Jamie And The Realm Of Fantasy

Jamie’s reading in his garden when suddenly something appears in the bushes. An eye is staring at him. What could it be? How did it get there? Discover his amazing adventures.

This collection of linked poems from David Levithan, the author of the New York Times bestseller Every Day and the groundbreaking classic Boy Meets Boy and the co-author of Will Grayson, Will Grayson (with John Green), will introduce you to a world of unforgettable and emotionally resonant voices. Here’s what I know about the realm of possibility— it is always expanding, it is never what you think it is. Everything around us was once deemed impossible. From the airplane overhead to the phones in our pockets to the choir girl putting her arm around the metalhead. As hard as it is for us to see sometimes, we all exist within the realm of possibility. Most of the limits are of our own world’s devising. And yet, every day we each do so many things that were once impossible to us. Enter The Realm of Possibility and meet a boy whose girlfriend is in love with Holden Caulfield; a girl who loves the boy who wears all black; a boy with the perfect body; and a girl who writes love songs for a girl she can’t have. These are just a few of the captivating characters readers will get to know in this intensely heartfelt new novel about those ever-changing moments of love and heartbreak that go hand-in-hand with high school. David Levithan plumbs the depths of teenage emotion to create an amazing array of voices that readers won’t forget. So, enter their lives and prepare to welcome the realm of possibility open to us all. Love, joy, and these stories will linger. A MARGARET A. EDWARDS AWARD WINNER AN ALA TOP TEN BEST BOOK FOR YOUNG ADULTS A NEW YORK PUBLIC LIBRARY BOOK FOR THE TEEN AGE “Luminous . . . each voice sings with hope, humor and possibility.” —Time Out New York Kids

In this comprehensive study, Williamson traces the literary history of the fantasy genre from the eighteenth century to its coalescence following the success of Tolkien's work in the 1960s. While some studies have engaged with related material, there has been no extended study specifically exploring the roots of this now beloved genre.

Kira didn't mean to shoot Ryon, but he shouldn't have used light-bending magic to sneak across the border. That pale mask means he's a Tribal Alliance soldier, and the Empire pays a handsome reward for spies. When Ryon's escape plan goes up in flames, Kira is forced to choose: trust the snarky elementalist or get lost behind enemy lines.

With only a cat and a special flute, a lonely thirteen-year-old boy sets off on a journey and meets a trainman, a guru, a magician, and other adults, but he must find the meaning of life for himself.

A collection of story-sermons for children about moral and religious questions intended to be read aloud in the context of family worship.

The Fantasy Film provides a clear and compelling overview of this revitalized and explosively popular film genre. Includes analyses of a wide range of films, from early classics such as The Wizard of Oz and Harvey to Spiderman and Shrek, and blockbuster series such as The Lord of the Rings trilogy and The Harry Potter films Provides in-depth historical and critical overviews of the genre Fully illustrated with screen shots from key films

The films of David Lynch are sometimes said to be unintelligible. They confront us with strange dreamscapes populated with bizarre characters, obscure symbols and an infuriating lack of narrative consistency. Yet despite their opacity, they hold us transfixed. Lynch, who once told an interviewer, "I love dream logic," would surely agree with Sigmund Freud's famous claim that "before the problem of the creative artist, psychoanalysis must lay down its arms." But what else might the two agree on? Rather than presuming to fill in what Lynch leaves open by positing some forbidden psychosexual reality lurking behind his trademark red curtains, this book instead maintains a fidelity to the mysteries of his wonderful and strange filmic worlds, finding in them productive spaces where thought and imagination can be set to work. With contributions from scholars, psychoanalysts, cinephiles, and filmmakers, this collection of essays explores potential affinities and disjunctions between Lynch and Freud. Encompassing themes such as art, identity, architecture, fantasy, dreams, hysteria and the unconscious, Freud/Lynch takes as its point of departure the possibility that the enterprise in which these two distinct investigators are engaged might in some sense be a shared one.