyone with a camera phone can take a photograph in perfect lighting, with the subject sitting out in the open, and already positioned for the best composition. This book provides crime scene photographers with the skills necessary to record those same beautiful photographs in adverse condition, surrounded by tragedy, utilizing all the tools available to the investigator. The greatest tool a photographer has available to them is their brain. From start to finish, the value of quality crime scene photographs cannot be overemphasized; photographers must take control of their photographic endeavors, identify the challenges, design a plan to capture the image correctly, and then execute that plan. As such Advanced Crime Scene Photograph, Third Edition is written to help photographers achieve the goal of capturing the best possible images—especially in those difficult-to-capture, real-world environments and conditions—for utilization in capture illustrative images as admissible evidence and for usage in court. All photographers need to practice their craft, whether they are actively working cases as seasoned veterans or are just beginning their careers. This book provides the knowledge and skills essential to achieve career and professional success in crime scene photography.

Forensic photography plays a vitally important part in the investigation of crime and the subsequent administration of justice. Written by a practitioner with many years professional experience, this book provides an overview of the most common forensic photography techniques in use today for those readers who may not have a detailed understanding of camera techniques and who need to get to grips with the use of light and other key scientific aspects of the job. It covers image capture issues, file handling and relevant equipment, such as lasers and UV lights, and explores how they work. The predominance of the digital camera has resulted in an increasing trend for police forces across the world to use untrained camera users, rather than expert photographers. Therefore, this book will prove invaluable for those practitioners who need to produce accurate and clear photographic evidence, above and beyond the point and shoot mode on their cameras.